American Cinematographer - May 2015 - 72

Q

Celebrating Art and Science
and deformation simulations. These
tools established finite element methods as a new reference point for believable on-screen destruction.
To Magnus Wrenninge, for
leading the design and development of
Field3D. Field3D provides a flexible
and open framework for storing and
accessing volumetric pixel (voxel) data
efficiently. This allows interchange
between previously incompatible
modeling, simulation and rendering
software.
To Robert Bridson, for early
conceptualization of sparse-tiled voxel
data structures and their application to
modeling and simulation. Bridson's
pioneering work on voxel data structures and its subsequent validation in
fluid simulation tools have had a significant impact on the design of volumetric tools throughout the visual-effects
industry.
To Ken Museth, Peter Cucka
and Mihai Aldén, for the creation of
OpenVDB, a widely adopted, sparse
hierarchical data structure that provides
a fast and efficient mechanism for storing and manipulating voxels.

Top (from left): Frank Poradish, Greg Pettitt, D. Scott Dewald, Bill Werner and Brad Walker receive the
Scientific and Engineering Award for their contributions furthering the design and refinement of the
DLP Cinema projection technology. Bottom: Reiner Doetzkies (left) and Steven Krycho accept a Technical
Achievement Award for the implementation engineering in the development of the Texas Instruments
DLP Cinema digital projection technology.

tion toolset. The PhysBam Destruction
System was one of the earliest toolsets
capable of depicting large-scale destruction with a high degree of design
control.
To Ben Cole, for the design of
the Kali Destruction System; to Eric
Parker, for the development of the
72

May 2015

Digital Molecular Matter toolkit; and to
James O'Brien, for his influential
research on the finite element methods
that served as a foundation for these
tools. The combined innovations in Kali
and DMM provide artists with an intuitive, art-directable system for the
creation of scalable and realistic fracture
American Cinematographer

Scientific and Engineering
Awards (Academy Plaques):
To Ichiro Tsutsui, Masahiro
Take, Mitsuyasu Tamura and Mitsuru
Asano, for the development of the Sony
BVM-E Series Professional OLED
Master Monitor. These precise, widegamut monitors allow creative image
decisions to be made on set with the
confidence that the desired images can
be accurately reproduced in postproduction.
To John Frederick, Bob Myers,
Karl Rasche and Tom Lianza, for the
development of the HP DreamColor
LP2480zx Professional Display. This
cost-effective display offers a stable,
wide color gamut, allowing facility-wide
adoption in feature animation and
visual-effects studios.
G



American Cinematographer - May 2015

Table of Contents for the Digital Edition of American Cinematographer - May 2015

Contents
American Cinematographer - May 2015 - Intro
American Cinematographer - May 2015 - Cover1
American Cinematographer - May 2015 - Cover2
American Cinematographer - May 2015 - 1
American Cinematographer - May 2015 - 2
American Cinematographer - May 2015 - Contents
American Cinematographer - May 2015 - 4
American Cinematographer - May 2015 - 5
American Cinematographer - May 2015 - 6
American Cinematographer - May 2015 - 7
American Cinematographer - May 2015 - 8
American Cinematographer - May 2015 - 9
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American Cinematographer - May 2015 - 11
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American Cinematographer - May 2015 - 20
American Cinematographer - May 2015 - 21
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American Cinematographer - May 2015 - 36
American Cinematographer - May 2015 - 37
American Cinematographer - May 2015 - 38
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American Cinematographer - May 2015 - 43
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American Cinematographer - May 2015 - Cover3
American Cinematographer - May 2015 - Cover4
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