American Cinematographer - April 2017 - 79

took them everywhere, and they pull less
amperage than you get out of a regular
household circuit. I could bring one of
those right now into my living room and
plug it in and use it."
When Wiegand tried to add a
third Tener to the show's package she
ran into a roadblock: Mole-Richardson
was fresh out. "We called them and they
were like, 'Sorry, we don't have any more.
You have two of the eight that exist,'"
the cinematographer recalls. "[Honorary
ASC member] Larry Parker from
Mole-Richardson was emailing me like,
'Hey, how are those holding up? You
guys are our cold-weather test.' We put
those things up in sub-zero temperatures and took pictures of the lights next
to someone holding up their weather
app. The lights were completely
unfazed."
Wiegand served as cinematographer for the entirety of the 13-episode
order of Chicago Justice, with eight days
allotted per episode. She has never

rotated with another cinematographer
on any of her shows - which has in the
past created problems when a subsequent episode's director would go on a
tech scout that Wiegand couldn't attend
because she was shooting. "I'd run into
situations where I didn't meet the guest
directors until they walked on set the
first day to start directing their
episodes," she bemoans.
She now avoids that issue by placing her full trust in her family of crew.
On Chicago Justice, Wiegand would
attend the tech scout with the next
episode's director and leave Segal in
charge of shooting that day's work on
set.
"I really believe in promoting
people," Wiegand says. "If I've got
someone who's a focus puller and they
want to operate a camera, I try my best
to get them in there doing that on some
extra days when we have a C or D
camera. I feel that one of the most
important parts of my job is making sure

that the people who have dedicated so
much of their life and their time to
working with me on these shows have
the chance to excel in whatever it is they
want to do on set."
●

TECHNICAL SPECS
1.78:1
Digital Capture
Arri Alexa Plus
Fujinon Cabrio, Cooke S4/i

79


http://velvetlight.tv

Table of Contents for the Digital Edition of American Cinematographer - April 2017

Contents
American Cinematographer - April 2017 - Intro
American Cinematographer - April 2017 - Cover1
American Cinematographer - April 2017 - Cover2
American Cinematographer - April 2017 - 1
American Cinematographer - April 2017 - 2
American Cinematographer - April 2017 - Contents
American Cinematographer - April 2017 - 4
American Cinematographer - April 2017 - 5
American Cinematographer - April 2017 - 6
American Cinematographer - April 2017 - 7
American Cinematographer - April 2017 - 8
American Cinematographer - April 2017 - 9
American Cinematographer - April 2017 - 10
American Cinematographer - April 2017 - 11
American Cinematographer - April 2017 - 12
American Cinematographer - April 2017 - 13
American Cinematographer - April 2017 - 14
American Cinematographer - April 2017 - 15
American Cinematographer - April 2017 - 16
American Cinematographer - April 2017 - 17
American Cinematographer - April 2017 - 18
American Cinematographer - April 2017 - 19
American Cinematographer - April 2017 - 20
American Cinematographer - April 2017 - 21
American Cinematographer - April 2017 - 22
American Cinematographer - April 2017 - 23
American Cinematographer - April 2017 - 24
American Cinematographer - April 2017 - 25
American Cinematographer - April 2017 - 26
American Cinematographer - April 2017 - 27
American Cinematographer - April 2017 - 28
American Cinematographer - April 2017 - 29
American Cinematographer - April 2017 - 30
American Cinematographer - April 2017 - 31
American Cinematographer - April 2017 - 32
American Cinematographer - April 2017 - 33
American Cinematographer - April 2017 - 34
American Cinematographer - April 2017 - 35
American Cinematographer - April 2017 - 35A
American Cinematographer - April 2017 - 35B
American Cinematographer - April 2017 - 36
American Cinematographer - April 2017 - 37
American Cinematographer - April 2017 - 38
American Cinematographer - April 2017 - 39
American Cinematographer - April 2017 - 40
American Cinematographer - April 2017 - 41
American Cinematographer - April 2017 - 42
American Cinematographer - April 2017 - 43
American Cinematographer - April 2017 - 44
American Cinematographer - April 2017 - 45
American Cinematographer - April 2017 - 46
American Cinematographer - April 2017 - 47
American Cinematographer - April 2017 - 48
American Cinematographer - April 2017 - 49
American Cinematographer - April 2017 - 50
American Cinematographer - April 2017 - 51
American Cinematographer - April 2017 - 52
American Cinematographer - April 2017 - 53
American Cinematographer - April 2017 - 54
American Cinematographer - April 2017 - 55
American Cinematographer - April 2017 - 56
American Cinematographer - April 2017 - 57
American Cinematographer - April 2017 - 58
American Cinematographer - April 2017 - 59
American Cinematographer - April 2017 - 60
American Cinematographer - April 2017 - 61
American Cinematographer - April 2017 - 62
American Cinematographer - April 2017 - 63
American Cinematographer - April 2017 - 64
American Cinematographer - April 2017 - 65
American Cinematographer - April 2017 - 66
American Cinematographer - April 2017 - 67
American Cinematographer - April 2017 - 68
American Cinematographer - April 2017 - 69
American Cinematographer - April 2017 - 70
American Cinematographer - April 2017 - 71
American Cinematographer - April 2017 - 72
American Cinematographer - April 2017 - 73
American Cinematographer - April 2017 - 74
American Cinematographer - April 2017 - 75
American Cinematographer - April 2017 - 76
American Cinematographer - April 2017 - 77
American Cinematographer - April 2017 - 78
American Cinematographer - April 2017 - 79
American Cinematographer - April 2017 - 80
American Cinematographer - April 2017 - 81
American Cinematographer - April 2017 - 82
American Cinematographer - April 2017 - 83
American Cinematographer - April 2017 - 84
American Cinematographer - April 2017 - 85
American Cinematographer - April 2017 - 86
American Cinematographer - April 2017 - 87
American Cinematographer - April 2017 - 88
American Cinematographer - April 2017 - 89
American Cinematographer - April 2017 - 90
American Cinematographer - April 2017 - 91
American Cinematographer - April 2017 - 92
American Cinematographer - April 2017 - 93
American Cinematographer - April 2017 - 94
American Cinematographer - April 2017 - 95
American Cinematographer - April 2017 - 96
American Cinematographer - April 2017 - 97
American Cinematographer - April 2017 - 98
American Cinematographer - April 2017 - 99
American Cinematographer - April 2017 - 100
American Cinematographer - April 2017 - 101
American Cinematographer - April 2017 - 102
American Cinematographer - April 2017 - 103
American Cinematographer - April 2017 - 104
American Cinematographer - April 2017 - 105
American Cinematographer - April 2017 - 106
American Cinematographer - April 2017 - 107
American Cinematographer - April 2017 - 108
American Cinematographer - April 2017 - Cover3
American Cinematographer - April 2017 - Cover4
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