American Cinematographer - May 2020 - 50

Flashbacks to the '60s

American Cinematographer's
coverage during the 1960s
reflects adventurous, evolving
approaches to filmmaking
By Stephen Pizzello

When the 1960s began, American Cinematographer was
still showcasing certain productions that had a whiff of the
1950s: novelty projects like Scent of Mystery, filmed in glorious "Smell-O-Vision" (which could deliver 30 different
odors to individual seats via perforated cylinders mounted
just in back of and below the armrests), and widescreen epics
like Ben-Hur, which the magazine covered in February 1960
(focusing on the movie's thrilling 65mm chariot race, a
sequence described as "not just a race, but a race to the
death" involving 6,000 extras, elaborate stunts and 82 horses
"obtained in Yugoslavia").
But as the decade progressed, the magazine began
shifting its focus to other types of productions, techniques
and new equipment that would mark the '60s as an era of
forward-thinking artistry, experimentation and cutting-edge
filmmaking.
The March 1960 issue began paving the way with a
50

May 2020

feature titled "Why Renoir Favors Multiple Camera, Long
Sustained Take Technique," which explained how famed
director-producer Jean Renoir had been adapting methods
he'd used for French TV productions to his work on cinema
projects like his then-most-recent feature, Le Déjeuner sur
l'Herbe (Picnic on the Grass). The most important of these
innovations, the article submits, is "the not unfamiliar technique of employing several cameras operating simultaneously to record long, sustained action and dialogue of
players, as in TV. Renoir believes an actor is better able to
develop a feel for his role and give a better reading when the
action is not broken up into short takes for the sake of varying the camera angle or point of view. Using the sustainedtake technique, the action is photographed by several
cameras, each shooting from a slightly different angle and
with lenses of different focal lengths. This affords greater latitude for the director and the cutter to develop pace and build

American Cinematographer - 100 Years



American Cinematographer - May 2020

Table of Contents for the Digital Edition of American Cinematographer - May 2020

Contents
American Cinematographer - May 2020 - Intro
American Cinematographer - May 2020 - Cover1
American Cinematographer - May 2020 - Cover2
American Cinematographer - May 2020 - 1
American Cinematographer - May 2020 - Contents
American Cinematographer - May 2020 - 3
American Cinematographer - May 2020 - 4
American Cinematographer - May 2020 - 5
American Cinematographer - May 2020 - 6
American Cinematographer - May 2020 - 7
American Cinematographer - May 2020 - 8
American Cinematographer - May 2020 - 9
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American Cinematographer - May 2020 - 20
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American Cinematographer - May 2020 - Cover3
American Cinematographer - May 2020 - Cover4
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