American Cinematographer - June 2013 - 80
◗
Utopian Dreams
This page and next: Laure approaches the camera and reaches out toward the lens in this series of frame grabs from the final shot of the film.
Gautier notes, “Flares evoke the period, and they give a realistic feel of something that is caught in the moment.”
hidden here and there, 650-watt units
or 1K Redheads, depending on whether
I wanted to diffuse. The fixtures are
bouncing off the wall or, when I wanted
to avoid too much spill, off polys. The
fire in the bedroom was shot on a stage.
It’s very overexposed, almost abstract.
This resonates with the final, very overexposed images of the film.
80
What was it like working with
so many actors who had little professional experience?
Gautier: It was the first film for
almost all the actors. Lola Créton is a
professional, whereas the others all had
an incredible fragility, and [our goal
was] to capture that fragility. That’s also
why we needed a handheld camera. We
needed to be ready to capture the
emotions that came from them, something not acted. The focus of the film,
after all, is youth and utopian beliefs. I
tried to use delicatesse, setting things up
discreetly so the actors weren’t facing a
bunch of lights, a huge dolly and a large
crew. I was very careful about that. I
didn’t use many fixtures, and I would
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American Cinematographer - June 2013
Table of Contents for the Digital Edition of American Cinematographer - June 2013
American Cinematographer - June 2013
Contents
Editor’s Note
President’s Desk
Short Takes: “The Volt Plasma Challenge”
Production Slate: Frances Ha • Spring Breakers
Boldly Captured
Living Large
A Killer with 2 Faces
Utopian Dreams
Filmmakers’ Forum: Edgar Burcksen, ACE
New Products & Services
International Marketplace
Classified Ads
Ad Index
ASC Membership Roster
Clubhouse News
ASC Close-Up: Shelly Johnson
American Cinematographer - June 2013 - American Cinematographer - June 2013
American Cinematographer - June 2013 - Cover2
American Cinematographer - June 2013 - Contents
American Cinematographer - June 2013 - 2
American Cinematographer - June 2013 - 3
American Cinematographer - June 2013 - 4
American Cinematographer - June 2013 - 5
American Cinematographer - June 2013 - 6
American Cinematographer - June 2013 - 7
American Cinematographer - June 2013 - 8
American Cinematographer - June 2013 - 9
American Cinematographer - June 2013 - Editor’s Note
American Cinematographer - June 2013 - 11
American Cinematographer - June 2013 - President’s Desk
American Cinematographer - June 2013 - 13
American Cinematographer - June 2013 - Short Takes: “The Volt Plasma Challenge”
American Cinematographer - June 2013 - 15
American Cinematographer - June 2013 - 16
American Cinematographer - June 2013 - 17
American Cinematographer - June 2013 - 18
American Cinematographer - June 2013 - 19
American Cinematographer - June 2013 - Production Slate: Frances Ha • Spring Breakers
American Cinematographer - June 2013 - 21
American Cinematographer - June 2013 - 22
American Cinematographer - June 2013 - 23
American Cinematographer - June 2013 - 24
American Cinematographer - June 2013 - 25
American Cinematographer - June 2013 - 26
American Cinematographer - June 2013 - 27
American Cinematographer - June 2013 - 28
American Cinematographer - June 2013 - 29
American Cinematographer - June 2013 - 30
American Cinematographer - June 2013 - 31
American Cinematographer - June 2013 - 32
American Cinematographer - June 2013 - 33
American Cinematographer - June 2013 - Boldly Captured
American Cinematographer - June 2013 - 35
American Cinematographer - June 2013 - 36
American Cinematographer - June 2013 - 37
American Cinematographer - June 2013 - 38
American Cinematographer - June 2013 - 39
American Cinematographer - June 2013 - 40
American Cinematographer - June 2013 - 41
American Cinematographer - June 2013 - 42
American Cinematographer - June 2013 - 43
American Cinematographer - June 2013 - 44
American Cinematographer - June 2013 - 45
American Cinematographer - June 2013 - 46
American Cinematographer - June 2013 - 47
American Cinematographer - June 2013 - Living Large
American Cinematographer - June 2013 - 49
American Cinematographer - June 2013 - 50
American Cinematographer - June 2013 - 51
American Cinematographer - June 2013 - 52
American Cinematographer - June 2013 - 53
American Cinematographer - June 2013 - 54
American Cinematographer - June 2013 - 55
American Cinematographer - June 2013 - 56
American Cinematographer - June 2013 - 57
American Cinematographer - June 2013 - 58
American Cinematographer - June 2013 - 59
American Cinematographer - June 2013 - A Killer with 2 Faces
American Cinematographer - June 2013 - 61
American Cinematographer - June 2013 - 62
American Cinematographer - June 2013 - 63
American Cinematographer - June 2013 - 64
American Cinematographer - June 2013 - I1
American Cinematographer - June 2013 - I2
American Cinematographer - June 2013 - I3
American Cinematographer - June 2013 - I4
American Cinematographer - June 2013 - I5
American Cinematographer - June 2013 - I6
American Cinematographer - June 2013 - I7
American Cinematographer - June 2013 - I8
American Cinematographer - June 2013 - I9
American Cinematographer - June 2013 - I10
American Cinematographer - June 2013 - I11
American Cinematographer - June 2013 - I12
American Cinematographer - June 2013 - 65
American Cinematographer - June 2013 - 66
American Cinematographer - June 2013 - 67
American Cinematographer - June 2013 - Utopian Dreams
American Cinematographer - June 2013 - 69
American Cinematographer - June 2013 - 70
American Cinematographer - June 2013 - 71
American Cinematographer - June 2013 - 72
American Cinematographer - June 2013 - 73
American Cinematographer - June 2013 - 74
American Cinematographer - June 2013 - 75
American Cinematographer - June 2013 - 76
American Cinematographer - June 2013 - 77
American Cinematographer - June 2013 - 78
American Cinematographer - June 2013 - 79
American Cinematographer - June 2013 - 80
American Cinematographer - June 2013 - 81
American Cinematographer - June 2013 - Filmmakers’ Forum: Edgar Burcksen, ACE
American Cinematographer - June 2013 - 83
American Cinematographer - June 2013 - 84
American Cinematographer - June 2013 - 85
American Cinematographer - June 2013 - New Products & Services
American Cinematographer - June 2013 - 87
American Cinematographer - June 2013 - 88
American Cinematographer - June 2013 - 89
American Cinematographer - June 2013 - 90
American Cinematographer - June 2013 - 91
American Cinematographer - June 2013 - 92
American Cinematographer - June 2013 - 93
American Cinematographer - June 2013 - 94
American Cinematographer - June 2013 - 95
American Cinematographer - June 2013 - 96
American Cinematographer - June 2013 - 97
American Cinematographer - June 2013 - 98
American Cinematographer - June 2013 - 99
American Cinematographer - June 2013 - International Marketplace
American Cinematographer - June 2013 - Classified Ads
American Cinematographer - June 2013 - Ad Index
American Cinematographer - June 2013 - 103
American Cinematographer - June 2013 - ASC Membership Roster
American Cinematographer - June 2013 - 105
American Cinematographer - June 2013 - Clubhouse News
American Cinematographer - June 2013 - 107
American Cinematographer - June 2013 - ASC Close-Up: Shelly Johnson
American Cinematographer - June 2013 - Cover3
American Cinematographer - June 2013 - Cover4
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