American Cinematographer - April 2016 - 48

◗

Carrying Cinema's Flag
We're going to be doing a movie up in San
Francisco called No Small Affair.' And they
worked that out, too, which leads to
another story. Across from the equipment
room where I slept was the production
office, and on my way to work, I'd say good
morning to the production coordinator.
Midway through the film, there was a
crew party. Vilmos and I walk in the door,
and he looks across the way and sees this
beautiful blonde. He says, 'Joseph, who is
that blonde over there?' I said, 'That's
Susan Roether, the production coordinator.' And before I could even blink, he did
a beeline right to her. And the rest is
history - they were married for the next
30 years!

Top: Zsigmond
on location for
The Ghost and
the Darkness.
Bottom:
Zsigmond on
the set of
Playing by
Heart.

Chressanthis: In 1986, Howard
Schwartz, ASC recommended me for an
internship with Vilmos, and I worked on
The Witches of Eastwick. I watched and
absorbed many lessons while he worked
with director George Miller, Jack
Nicholson, Susan Sarandon, Michelle
Pfeiffer and Cher. I experienced firsthand
his collaboration with gaffer Colin
Campbell to achieve virtually all his looks
in camera, without the benefit of digital
effects.
It was toward the end of that film,
on location at the Doheny Mansion in
Beverly Hills, that Vilmos announced,
'Today there will be a long lunch!' George
Miller asked why, and Vilmos replied,
'Today is the 30th anniversary of the
Hungarian Revolution. There will be a
long lunch!' He turned and walked off the
set. Out on the grounds of the estate, a
group of Hungarians had come with food
and wine, and they set up an impromptu
banquet. Laszlo Kovacs arrived, and he
and Vilmos embraced. The two of them
presided over the gathering and toasted
the Revolution, and the friends and family
they lost. I thought to myself, 'What
amazing characters; what a story they had.'
In a [business] not renowned for it, Vilmos
and Laszlo defined loyalty.
Richard Donner (director on
Maverick, Assassins and Timeline): Two
of the most wonderful people I ever
worked with in this business were Vilmos
48

April 2016

American Cinematographer



Table of Contents for the Digital Edition of American Cinematographer - April 2016

Contents
American Cinematographer - April 2016 - Cover1
American Cinematographer - April 2016 - Cover2
American Cinematographer - April 2016 - 1
American Cinematographer - April 2016 - 2
American Cinematographer - April 2016 - Contents
American Cinematographer - April 2016 - 4
American Cinematographer - April 2016 - 5
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American Cinematographer - April 2016 - 64a
American Cinematographer - April 2016 - 64b
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