American Cinematographer - May 2016 - 41
◗ Welcome to the Jungle
Mowgli meets
with King Louie
(voiced by
Christopher
Walken).
standard software used at the majority
of motion-capture facilities, allowing for
simple rendering/shading, and primarily enabling the virtual camera to
accomplish general blocking and staging of the virtual environment and
captured animation.
"With the dynamic streaming
architecture of Photon," he continues,
"creatives are now able to see multiple
rendered views in the virtual world, with
MotionBuilder acting as the hub
controlling and recording the entire
scene. Bill Pope, using his custom
virtual-camera system, was able to not
only direct the framing of characters in
shots - either live in a motion-capture
volume with actors, or virtually with
animated characters - but could also
direct how dappled light through trees
fell on a character, live-controlling the
depth of field, seeing how motion blur
might affect an action sequence, and
tonally dictating the overall mood of a
shot.
"With each shot captured in the
virtual-camera volume," Balakrishnan
continues, "Bill sat down with one of
our Photon artists and hand-lit the shot
in the computer with the custom digital
light kit we developed for him. With
www.theasc.com
May 2016
41
http://www.theasc.com
American Cinematographer - May 2016
Table of Contents for the Digital Edition of American Cinematographer - May 2016
Contents
American Cinematographer - May 2016 - Cover1
American Cinematographer - May 2016 - Cover2
American Cinematographer - May 2016 - 1
American Cinematographer - May 2016 - 2
American Cinematographer - May 2016 - Contents
American Cinematographer - May 2016 - 4
American Cinematographer - May 2016 - 5
American Cinematographer - May 2016 - 6
American Cinematographer - May 2016 - 7
American Cinematographer - May 2016 - 8
American Cinematographer - May 2016 - 9
American Cinematographer - May 2016 - 10
American Cinematographer - May 2016 - 11
American Cinematographer - May 2016 - 12
American Cinematographer - May 2016 - 13
American Cinematographer - May 2016 - 14
American Cinematographer - May 2016 - 15
American Cinematographer - May 2016 - 16
American Cinematographer - May 2016 - 17
American Cinematographer - May 2016 - 18
American Cinematographer - May 2016 - 19
American Cinematographer - May 2016 - 20
American Cinematographer - May 2016 - 21
American Cinematographer - May 2016 - 22
American Cinematographer - May 2016 - 23
American Cinematographer - May 2016 - 24
American Cinematographer - May 2016 - 25
American Cinematographer - May 2016 - 26
American Cinematographer - May 2016 - 27
American Cinematographer - May 2016 - 28
American Cinematographer - May 2016 - 29
American Cinematographer - May 2016 - 30
American Cinematographer - May 2016 - 31
American Cinematographer - May 2016 - 32
American Cinematographer - May 2016 - 33
American Cinematographer - May 2016 - 34
American Cinematographer - May 2016 - 35
American Cinematographer - May 2016 - 36
American Cinematographer - May 2016 - 37
American Cinematographer - May 2016 - 38
American Cinematographer - May 2016 - 39
American Cinematographer - May 2016 - 40
American Cinematographer - May 2016 - 41
American Cinematographer - May 2016 - 42
American Cinematographer - May 2016 - 43
American Cinematographer - May 2016 - 44
American Cinematographer - May 2016 - 45
American Cinematographer - May 2016 - 46
American Cinematographer - May 2016 - 47
American Cinematographer - May 2016 - 48
American Cinematographer - May 2016 - 49
American Cinematographer - May 2016 - 50
American Cinematographer - May 2016 - 51
American Cinematographer - May 2016 - 52
American Cinematographer - May 2016 - 53
American Cinematographer - May 2016 - 54
American Cinematographer - May 2016 - 55
American Cinematographer - May 2016 - 56
American Cinematographer - May 2016 - 57
American Cinematographer - May 2016 - 58
American Cinematographer - May 2016 - 59
American Cinematographer - May 2016 - 60
American Cinematographer - May 2016 - 61
American Cinematographer - May 2016 - 62
American Cinematographer - May 2016 - 63
American Cinematographer - May 2016 - 64
American Cinematographer - May 2016 - 65
American Cinematographer - May 2016 - 66
American Cinematographer - May 2016 - 67
American Cinematographer - May 2016 - 68
American Cinematographer - May 2016 - 69
American Cinematographer - May 2016 - 70
American Cinematographer - May 2016 - 71
American Cinematographer - May 2016 - 72
American Cinematographer - May 2016 - 73
American Cinematographer - May 2016 - 74
American Cinematographer - May 2016 - 75
American Cinematographer - May 2016 - 76
American Cinematographer - May 2016 - 77
American Cinematographer - May 2016 - 78
American Cinematographer - May 2016 - 79
American Cinematographer - May 2016 - 80
American Cinematographer - May 2016 - 81
American Cinematographer - May 2016 - 82
American Cinematographer - May 2016 - 83
American Cinematographer - May 2016 - 84
American Cinematographer - May 2016 - 85
American Cinematographer - May 2016 - 86
American Cinematographer - May 2016 - 87
American Cinematographer - May 2016 - 88
American Cinematographer - May 2016 - 89
American Cinematographer - May 2016 - 90
American Cinematographer - May 2016 - 91
American Cinematographer - May 2016 - 92
American Cinematographer - May 2016 - 93
American Cinematographer - May 2016 - 94
American Cinematographer - May 2016 - 95
American Cinematographer - May 2016 - 96
American Cinematographer - May 2016 - Cover3
American Cinematographer - May 2016 - Cover4
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