notes and comments to Boucrot. They then returned every few days for short sessions and to give feedback on the evolution of the grade. "Jean-Marc's approach in post is a natural continuation of his cinemavérité techniques on set," Boucrot says. "We are there to visually support the best way to tell the story and to complement what Yves shot - not to create environments that are more exotic and aesthetically pleasing than reality. It's more about connecting with the audience than creating a fantasy universe." Bélanger and Vallée established a filmmaking philosophy with Dallas Buyers Club that eschews big lighting kits and flashy style in favor of emotional stories about individuals who redefine themselves in the face of devastating developments. The pair's collaboration continues along this path as scripts they love keep coming their way. "It's amazing," Vallée reflects. "We find ourselves getting attached to amazing Gyllenhaal prepares for action as Bélanger frames the scene. projects with great scripts. And when you have great scripts, great actors then want to be attached. We're on a great run." ● 2.39:1 TECHNICAL SPECS Digital Capture Arri Alexa XT, XT M Zeiss Super Speed, Standard Speed; Arri/Zeiss Master Prime; Angenieux Optimo 57http://www.leefilters.com