American Cinematographer - April 2021 - 44

ASC INSPIRATIONS

Kramer Morgenthau, ASC, whose credits include Fahrenheit 451 (2018),
cites Caravaggio - whose 1608 painting Portrait of a Maltese Knight is
pictured here - as an influence he shares with many cinematographers.

[ASC, AIC]'s work, particularly The Conformist.
What I took away from Caravaggio and the Caravaggisti - other
prominent artists who were influenced by him, such as the French
painter Georges de La Tour - was the chiaroscuro school of lighting,
exemplified by bold, luscious, expressive uses of shadow and light -
lots of darkness, lots of negative fill, perhaps more shadow than light.
Shafts of light and " God rays " also began to appear in my work in
humble homage to ASC masters such as Storaro, Gregg Toland, Conrad
Hall, Robert Richardson, Darius Khondji and Jordan Cronenweth. I explored this strategy on a number of features I shot, including Fracture
and Thor: The Dark World, and went even further with it on my episodes
of Boardwalk Empire and Game of Thrones.
To this day, while traveling, I still search throughout Europe and the
U.S. to seek out those rarer Caravaggio paintings hidden in some unassuming church or museum. The violence and drama of Caravaggio's life
spills onto his canvasses. There is something so expressive and jolting
about his graphic use of shadow and light, and I also relate to his outsider's alienated, nonconformist perspective. Although his work is widely
canonized today, it really shocked the mainstream art circles of his era.
He distinguished himself from his baroque contemporaries by using ordinary, real-life subjects with austere, minimalist backgrounds to depict
subjects as sacred as Jesus.
As my career has progressed, I've gravitated toward softer, gentler,
more natural light and a more " invisible " style of cinematography. I've
moved away from stronger, more obvious key lighting, employing more
ambient sources and, in particular, the kind of toplight strategies pioneered by ASC greats like Gordon Willis and Harris Savides. Painters
of the natural-light school have also spoken to me, including Andrew
Wyeth, J.M.W. Turner, George Bellows and the O.G. master of soft yet
44 / APRIL 2021

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American Cinematographer - April 2021

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American Cinematographer - April 2021 - 1
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American Cinematographer - April 2021 - 28a
American Cinematographer - April 2021 - 28b
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