American Cinematographer - June 2011 - 106

Clubhouse News
Photo of Clubhouse by Isidore Mankofsky, ASC; lighting by Donald M. Morgan, ASC. NAB photo courtesy of the NAB Show. BEA photo by Alex Lopez. Pearl photo courtesy of The Film Training Co. Crudo photo by Dougl as Kirkland.

ASC Visits NAB ASC members participated in a number of events during the recent National Association of Broadcasters conference, in addition to scouring the show floor to assess the latest tools and technologies. Among the goings-on, Curtis Clark, ASC and Francis Kenny, ASC joined colorist Pankaj Bajpai and associate member Ray

Top to bottom: (left to right) Jon D. Witmer; Russell Carpenter, ASC; Svetlana Cvetko and John Guleserian; (left to right) associate member Timothy E. Smith and Rodney Charters, ASC; Daniel Pearl, ASC; Richard P. Crudo, ASC.

Feeney for the panel “Justified: The Debut of the Academy’s Groundbreaking Image Interchange Framework,” moderated by AC contributor Stephanie Argy; Society members Steven Poster , Don Burgess and M. David Mullen joined Bajpai and producer Sean McKittrick for “From GoPro to 3-D: Quality Filmmaking on a Budget”; Russell Carpenter, ASCjoined cinematographers Svetlana Cvetko and John Guleserian for “Small Profile, Big Results? The Advantages and Challenges of DSLR Cinematography,” moderated by AC associate editor Jon D. Witmer; and Daryn Okada, ASC joined associate member Jonathan Erland and vision scientist Wendy Davis for “The State of Solid-State Lighting in Image Acquisition and Reproduction: A Report from the Academy of Motion Picture Arts and Sciences’ Science and Technology Council,” moderated by associate member AndyMaltz . Additionally, Robert Primes, ASC presented a special session for industry professionals. Primes and his panel — which included Society members Stephen Lighthill and Nancy Schreiber, and associate members Michael Bravin and William Feightner — discussed the results of their recent single-chip camera evaluation, for which they shot 15 live-action and instrumented tests specifically designed to give filmmakers an apples-to-apples comparison of exposure latitude, low-light sensitivity, color space, flesh tones, shutter artifacts and compression. In the days leading up to the NAB Show, NAB and SMPTE co-produced DCS 2011. This year’s theme was “Advances in Images and Sound: 3-D, 4K and Beyond,” and among the highlights was a panel moderated by Clark and including ASC President Michael Goi and associate members George Joblove and Howard Lukk. The panel focused on the impact and considerations of moving to higher production resolutions, including 4K, 8K and beyond.
American Cinematographer

Taking place concurrently with NAB was the Broadcast Education Association conference. Among the BEA activities was the “HDSLR and Filmmaking Documentary Workshop,” presented by Rodney Charters, ASC, CSC and associate member Timothy E. Smith . During the session, Charters and Smith screened clips and discussed the opportunities and challenges of filmmaking with DSLR camera systems. Masters Share Their POVs ASC members Allen Daviau , Robbie Greenberg , Daniel Pearl and David Darby recently participated in The Master’s POV, a three-day educational event presented by The Film Training Co. All four participated in an opening panel discussion, where they were joined by cinematographer Mark Sawicki as well as industry experts from Kodakand the George Eastman House. Later, Darby, Greenberg and Pearl led seminars in which they discussed their working methods for feature films, commercials and music videos. Additionally, Pearl and Darby each led lighting demonstrations. Crudo Named UCLA Cinematographer in Residence Kodak and the University of California-Los Angeles recently named Richard Crudo, ASC the 2011 Kodak Cinematographer in Residence for the spring quarter at UCLA’s School of Theater, Film and Television. The program, inaugurated by professor and ASC associate William McDonald with Kodak’s support, aims to enhance the learning experience of students with insight from renowned cinematographers. Crudo’s activities began with a screening of American Buffalo , which he photographed for director Michael Corrente. Following the screening, which was open to the public, McDonald moderated a Q&A with Crudo. ●

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June 2011



American Cinematographer - June 2011

Table of Contents for the Digital Edition of American Cinematographer - June 2011

American Cinematographer - June 2011
Contents
Editor’s Note
President’s Desk
Short Takes: TV on the Radio’s “Will Do”
Production Slate: The Mill & The Cross • Last Man Standing
Scalawags in Stereo
Hammer of the Gods
Tortured Souls
Decoding Digital Imagers: Part 2
Post Focus: Highlights from NAB
New Products & Services
International Marketplace
Classified Ads
Ad Index
ASC Membership Roster
Clubhouse News
ASC Close-Up: Dean Semler
American Cinematographer - June 2011 - American Cinematographer - June 2011
American Cinematographer - June 2011 - Cover2
American Cinematographer - June 2011 - 1
American Cinematographer - June 2011 - 2
American Cinematographer - June 2011 - Contents
American Cinematographer - June 2011 - 4
American Cinematographer - June 2011 - 5
American Cinematographer - June 2011 - 6
American Cinematographer - June 2011 - 7
American Cinematographer - June 2011 - Editor’s Note
American Cinematographer - June 2011 - 9
American Cinematographer - June 2011 - President’s Desk
American Cinematographer - June 2011 - 11
American Cinematographer - June 2011 - Short Takes: TV on the Radio’s “Will Do”
American Cinematographer - June 2011 - 13
American Cinematographer - June 2011 - 14
American Cinematographer - June 2011 - 15
American Cinematographer - June 2011 - Production Slate: The Mill & The Cross • Last Man Standing
American Cinematographer - June 2011 - 17
American Cinematographer - June 2011 - 18
American Cinematographer - June 2011 - 19
American Cinematographer - June 2011 - 20
American Cinematographer - June 2011 - 21
American Cinematographer - June 2011 - 22
American Cinematographer - June 2011 - 23
American Cinematographer - June 2011 - 24
American Cinematographer - June 2011 - 25
American Cinematographer - June 2011 - Scalawags in Stereo
American Cinematographer - June 2011 - 27
American Cinematographer - June 2011 - 28
American Cinematographer - June 2011 - 29
American Cinematographer - June 2011 - 30
American Cinematographer - June 2011 - 31
American Cinematographer - June 2011 - 32
American Cinematographer - June 2011 - 33
American Cinematographer - June 2011 - 34
American Cinematographer - June 2011 - 35
American Cinematographer - June 2011 - 36
American Cinematographer - June 2011 - 37
American Cinematographer - June 2011 - 38
American Cinematographer - June 2011 - 39
American Cinematographer - June 2011 - Hammer of the Gods
American Cinematographer - June 2011 - 41
American Cinematographer - June 2011 - 42
American Cinematographer - June 2011 - 43
American Cinematographer - June 2011 - 44
American Cinematographer - June 2011 - 45
American Cinematographer - June 2011 - 46
American Cinematographer - June 2011 - 47
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American Cinematographer - June 2011 - 49
American Cinematographer - June 2011 - 50
American Cinematographer - June 2011 - 51
American Cinematographer - June 2011 - 52
American Cinematographer - June 2011 - 53
American Cinematographer - June 2011 - 54
American Cinematographer - June 2011 - 55
American Cinematographer - June 2011 - Tortured Souls
American Cinematographer - June 2011 - 57
American Cinematographer - June 2011 - 58
American Cinematographer - June 2011 - 59
American Cinematographer - June 2011 - 60
American Cinematographer - June 2011 - 61
American Cinematographer - June 2011 - 62
American Cinematographer - June 2011 - 63
American Cinematographer - June 2011 - 64
American Cinematographer - June 2011 - 65
American Cinematographer - June 2011 - 66
American Cinematographer - June 2011 - 67
American Cinematographer - June 2011 - Decoding Digital Imagers: Part 2
American Cinematographer - June 2011 - 69
American Cinematographer - June 2011 - 70
American Cinematographer - June 2011 - 71
American Cinematographer - June 2011 - 72
American Cinematographer - June 2011 - 73
American Cinematographer - June 2011 - 74
American Cinematographer - June 2011 - 75
American Cinematographer - June 2011 - 76
American Cinematographer - June 2011 - 77
American Cinematographer - June 2011 - 78
American Cinematographer - June 2011 - 79
American Cinematographer - June 2011 - Post Focus: Highlights from NAB
American Cinematographer - June 2011 - 81
American Cinematographer - June 2011 - 82
American Cinematographer - June 2011 - 83
American Cinematographer - June 2011 - 84
American Cinematographer - June 2011 - 85
American Cinematographer - June 2011 - 86
American Cinematographer - June 2011 - 87
American Cinematographer - June 2011 - New Products & Services
American Cinematographer - June 2011 - 89
American Cinematographer - June 2011 - 90
American Cinematographer - June 2011 - 91
American Cinematographer - June 2011 - 92
American Cinematographer - June 2011 - 93
American Cinematographer - June 2011 - 94
American Cinematographer - June 2011 - 95
American Cinematographer - June 2011 - 96
American Cinematographer - June 2011 - 97
American Cinematographer - June 2011 - 98
American Cinematographer - June 2011 - 99
American Cinematographer - June 2011 - International Marketplace
American Cinematographer - June 2011 - Classified Ads
American Cinematographer - June 2011 - Ad Index
American Cinematographer - June 2011 - 103
American Cinematographer - June 2011 - ASC Membership Roster
American Cinematographer - June 2011 - 105
American Cinematographer - June 2011 - Clubhouse News
American Cinematographer - June 2011 - 107
American Cinematographer - June 2011 - ASC Close-Up: Dean Semler
American Cinematographer - June 2011 - Cover3
American Cinematographer - June 2011 - Cover4
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