these two films together, they have the same visual language.” Also returning for the sequel were Bauman, key grip Tana Dubbe and camera operator Colin Anderson. Libatique notes, “My focus puller on the first film, Peter Berglund, became the Bcamera operator, and Mark Santoni was the A-camera first AC. The continuity between the two films made it a lot easier and very enjoyable for me. We could work more quickly as a collective because we understood the dynamics of the franchise.” Those dynamics include a predilection for improvisation that emphasizes performance over camera- Top: A TransLite gives Stark’s mansion a view of the Pacific while Lumapanels offer some “daylight” ambience. Middle: When Stark throws a party, his mansion’s lighting instantly switches to party mode thanks to Clay Paky Alpha Profile 300s positioned above the set. Bottom left: Libatique takes five with Downey and Don Cheadle, who plays Col. Rhodes. Bottom right: Stark and Rhodes don armor for a brawl in Stark’s home gym. www.theasc.com May 2010 27http://www.theasc.com