American Cinematographer - April 2016 - 105

nal microphones and supports XLR input
with Sony's XLR adapter kit, as well as
Gamma Display Assist, a new function that
allows users to monitor images or check
focus when recording S-Log movies. The
camera has enhanced zebra functionality for
greater exposure control. Picture profile
settings are available, as well as time
code/user bit and more.
The a6300 is equipped with a highcontrast, high-resolution XGA OLED TruFinder with approximately 2.4 million dots
that offers exceptional corner-to-corner visibility. There is a new mode available for the
viewfinder that allows display of images at
120 fps, ensuring that action is displayed
smoothly with very few afterimages,
making subject tracking through the TruFinder easier than ever.
The Wi-Fi- and NFC-compatible
a6300 features a robust magnesium-alloy
design and can be customized to fit nearly
any shooting style, with nine customizable
buttons to which 64 different functions can
be assigned. The camera adds a digital level
gauge as well as upgraded dust and moisture resistance, a reinforced lens-mount
structure, and a new shutter-release button
and mode dial with improved operability
and grip.
For
additional
information,
visit
www.sony.com/pxwz150
and
www.alphauniverse.com.

BandPro, IB/E Introduce
Macro FF Lenses
Klaus Eckerl, president of IB/E, and
ASC associate Amnon Band, president and
CEO of Band Pro, have unveiled a line of
professional APO Macro FF lenses. The
lenses were designed to address the industry-wide movement toward larger-format
sensors, including Red Weapon 6K and 8K,
Sony a7, and Arri Alexa 65 cameras. These
larger sensors require lenses that can cover
their larger area.
The APO Macro FF lens family


http://www.koernercamera.com http://www.sony.com/pxwz150 http://www.alphauniverse.com http://www.chrosziel.com/pca

American Cinematographer - April 2016

Table of Contents for the Digital Edition of American Cinematographer - April 2016

Contents
American Cinematographer - April 2016 - Cover1
American Cinematographer - April 2016 - Cover2
American Cinematographer - April 2016 - 1
American Cinematographer - April 2016 - 2
American Cinematographer - April 2016 - Contents
American Cinematographer - April 2016 - 4
American Cinematographer - April 2016 - 5
American Cinematographer - April 2016 - 6
American Cinematographer - April 2016 - 7
American Cinematographer - April 2016 - 8
American Cinematographer - April 2016 - 9
American Cinematographer - April 2016 - 10
American Cinematographer - April 2016 - 11
American Cinematographer - April 2016 - 12
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American Cinematographer - April 2016 - 14
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American Cinematographer - April 2016 - 19
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American Cinematographer - April 2016 - 27
American Cinematographer - April 2016 - 28
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American Cinematographer - April 2016 - 36
American Cinematographer - April 2016 - 37
American Cinematographer - April 2016 - 38
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American Cinematographer - April 2016 - 43
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American Cinematographer - April 2016 - 48
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American Cinematographer - April 2016 - 62
American Cinematographer - April 2016 - 63
American Cinematographer - April 2016 - 64
American Cinematographer - April 2016 - 64a
American Cinematographer - April 2016 - 64b
American Cinematographer - April 2016 - 65
American Cinematographer - April 2016 - 66
American Cinematographer - April 2016 - 67
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American Cinematographer - April 2016 - Cover3
American Cinematographer - April 2016 - Cover4
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