American Cinematographer - June 2012 - 30

Stoffers preps an exterior in San Francisco. The filmmakers found all the locations they needed for the globetrotting story in the Bay Area.

Hemingway & Gellhorn takes place in several countries, including Spain, Finland, Cuba and China, but all the exteriors and interiors were shot in and around San Francisco. The main practical location was an old, defunct train station in Oakland that production designer Geoffrey Kirkland transformed into the opulent lobby of Madrid’s Hotel Florida, where Spanish Civil War correspondents congregated when they weren’t in the field. The 117'x60' space offered 40'-high ceilings.

The audience’s first glimpse of the hotel lobby is a one-minute Steadicam shot executed by Tim Bellen (who shared Steadicam duties with Will Arnot)that starts tight on a piece of paper being ripped out of a typewriter. As the camera pulls back, the man clutching the paper hands it off to another character. The camera continues following the paper, introducing different characters as it moves through the enormous lobby, and eventually reveals some 40 people standing quietly around the bar. The

front door opens and Hemingway strides in, and the atmosphere immediately becomes boisterous and jovial. The building had three 28'-tall windowpanes looking east, and a row of windowpanes high up looking west. “To create a Mediterranean feel, [production designer] Geoffrey Kirkland proposed putting warm stained glass in the high windows and filling the side and bottom panes of the east windows with the same material to make it all come together,” says Stoffers. “We put ND.9 and 250 diffusion on the colored glass in the tall windows, and we had to put a thin layer of semi-translucent plastic on the clear portions to help obscure the array of lighting equipment that was just outside,” recalls gaffer Steve Condiotti. This array included seven 80' Condors and two scissor lifts. Four Condors had 20'x30' flyswatters filled with UltraBounce that could either block the sun or be used to bounce light, and the other three held 18K ArriMax HMIs. An 18K Fresnel was kept on one of the scissor lifts at all times. “Two other 18K Fresnels were on

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American Cinematographer - June 2012

Table of Contents for the Digital Edition of American Cinematographer - June 2012

American Cinematographer - June 2012
Editor’s Note
Short Takes: The Tsunami and the Cherry Blossom
Production Slate: Moonrise Kingdom • Hemingway & Gellhorn
All Together Now
Beauty in Battle
Blood Relatives
Blast from the Past
New Products & Services
International Marketplace
Classified Ads
Ad Index
ASC Membership Roster
Clubhouse News
ASC Close-Up: Sam Nicholson
American Cinematographer - June 2012 - American Cinematographer - June 2012
American Cinematographer - June 2012 - Cover2
American Cinematographer - June 2012 - 1
American Cinematographer - June 2012 - 2
American Cinematographer - June 2012 - 3
American Cinematographer - June 2012 - 4
American Cinematographer - June 2012 - 5
American Cinematographer - June 2012 - 6
American Cinematographer - June 2012 - 7
American Cinematographer - June 2012 - Editor’s Note
American Cinematographer - June 2012 - 9
American Cinematographer - June 2012 - Short Takes: The Tsunami and the Cherry Blossom
American Cinematographer - June 2012 - 11
American Cinematographer - June 2012 - 12
American Cinematographer - June 2012 - 13
American Cinematographer - June 2012 - 14
American Cinematographer - June 2012 - 15
American Cinematographer - June 2012 - 16
American Cinematographer - June 2012 - 17
American Cinematographer - June 2012 - Production Slate: Moonrise Kingdom • Hemingway & Gellhorn
American Cinematographer - June 2012 - 19
American Cinematographer - June 2012 - 20
American Cinematographer - June 2012 - 21
American Cinematographer - June 2012 - 22
American Cinematographer - June 2012 - 23
American Cinematographer - June 2012 - 24
American Cinematographer - June 2012 - 25
American Cinematographer - June 2012 - 26
American Cinematographer - June 2012 - 27
American Cinematographer - June 2012 - 28
American Cinematographer - June 2012 - 29
American Cinematographer - June 2012 - 30
American Cinematographer - June 2012 - 31
American Cinematographer - June 2012 - 32
American Cinematographer - June 2012 - 33
American Cinematographer - June 2012 - All Together Now
American Cinematographer - June 2012 - 35
American Cinematographer - June 2012 - 36
American Cinematographer - June 2012 - 37
American Cinematographer - June 2012 - 38
American Cinematographer - June 2012 - 38a
American Cinematographer - June 2012 - 38b
American Cinematographer - June 2012 - 39
American Cinematographer - June 2012 - 40
American Cinematographer - June 2012 - 41
American Cinematographer - June 2012 - 42
American Cinematographer - June 2012 - 43
American Cinematographer - June 2012 - 44
American Cinematographer - June 2012 - 45
American Cinematographer - June 2012 - 46
American Cinematographer - June 2012 - 47
American Cinematographer - June 2012 - 48
American Cinematographer - June 2012 - 49
American Cinematographer - June 2012 - 50
American Cinematographer - June 2012 - 51
American Cinematographer - June 2012 - Beauty in Battle
American Cinematographer - June 2012 - 53
American Cinematographer - June 2012 - 54
American Cinematographer - June 2012 - 55
American Cinematographer - June 2012 - 56
American Cinematographer - June 2012 - 57
American Cinematographer - June 2012 - 58
American Cinematographer - June 2012 - 59
American Cinematographer - June 2012 - 60
American Cinematographer - June 2012 - 61
American Cinematographer - June 2012 - Blood Relatives
American Cinematographer - June 2012 - 63
American Cinematographer - June 2012 - 64
American Cinematographer - June 2012 - 64a
American Cinematographer - June 2012 - 64b
American Cinematographer - June 2012 - 64c
American Cinematographer - June 2012 - 64d
American Cinematographer - June 2012 - 64e
American Cinematographer - June 2012 - 64f
American Cinematographer - June 2012 - 64g
American Cinematographer - June 2012 - 64h
American Cinematographer - June 2012 - 64i
American Cinematographer - June 2012 - 64j
American Cinematographer - June 2012 - 64k
American Cinematographer - June 2012 - 64l
American Cinematographer - June 2012 - 65
American Cinematographer - June 2012 - 66
American Cinematographer - June 2012 - 67
American Cinematographer - June 2012 - 68
American Cinematographer - June 2012 - 69
American Cinematographer - June 2012 - 70
American Cinematographer - June 2012 - 71
American Cinematographer - June 2012 - 72
American Cinematographer - June 2012 - 73
American Cinematographer - June 2012 - Blast from the Past
American Cinematographer - June 2012 - 75
American Cinematographer - June 2012 - 76
American Cinematographer - June 2012 - 77
American Cinematographer - June 2012 - 78
American Cinematographer - June 2012 - 79
American Cinematographer - June 2012 - 80
American Cinematographer - June 2012 - 81
American Cinematographer - June 2012 - 82
American Cinematographer - June 2012 - 83
American Cinematographer - June 2012 - New Products & Services
American Cinematographer - June 2012 - 85
American Cinematographer - June 2012 - 86
American Cinematographer - June 2012 - 87
American Cinematographer - June 2012 - 88
American Cinematographer - June 2012 - 89
American Cinematographer - June 2012 - 90
American Cinematographer - June 2012 - 91
American Cinematographer - June 2012 - 92
American Cinematographer - June 2012 - 93
American Cinematographer - June 2012 - 94
American Cinematographer - June 2012 - 95
American Cinematographer - June 2012 - 96
American Cinematographer - June 2012 - 97
American Cinematographer - June 2012 - 98
American Cinematographer - June 2012 - 99
American Cinematographer - June 2012 - International Marketplace
American Cinematographer - June 2012 - Classified Ads
American Cinematographer - June 2012 - Ad Index
American Cinematographer - June 2012 - 103
American Cinematographer - June 2012 - ASC Membership Roster
American Cinematographer - June 2012 - 105
American Cinematographer - June 2012 - Clubhouse News
American Cinematographer - June 2012 - 107
American Cinematographer - June 2012 - ASC Close-Up: Sam Nicholson
American Cinematographer - June 2012 - Cover3
American Cinematographer - June 2012 - Cover4
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