American Cinematographer - May 2012 - 61

Elswit, who won ASC and Academy awards for his work on Anderson’s There Will Be Blood , expresses a unique pride in his collaborations with the director. “Paul is one of the few people I’ve worked with that has a poetic temperament. That allows him to do things in his films where you know the result will be more than the sum of its parts. It’s a combination of the way we shoot it and light the picture, the way it’s performed and edited, the way everything resonates with everything else. Each scene is doing more than just telling a story; it’s doing something you can’t put into words. And that puts him, I think, in the land of people like Bergman, Kurosawa, Ozu and Ford.” ●
Gaffer Jim Plannette (left) sends Elswit a telepathic message on set.

THE ROUND

PEGS HAD

A PRETTY
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American Cinematographer - May 2012

Table of Contents for the Digital Edition of American Cinematographer - May 2012

American Cinematographer - May 2012
Contents
Editor’s Note
President’s Desk
Short Takes: M.I.A.’s “Bad Girls”
Production Slate: Person of Interest • The Raven
Harsh Realms
Wild Passion
Tales of Ordinary Madness
Top of Their Class
Center Stage for Cinematographers
Post Focus: Technicolor Restores Wings
New Products & Services
International Marketplace
Classified Ads
Ad Index
In Memoria: Ric Waite, ASC; Herbert S. Alpert, ASC, CSC
Clubhouse News
ASC Close-Up: Darius Khondji
American Cinematographer - May 2012 - American Cinematographer - May 2012
American Cinematographer - May 2012 - Cover2
American Cinematographer - May 2012 - 1
American Cinematographer - May 2012 - 2
American Cinematographer - May 2012 - 3
American Cinematographer - May 2012 - Contents
American Cinematographer - May 2012 - 5
American Cinematographer - May 2012 - 6
American Cinematographer - May 2012 - 7
American Cinematographer - May 2012 - Editor’s Note
American Cinematographer - May 2012 - 9
American Cinematographer - May 2012 - President’s Desk
American Cinematographer - May 2012 - 11
American Cinematographer - May 2012 - Short Takes: M.I.A.’s “Bad Girls”
American Cinematographer - May 2012 - 13
American Cinematographer - May 2012 - 14
American Cinematographer - May 2012 - 15
American Cinematographer - May 2012 - 16
American Cinematographer - May 2012 - 17
American Cinematographer - May 2012 - Production Slate: Person of Interest • The Raven
American Cinematographer - May 2012 - 19
American Cinematographer - May 2012 - 20
American Cinematographer - May 2012 - 21
American Cinematographer - May 2012 - 22
American Cinematographer - May 2012 - 23
American Cinematographer - May 2012 - 24
American Cinematographer - May 2012 - 25
American Cinematographer - May 2012 - 26
American Cinematographer - May 2012 - 27
American Cinematographer - May 2012 - 28
American Cinematographer - May 2012 - 29
American Cinematographer - May 2012 - 30
American Cinematographer - May 2012 - 31
American Cinematographer - May 2012 - Harsh Realms
American Cinematographer - May 2012 - 33
American Cinematographer - May 2012 - 34
American Cinematographer - May 2012 - 35
American Cinematographer - May 2012 - 36
American Cinematographer - May 2012 - 37
American Cinematographer - May 2012 - 38
American Cinematographer - May 2012 - 39
American Cinematographer - May 2012 - 40
American Cinematographer - May 2012 - 41
American Cinematographer - May 2012 - Wild Passion
American Cinematographer - May 2012 - 43
American Cinematographer - May 2012 - 44
American Cinematographer - May 2012 - 45
American Cinematographer - May 2012 - 46
American Cinematographer - May 2012 - 47
American Cinematographer - May 2012 - 48
American Cinematographer - May 2012 - 49
American Cinematographer - May 2012 - 50
American Cinematographer - May 2012 - 51
American Cinematographer - May 2012 - Tales of Ordinary Madness
American Cinematographer - May 2012 - 53
American Cinematographer - May 2012 - 54
American Cinematographer - May 2012 - 55
American Cinematographer - May 2012 - 56
American Cinematographer - May 2012 - 57
American Cinematographer - May 2012 - 58
American Cinematographer - May 2012 - 59
American Cinematographer - May 2012 - 60
American Cinematographer - May 2012 - 61
American Cinematographer - May 2012 - Top of Their Class
American Cinematographer - May 2012 - 63
American Cinematographer - May 2012 - 64
American Cinematographer - May 2012 - 65
American Cinematographer - May 2012 - 66
American Cinematographer - May 2012 - 67
American Cinematographer - May 2012 - 68
American Cinematographer - May 2012 - Center Stage for Cinematographers
American Cinematographer - May 2012 - 70
American Cinematographer - May 2012 - 71
American Cinematographer - May 2012 - 72
American Cinematographer - May 2012 - 73
American Cinematographer - May 2012 - 74
American Cinematographer - May 2012 - 75
American Cinematographer - May 2012 - 76
American Cinematographer - May 2012 - 77
American Cinematographer - May 2012 - 78
American Cinematographer - May 2012 - 79
American Cinematographer - May 2012 - 80
American Cinematographer - May 2012 - 81
American Cinematographer - May 2012 - Post Focus: Technicolor Restores Wings
American Cinematographer - May 2012 - 83
American Cinematographer - May 2012 - 84
American Cinematographer - May 2012 - 85
American Cinematographer - May 2012 - 86
American Cinematographer - May 2012 - 87
American Cinematographer - May 2012 - New Products & Services
American Cinematographer - May 2012 - 89
American Cinematographer - May 2012 - 90
American Cinematographer - May 2012 - 91
American Cinematographer - May 2012 - International Marketplace
American Cinematographer - May 2012 - Classified Ads
American Cinematographer - May 2012 - Ad Index
American Cinematographer - May 2012 - In Memoria: Ric Waite, ASC; Herbert S. Alpert, ASC, CSC
American Cinematographer - May 2012 - 96
American Cinematographer - May 2012 - 97
American Cinematographer - May 2012 - Clubhouse News
American Cinematographer - May 2012 - 99
American Cinematographer - May 2012 - ASC Close-Up: Darius Khondji
American Cinematographer - May 2012 - Cover3
American Cinematographer - May 2012 - Cover4
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