American Cinematographer - April 2018 - 110

◗

Daring Operation
PVMA170 17" monitor. Digital-imaging technician Joe Steel worked with a
Mac Pro system running Pomfort's
LiveGrade, and he used Blackmagic
Design Mini Recorders to capture Log
C reference video and create CDLs that
were later sent to the lab on a flash drive.
Entebbe had a shooting schedule
of nearly 10 weeks, six of which were
spent in Malta, where a terminal of the
international airport doubled for the one
in Entebbe. For night scenes at the location, Carvalho explains, "We chose
warm tones to represent the exterior
lighting, as if it was in the sodium-vapor
world, and cooler tones, towards fluorescents, for the interior light. In both
scenarios, we had practical lighting with
those main colors, as well as some opposite color tones to create a rich and realistic environment."
For night exteriors outside the
terminal, gaffer Shawn White suggested
they use Philips Vari-Lite VL3500
Washes arrayed on cranes, with 16 VLs
on each. These remote-operated moving
lights offered the flexibility to change
their color, focus them into a pool, or
spread them over an area; they were
rigged in two configurations, one without any diffusion, and the other with a
cube of Light Grid.
In addition to the Summilux-Cs,
Carvalho often employed a 14mm
Arri/Zeiss Master Prime, and although
he wasn't strict about maintaining a
consistent T-stop, he offers, "I like working between 2.0 and 2.8 in the digital
world. In some scenes, we went under
2.0, when we really wanted to separate
some specific element and leave the
background blurred."
Principal photography also took
the production to London for three
weeks. There, the art department found
the Harrow Civic Centre offered the
Brutalist architectural style they sought
for the Israeli government locations. The
production shot in the council chambers, the parking lot and the members'
lounge. "There was a lot of tension
between the characters who were negotiating the hijacking situation,"
Carvalho says. "Kave found this amaz-

Above: Lt. Col.
Yonatan
Netanyahu
(Angel Bonanni)
commands the
Israel Defense
Forces unit
tasked with the
rescue mission.
Middle and
below: Padilha
works through
the rescue
mission with
cast.

110

April 2018

American Cinematographer



Table of Contents for the Digital Edition of American Cinematographer - April 2018

Contents
American Cinematographer - April 2018 - Cover1
American Cinematographer - April 2018 - Cover2
American Cinematographer - April 2018 - 1
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