American Cinematographer - May 2016 - 44
◗
Welcome to the Jungle
Art director
John Lord Booth
III consults with
Pope.
which we bounced more conventional
lighting instruments - Arri T12s and
[Bardwell & McAlister] 12-light Mac
Tech HPLs."
From a dimmer room outside the
stage, Thatcher used his High End
Systems Hog 4 console to control the
light, which also included 24K tungsten
Fresnels configured both as floor units
and mounted in bluescreen-covered
scissor lifts; according to Finley, the
44
Fresnels were most often projected
through tree-branch gobos for a
dappled effect. The stages were also
networked through two Hog 4PC
systems, which controlled two High
End Systems DP8000 DMX processors.
The production frequently used
interactive light on set in order to
complete effects that were begun in the
virtual jungle. For example, Finley
explains, "There is a point where
Mowgli jumps into a ravine, where he is
suddenly in the middle of a waterbuffalo stampede. You can see his lighting is influenced by the shadows of the
animals as they run by. For that scene,
we used a 10-foot high and 18-foot
wide LED wall [supplied by VER] to
light him. The art and visual-effects
departments created a video clip populated with water-buffalo shapes, and
when played on the LED wall through
a media server, it created variations of
shadow textures falling across his body.
"There were also several scenes
where he walks through the forest with
Bagheera [the panther, voiced by Ben
Kingsley] and Baloo [the bear, voiced by
Bill Murray], and there is no set," he
continues. "In those situations, we lit
Mowgli with projectors. Again, the art
and visual-effects departments created a
video clip, this time of dappled light to
match the [virtual background]. When
projected on Mowgli as he walked on a
http://www.panther.tv
American Cinematographer - May 2016
Table of Contents for the Digital Edition of American Cinematographer - May 2016
Contents
American Cinematographer - May 2016 - Cover1
American Cinematographer - May 2016 - Cover2
American Cinematographer - May 2016 - 1
American Cinematographer - May 2016 - 2
American Cinematographer - May 2016 - Contents
American Cinematographer - May 2016 - 4
American Cinematographer - May 2016 - 5
American Cinematographer - May 2016 - 6
American Cinematographer - May 2016 - 7
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