American Cinematographer - May 2014 - 36

◗

Second Life
it also meant that we were composing
complete shots," says Hall. "I've always
been inspired by the work of [artist] Bill
Viola, who projects imagery on various
materials, and Wally let me run with
that idea. In testing, we found a material
called Clearview that allowed us to
project onto glass whilst allowing the
material to remain reflective and semitransparent. We also found a type of
black Perspex that worked well. It was all

about getting the right balance with the
existing lighting. Finding ways to
achieve these effects in camera was a
great challenge, but the results were
visually exciting, and the integration of
projections into the initial photographic
process gave the film a distinct quality.
"Because we were shooting film
and not doing a DI, we really had to
have a theory worked out, and that
meant color balancing all the projectors

Top left: Caster
emerges from
Brightwood amid
a field of solar
panels that
power the facility.
Top right: Depp
and Pfister confer
on the location.
Bottom: A wire
rig helps facilitate
an explosive
stunt performed
by Hall.

36

May 2014

American Cinematographer

and being really careful to maintain that
balance," Hall continues. "It was quite
precise work. We mostly used Barco
HDF-W26 DLP projectors and Barco
HD20 FLM DLP projectors. All the
graphic material running through them
was controlled through a Dataton
Watchout system that enabled us to
manipulate multiple layers of projections quickly. It also gave us almost infinite flexibility with the layering,



American Cinematographer - May 2014

Table of Contents for the Digital Edition of American Cinematographer - May 2014

Contents
American Cinematographer - May 2014 - Cover1
American Cinematographer - May 2014 - Cover2
American Cinematographer - May 2014 - 1
American Cinematographer - May 2014 - 2
American Cinematographer - May 2014 - Contents
American Cinematographer - May 2014 - 4
American Cinematographer - May 2014 - 5
American Cinematographer - May 2014 - 6
American Cinematographer - May 2014 - 7
American Cinematographer - May 2014 - 8
American Cinematographer - May 2014 - 9
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American Cinematographer - May 2014 - 11
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American Cinematographer - May 2014 - 14
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American Cinematographer - May 2014 - 20
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American Cinematographer - May 2014 - 36
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