American Cinematographer - April 2018 - 22

also be substantial. Electrical usage -
generator fuel or kilowatt-hours charged
- decreases; air conditioning costs are
reduced, as there's no need to combat the
heat generated from incandescent sources;
the expendables budget goes down, since
Field Guide
Power Consumption and
Alternate Light Sources
Traditional tungsten fixtures are incandescent sources of light - incandescent
meaning "light from heat." In order for an
incandescent source to produce light, electricity passes through the tungsten filament,
which resists the electrical flow of electrons;
the friction of that resistance in turn causes
the element to heat up until it eventually gets
hot enough to glow.
This process produces beautiful light,
but at the cost of considerable energy being
lost to the generation of heat - 70-80
percent of the energy used by a tungsten
light bulb is lost to heat. A naturally occurring
metal, tungsten is a very brittle substance
with the highest melting point of non-alloyed
metals, and the second highest melting point
of all elements on the periodic table:
3,422°C, or 6,192°F. This makes it the perfect
source of incandescence, as the standard
tungsten filament can heat up to temperatures of more than 5,000°F. That's super hot
- and it results in the expenditure of a lot of
energy, which means it takes more electricity
to produce a given amount of light from a
tungsten fixture than it does from other
sources of light.
Fluorescent lighting, for example,
requires significantly less energy. Instead of
"light from heat," it's produced by means of
an arc of electricity that excites mercury mole-

color-tunable LEDs do away with the need
for colored lighting gels; the crew saves
time, since no one needs to climb into the
perms to scrim a fixture or swap out a gel;
and pre-rigging time and hardware requirements are mitigated thanks to lighter-

weight fixtures and simpler DMX cabling. It
all adds up very quickly.
LED technology continues to evolve.
It is not yet a perfect medium - but it is
certainly a lighting solution that is here to
●
stay.

cules suspended in gas inside the tube; the
excited mercury then strikes phosphors that
coat the inside of the tube and creates light,
aka fluorescence. The greater the surface
area of the fluorescent tube, the brighter the
source of light. This is why compact fluorescent bulbs have those tight curls to them:
Those curls create more overall surface area
and, therefore, a brighter output. Although
fluorescent fixtures require a ballast to regulate the arc of electricity inside the tube, they
need relatively low electrical current to function - about 60-70 percent less electricity
than a tungsten lamp with an equivalent
brightness.
LED fixtures are even more efficient in
their electrical usage per lumen. The movement of the electrons within the light-emitting diode creates its own light, with little to
no wasted energy. This efficiency means that
for the equivalent output of a tungsten bulb,
an LED fixture uses up to 80 percent less
energy.
One of the woes of location shooting,
especially on small productions where you
can't afford a generator or a qualified electrician to tap into existing power, is being
limited to wall-socket power in the 15-amp
or, at most, 20-amp variety. (See Shot Craft,
"Keeping the Lights On," AC March '18.)
This limits you to, at most, a 2,000-watt
fixture - which is definitely pushing the
limits of safety. In the HMI world, you're
limited to a 1,200-watt fixture or perhaps the
1,800-watt Arri M18, which was specifically

designed to be the most HMI output you can
get on 20-amp "household" power. Where
you get the most bang for your buck - the
highest output with the lowest energy
consumption - is with fluorescent and LED
fixtures.
Energy in this sense is wattage. If we
recall the "West Virginia" law - watts =
volts x amps - we can see that while voltage
remains a constant, if we reduce the
wattage, we also reduce the amperage.
If a 100-watt tungsten bulb produces
approximately 1,600 lumens of illumination,
it also consumes 1 amp of electricity (assuming a 100-volt system). If a 1,600-lumen fluorescent fixture only requires 25 watts of
power, then it only consumes .25 amps. The
same 1,600 lumens can be produced by an
LED fixture at 15 watts, which is only .15
amps. So we're using significantly less electricity for the same general amount of light.
Scaling this up, imagine that you're
lighting a scene where you would normally
use a 2K tungsten soft light - that's 20 amps
of electricity. The same brightness of light
from a fluorescent fixture requires only 750
watts, or 7.5 amps. With LEDs that's about
400 watts, or 4 amps.
You can quickly see how utilizing alternate power sources not only saves electricity,
but allows you to light brighter scenes with
available power.
- JH

From left: A Mole-Richardson 2K tungsten Fresnel, an Arri M18 1.8K HMI, a Kino Flo 2' 4Bank fluorescent fixture, and LiteGear LiteMat LED units.

22

April 2018

American Cinematographer



Table of Contents for the Digital Edition of American Cinematographer - April 2018

Contents
American Cinematographer - April 2018 - Cover1
American Cinematographer - April 2018 - Cover2
American Cinematographer - April 2018 - 1
American Cinematographer - April 2018 - 2
American Cinematographer - April 2018 - Contents
American Cinematographer - April 2018 - 4
American Cinematographer - April 2018 - 5
American Cinematographer - April 2018 - 6
American Cinematographer - April 2018 - 7
American Cinematographer - April 2018 - 8
American Cinematographer - April 2018 - 9
American Cinematographer - April 2018 - 10
American Cinematographer - April 2018 - 11
American Cinematographer - April 2018 - 12
American Cinematographer - April 2018 - 13
American Cinematographer - April 2018 - 14
American Cinematographer - April 2018 - 15
American Cinematographer - April 2018 - 16
American Cinematographer - April 2018 - 17
American Cinematographer - April 2018 - 18
American Cinematographer - April 2018 - 19
American Cinematographer - April 2018 - 20
American Cinematographer - April 2018 - 21
American Cinematographer - April 2018 - 22
American Cinematographer - April 2018 - 23
American Cinematographer - April 2018 - 24
American Cinematographer - April 2018 - 25
American Cinematographer - April 2018 - 26
American Cinematographer - April 2018 - 27
American Cinematographer - April 2018 - 28
American Cinematographer - April 2018 - 29
American Cinematographer - April 2018 - 30
American Cinematographer - April 2018 - 31
American Cinematographer - April 2018 - 32
American Cinematographer - April 2018 - 33
American Cinematographer - April 2018 - 34
American Cinematographer - April 2018 - 35
American Cinematographer - April 2018 - 36
American Cinematographer - April 2018 - 37
American Cinematographer - April 2018 - 38
American Cinematographer - April 2018 - 39
American Cinematographer - April 2018 - 40
American Cinematographer - April 2018 - 41
American Cinematographer - April 2018 - 42
American Cinematographer - April 2018 - 43
American Cinematographer - April 2018 - 44
American Cinematographer - April 2018 - 45
American Cinematographer - April 2018 - 46
American Cinematographer - April 2018 - 47
American Cinematographer - April 2018 - 48
American Cinematographer - April 2018 - 49
American Cinematographer - April 2018 - 50
American Cinematographer - April 2018 - 51
American Cinematographer - April 2018 - 52
American Cinematographer - April 2018 - 53
American Cinematographer - April 2018 - 54
American Cinematographer - April 2018 - 55
American Cinematographer - April 2018 - 56
American Cinematographer - April 2018 - 57
American Cinematographer - April 2018 - 58
American Cinematographer - April 2018 - 59
American Cinematographer - April 2018 - 60
American Cinematographer - April 2018 - 61
American Cinematographer - April 2018 - 62
American Cinematographer - April 2018 - 63
American Cinematographer - April 2018 - 64
American Cinematographer - April 2018 - 65
American Cinematographer - April 2018 - 66
American Cinematographer - April 2018 - 67
American Cinematographer - April 2018 - 68
American Cinematographer - April 2018 - 69
American Cinematographer - April 2018 - 70
American Cinematographer - April 2018 - 71
American Cinematographer - April 2018 - 72
American Cinematographer - April 2018 - 73
American Cinematographer - April 2018 - 74
American Cinematographer - April 2018 - 75
American Cinematographer - April 2018 - 76
American Cinematographer - April 2018 - 77
American Cinematographer - April 2018 - 78
American Cinematographer - April 2018 - 79
American Cinematographer - April 2018 - 80
American Cinematographer - April 2018 - 81
American Cinematographer - April 2018 - 82
American Cinematographer - April 2018 - 83
American Cinematographer - April 2018 - 84
American Cinematographer - April 2018 - 85
American Cinematographer - April 2018 - 86
American Cinematographer - April 2018 - 87
American Cinematographer - April 2018 - 88
American Cinematographer - April 2018 - 89
American Cinematographer - April 2018 - 90
American Cinematographer - April 2018 - 91
American Cinematographer - April 2018 - 92
American Cinematographer - April 2018 - 93
American Cinematographer - April 2018 - 94
American Cinematographer - April 2018 - 95
American Cinematographer - April 2018 - 96
American Cinematographer - April 2018 - 97
American Cinematographer - April 2018 - 98
American Cinematographer - April 2018 - 99
American Cinematographer - April 2018 - 100
American Cinematographer - April 2018 - 101
American Cinematographer - April 2018 - 102
American Cinematographer - April 2018 - 103
American Cinematographer - April 2018 - 104
American Cinematographer - April 2018 - 105
American Cinematographer - April 2018 - 106
American Cinematographer - April 2018 - 107
American Cinematographer - April 2018 - 108
American Cinematographer - April 2018 - 109
American Cinematographer - April 2018 - 110
American Cinematographer - April 2018 - 111
American Cinematographer - April 2018 - 112
American Cinematographer - April 2018 - 113
American Cinematographer - April 2018 - 114
American Cinematographer - April 2018 - 115
American Cinematographer - April 2018 - 116
American Cinematographer - April 2018 - 117
American Cinematographer - April 2018 - 118
American Cinematographer - April 2018 - 119
American Cinematographer - April 2018 - 120
American Cinematographer - April 2018 - 121
American Cinematographer - April 2018 - 122
American Cinematographer - April 2018 - 123
American Cinematographer - April 2018 - 124
American Cinematographer - April 2018 - 125
American Cinematographer - April 2018 - 126
American Cinematographer - April 2018 - 127
American Cinematographer - April 2018 - 128
American Cinematographer - April 2018 - 129
American Cinematographer - April 2018 - 130
American Cinematographer - April 2018 - 131
American Cinematographer - April 2018 - 132
American Cinematographer - April 2018 - 133
American Cinematographer - April 2018 - 134
American Cinematographer - April 2018 - 135
American Cinematographer - April 2018 - 136
American Cinematographer - April 2018 - Cover3
American Cinematographer - April 2018 - Cover4
https://www.nxtbook.com/nxtbooks/ac/ac0524
https://www.nxtbook.com/nxtbooks/ac/ac0424
https://www.nxtbook.com/nxtbooks/ac/ac0324
https://www.nxtbook.com/nxtbooks/ac/ac0224
https://www.nxtbook.com/nxtbooks/ac/ac0124
https://www.nxtbook.com/nxtbooks/ac/ac1223
https://www.nxtbook.com/nxtbooks/ac/ac1123
https://www.nxtbook.com/nxtbooks/ac/ac1023
https://www.nxtbook.com/nxtbooks/ac/ac0923
https://www.nxtbook.com/nxtbooks/ac/ac0823
https://www.nxtbook.com/nxtbooks/ac/ac0723
https://www.nxtbook.com/nxtbooks/ac/ac0623
https://www.nxtbook.com/nxtbooks/ac/ac0523
https://www.nxtbook.com/nxtbooks/ac/ac0423
https://www.nxtbook.com/nxtbooks/ac/ac0323
https://www.nxtbook.com/nxtbooks/ac/ac0223
https://www.nxtbook.com/nxtbooks/ac/ac0123
https://www.nxtbook.com/nxtbooks/ac/ac1222
https://www.nxtbook.com/nxtbooks/ac/ac1122
https://www.nxtbook.com/nxtbooks/ac/ac1022
https://www.nxtbook.com/nxtbooks/ac/ac0922
https://www.nxtbook.com/nxtbooks/ac/ac0822
https://www.nxtbook.com/nxtbooks/ac/ac0722
https://www.nxtbook.com/nxtbooks/ac/ac0622
https://www.nxtbook.com/nxtbooks/ac/ac0522
https://www.nxtbook.com/nxtbooks/ac/ac0422
https://www.nxtbook.com/nxtbooks/ac/ac0322
https://www.nxtbook.com/nxtbooks/ac/ac0222
https://www.nxtbook.com/nxtbooks/ac/ac0122
https://www.nxtbook.com/nxtbooks/ac/ac1221
https://www.nxtbook.com/nxtbooks/ac/ac1121
https://www.nxtbook.com/nxtbooks/ac/ac1021
https://www.nxtbook.com/nxtbooks/ac/ac0921
https://www.nxtbook.com/nxtbooks/ac/ac0821
https://www.nxtbook.com/nxtbooks/ac/ac0721
https://www.nxtbook.com/nxtbooks/ac/ac0621
https://www.nxtbook.com/nxtbooks/ac/ac0521
https://www.nxtbook.com/nxtbooks/ac/ac0421
https://www.nxtbook.com/nxtbooks/ac/ac0321
https://www.nxtbook.com/nxtbooks/ac/ac0221
https://www.nxtbook.com/nxtbooks/ac/ac0121
https://www.nxtbook.com/nxtbooks/ac/ac1220
https://www.nxtbook.com/nxtbooks/ac/ac1020
https://www.nxtbook.com/nxtbooks/ac/ac0920
https://www.nxtbook.com/nxtbooks/ac/ac0820
https://www.nxtbook.com/nxtbooks/ac/ac0720
https://www.nxtbook.com/nxtbooks/ac/ac0620
https://www.nxtbook.com/nxtbooks/ac/ac0520
https://www.nxtbook.com/nxtbooks/ac/ac0420
https://www.nxtbook.com/nxtbooks/ac/ac0320
https://www.nxtbook.com/nxtbooks/ac/ac0220
https://www.nxtbook.com/nxtbooks/ac/ac0120
https://www.nxtbook.com/nxtbooks/ac/ac1219
https://www.nxtbook.com/nxtbooks/ac/ac1119
https://www.nxtbook.com/nxtbooks/ac/ac1019
https://www.nxtbook.com/nxtbooks/ac/ac0919
https://www.nxtbook.com/nxtbooks/ac/ac0819
https://www.nxtbook.com/nxtbooks/ac/ac0719
https://www.nxtbook.com/nxtbooks/ac/ac0619
https://www.nxtbook.com/nxtbooks/ac/ac0519
https://www.nxtbook.com/nxtbooks/ac/ac0419
https://www.nxtbook.com/nxtbooks/ac/ac0319
https://www.nxtbook.com/nxtbooks/ac/ac0219_v2
https://www.nxtbook.com/nxtbooks/ac/ac0219
https://www.nxtbook.com/nxtbooks/ac/ac0119_v2
https://www.nxtbook.com/nxtbooks/ac/ac0119
https://www.nxtbook.com/nxtbooks/ac/ac1218
https://www.nxtbook.com/nxtbooks/ac/ac1118
https://www.nxtbook.com/nxtbooks/ac/ac1018
https://www.nxtbook.com/nxtbooks/ac/ac0918
https://www.nxtbook.com/nxtbooks/ac/ac0818
https://www.nxtbook.com/nxtbooks/ac/ac0718
https://www.nxtbook.com/nxtbooks/ac/ac0618
https://www.nxtbook.com/nxtbooks/ac/ac0518
https://www.nxtbook.com/nxtbooks/ac/ac0418
https://www.nxtbook.com/nxtbooks/ac/ac0318
https://www.nxtbook.com/nxtbooks/ac/ac0218
https://www.nxtbook.com/nxtbooks/ac/ac0118
https://www.nxtbook.com/nxtbooks/ac/ac1217
https://www.nxtbook.com/nxtbooks/ac/ac1117
https://www.nxtbook.com/nxtbooks/ac/ac1017
https://www.nxtbook.com/nxtbooks/ac/ac0917
https://www.nxtbook.com/nxtbooks/ac/ac0817
https://www.nxtbook.com/nxtbooks/ac/ac0717
https://www.nxtbook.com/nxtbooks/ac/ac0617
https://www.nxtbook.com/nxtbooks/ac/ac0517
https://www.nxtbook.com/nxtbooks/ac/ac0417
https://www.nxtbook.com/nxtbooks/ac/ac0317
https://www.nxtbook.com/nxtbooks/ac/ac0217
https://www.nxtbook.com/nxtbooks/ac/ac0117
https://www.nxtbook.com/nxtbooks/ac/ac1216
https://www.nxtbook.com/nxtbooks/ac/ac1116
https://www.nxtbook.com/nxtbooks/ac/ac1016
https://www.nxtbook.com/nxtbooks/ac/ac0916
https://www.nxtbook.com/nxtbooks/ac/ac0816
https://www.nxtbook.com/nxtbooks/ac/ac0716
https://www.nxtbook.com/nxtbooks/ac/ac0616
https://www.nxtbook.com/nxtbooks/ac/ac0516
https://www.nxtbook.com/nxtbooks/ac/ac0416
https://www.nxtbook.com/nxtbooks/ac/ac0316
https://www.nxtbook.com/nxtbooks/ac/ac0216
https://www.nxtbook.com/nxtbooks/ac/ac0116
https://www.nxtbook.com/nxtbooks/ac/ac1215
https://www.nxtbook.com/nxtbooks/ac/ac1115
https://www.nxtbook.com/nxtbooks/ac/ac1015
https://www.nxtbook.com/nxtbooks/ac/ac0915
https://www.nxtbook.com/nxtbooks/ac/ac0815
https://www.nxtbook.com/nxtbooks/ac/ac0715
https://www.nxtbook.com/nxtbooks/ac/ac0615
https://www.nxtbook.com/nxtbooks/ac/ac0515
https://www.nxtbook.com/nxtbooks/ac/ac0415
https://www.nxtbook.com/nxtbooks/ac/ac0315
https://www.nxtbook.com/nxtbooks/ac/ac0215
https://www.nxtbook.com/nxtbooks/ac/ac0115
https://www.nxtbookmedia.com