American Cinematographer - June 2014 - 30

Top: Along with
their respective
children and other
tourists, Jim and
Lauren (Drew
Barrymore, third
from left) react to
a surprise out in
the wild. Middle:
The filmmakers
prep the scene.
Bottom: Macat (at
camera) and
director Frank
Coraci head out to
shoot some
second-unit
material.

30

June 2014

American Cinematographer

Bottom photo by Aimee Keen, courtesy of the filmmakers.

atmosphere coming back toward camera.
With all the dust in the air, we got this glow
that looked like the sun was just below the
horizon. It was a fantastic effect.
What made you choose to shoot
with the Arri Alexa?
Coraci: I fell in love with digital on
Click [2006], and I've never looked back.
Dean Semler [ASC, ACS] and I shot Click
with the Panavision Genesis, and digital has
come a long way since then. Plus, if you
really miss film grain, you can always add it
in post [laughs]!
Macat: Also, logistically it just didn't
make sense to shoot film, especially in some
of our more remote locations. It's not like
there was a lab nearby where we could look
at timed dailies. Shooting with the Alexa,
we could build the look as we went.
Coraci: I've found that [digital]
makes a huge difference to performances as
well, especially in comedy - you can keep
rolling and maintain the energy.
How did you deal with dailies in
South Africa?
Coraci: That's a battle I continue to
fight: I want to see projected dailies, period.
You have to see dailies on the big screen,
not on a TV or a laptop or an iPad. I think
the ritual of watching dailies, sitting in the
dark and whispering to the cinematographer sitting next to me, is really important to
the process of making a movie.
Macat: It really changes the way you
approach the next day. There is always
something to be learned watching dailies.
So, you projected dailies on location?
Macat: We transformed a room in
the hotel into a small theater. We brought in
a Christie DLP projector, set up a good
screen, and sat down every day to look at
the work. Our DIT, Joshua Gollish, and our
dailies team from FotoKem, Steve Sherrick
and Jon Rocke, were there, so if we wanted
to make any tweaks, we could see the
results immediately. We shot ArriRaw [to a
Codex recorder].
Coraci: It's absolutely imperative to
set the look in the dailies. Everybody gets
used to seeing them, especially producers
and studio executives, and if they don't have
the look you intend for the final, then there
can be real problems later on.
Macat: It's important to have these



American Cinematographer - June 2014

Table of Contents for the Digital Edition of American Cinematographer - June 2014

Contents
1
American Cinematographer - June 2014 - 1
American Cinematographer - June 2014 - Cover2
American Cinematographer - June 2014 - 1
American Cinematographer - June 2014 - 2
American Cinematographer - June 2014 - Contents
American Cinematographer - June 2014 - 4
American Cinematographer - June 2014 - 5
American Cinematographer - June 2014 - 6
American Cinematographer - June 2014 - 7
American Cinematographer - June 2014 - 8
American Cinematographer - June 2014 - 9
American Cinematographer - June 2014 - 10
American Cinematographer - June 2014 - 11
American Cinematographer - June 2014 - 12
American Cinematographer - June 2014 - 13
American Cinematographer - June 2014 - 14
American Cinematographer - June 2014 - 15
American Cinematographer - June 2014 - 16
American Cinematographer - June 2014 - 17
American Cinematographer - June 2014 - 18
American Cinematographer - June 2014 - 19
American Cinematographer - June 2014 - 20
American Cinematographer - June 2014 - 21
American Cinematographer - June 2014 - 22
American Cinematographer - June 2014 - 23
American Cinematographer - June 2014 - 24
American Cinematographer - June 2014 - 25
American Cinematographer - June 2014 - 26
American Cinematographer - June 2014 - 27
American Cinematographer - June 2014 - 28
American Cinematographer - June 2014 - 29
American Cinematographer - June 2014 - 30
American Cinematographer - June 2014 - 31
American Cinematographer - June 2014 - 32
American Cinematographer - June 2014 - 33
American Cinematographer - June 2014 - 34
American Cinematographer - June 2014 - 35
American Cinematographer - June 2014 - 36
American Cinematographer - June 2014 - 37
American Cinematographer - June 2014 - 38
American Cinematographer - June 2014 - 39
American Cinematographer - June 2014 - 40
American Cinematographer - June 2014 - 41
American Cinematographer - June 2014 - 42
American Cinematographer - June 2014 - 43
American Cinematographer - June 2014 - 44
American Cinematographer - June 2014 - 45
American Cinematographer - June 2014 - 46
American Cinematographer - June 2014 - 47
American Cinematographer - June 2014 - 48
American Cinematographer - June 2014 - 49
American Cinematographer - June 2014 - 50
American Cinematographer - June 2014 - 51
American Cinematographer - June 2014 - 52
American Cinematographer - June 2014 - 53
American Cinematographer - June 2014 - 54
American Cinematographer - June 2014 - 55
American Cinematographer - June 2014 - 56
American Cinematographer - June 2014 - 57
American Cinematographer - June 2014 - 58
American Cinematographer - June 2014 - 59
American Cinematographer - June 2014 - 60
American Cinematographer - June 2014 - 61
American Cinematographer - June 2014 - 62
American Cinematographer - June 2014 - 63
American Cinematographer - June 2014 - 64
American Cinematographer - June 2014 - S1
American Cinematographer - June 2014 - S2
American Cinematographer - June 2014 - S3
American Cinematographer - June 2014 - S4
American Cinematographer - June 2014 - S5
American Cinematographer - June 2014 - S6
American Cinematographer - June 2014 - S7
American Cinematographer - June 2014 - S8
American Cinematographer - June 2014 - S9
American Cinematographer - June 2014 - S10
American Cinematographer - June 2014 - S11
American Cinematographer - June 2014 - S12
American Cinematographer - June 2014 - 65
American Cinematographer - June 2014 - 66
American Cinematographer - June 2014 - 67
American Cinematographer - June 2014 - 68
American Cinematographer - June 2014 - 69
American Cinematographer - June 2014 - 70
American Cinematographer - June 2014 - 71
American Cinematographer - June 2014 - 72
American Cinematographer - June 2014 - 73
American Cinematographer - June 2014 - 74
American Cinematographer - June 2014 - 75
American Cinematographer - June 2014 - 76
American Cinematographer - June 2014 - 77
American Cinematographer - June 2014 - 78
American Cinematographer - June 2014 - 79
American Cinematographer - June 2014 - 80
American Cinematographer - June 2014 - 81
American Cinematographer - June 2014 - 82
American Cinematographer - June 2014 - 83
American Cinematographer - June 2014 - 84
American Cinematographer - June 2014 - 85
American Cinematographer - June 2014 - 86
American Cinematographer - June 2014 - 87
American Cinematographer - June 2014 - 88
American Cinematographer - June 2014 - 89
American Cinematographer - June 2014 - 90
American Cinematographer - June 2014 - 91
American Cinematographer - June 2014 - 92
American Cinematographer - June 2014 - 93
American Cinematographer - June 2014 - 94
American Cinematographer - June 2014 - 95
American Cinematographer - June 2014 - 96
American Cinematographer - June 2014 - 97
American Cinematographer - June 2014 - 98
American Cinematographer - June 2014 - 99
American Cinematographer - June 2014 - 100
American Cinematographer - June 2014 - 101
American Cinematographer - June 2014 - 102
American Cinematographer - June 2014 - 103
American Cinematographer - June 2014 - 104
American Cinematographer - June 2014 - 105
American Cinematographer - June 2014 - 106
American Cinematographer - June 2014 - 107
American Cinematographer - June 2014 - 108
American Cinematographer - June 2014 - 109
American Cinematographer - June 2014 - 110
American Cinematographer - June 2014 - 111
American Cinematographer - June 2014 - 112
American Cinematographer - June 2014 - 113
American Cinematographer - June 2014 - 114
American Cinematographer - June 2014 - 115
American Cinematographer - June 2014 - 116
American Cinematographer - June 2014 - 117
American Cinematographer - June 2014 - 118
American Cinematographer - June 2014 - 119
American Cinematographer - June 2014 - 120
American Cinematographer - June 2014 - Cover3
American Cinematographer - June 2014 - Cover4
https://www.nxtbook.com/nxtbooks/ac/ac1218_v2
https://www.nxtbook.com/nxtbooks/ac/ac1118_v2
https://www.nxtbook.com/nxtbooks/ac/ac1018_v2
https://www.nxtbook.com/nxtbooks/ac/ac0918_v2
https://www.nxtbook.com/nxtbooks/ac/ac0818_v2
https://www.nxtbook.com/nxtbooks/ac/ac0718_v2
https://www.nxtbook.com/nxtbooks/ac/ac0618_v2
https://www.nxtbook.com/nxtbooks/ac/ac0518_v2
https://www.nxtbook.com/nxtbooks/ac/ac0418_v2
https://www.nxtbook.com/nxtbooks/ac/ac0318_v2
https://www.nxtbook.com/nxtbooks/ac/ac0218_v2
https://www.nxtbook.com/nxtbooks/ac/ac0118_v2
https://www.nxtbook.com/nxtbooks/ac/ac1217_v2
https://www.nxtbook.com/nxtbooks/ac/ac1117_v2
https://www.nxtbook.com/nxtbooks/ac/ac1017_v2
https://www.nxtbook.com/nxtbooks/ac/ac0917_v2
https://www.nxtbook.com/nxtbooks/ac/ac0817_v2
https://www.nxtbook.com/nxtbooks/ac/ac0717_v2
https://www.nxtbook.com/nxtbooks/ac/ac0617_v2
https://www.nxtbook.com/nxtbooks/ac/ac0517_v2
https://www.nxtbook.com/nxtbooks/ac/ac0417_v2
https://www.nxtbook.com/nxtbooks/ac/ac0317_v2
https://www.nxtbook.com/nxtbooks/ac/ac0217_v2
https://www.nxtbook.com/nxtbooks/ac/ac0117_v2
https://www.nxtbook.com/nxtbooks/ac/ac1216_v2
https://www.nxtbook.com/nxtbooks/ac/ac1116_v2
https://www.nxtbook.com/nxtbooks/ac/ac1016_v2
https://www.nxtbook.com/nxtbooks/ac/ac0916_v2
https://www.nxtbook.com/nxtbooks/ac/ac0816_v2
https://www.nxtbook.com/nxtbooks/ac/ac0716_v2
https://www.nxtbook.com/nxtbooks/ac/ac0616_v2
https://www.nxtbook.com/nxtbooks/ac/ac0516_v2
https://www.nxtbook.com/nxtbooks/ac/ac0416_v2
https://www.nxtbook.com/nxtbooks/ac/ac0316_v2
https://www.nxtbook.com/nxtbooks/ac/ac0216_v2
https://www.nxtbook.com/nxtbooks/ac/ac0116_v2
https://www.nxtbook.com/nxtbooks/ac/ac1215_v2
https://www.nxtbook.com/nxtbooks/ac/ac1115_v2
https://www.nxtbook.com/nxtbooks/ac/ac1015_v2
https://www.nxtbook.com/nxtbooks/ac/ac0915_v2
https://www.nxtbook.com/nxtbooks/ac/ac0815_v2
https://www.nxtbook.com/nxtbooks/ac/ac0715_v2
https://www.nxtbook.com/nxtbooks/ac/ac0615_v2
https://www.nxtbook.com/nxtbooks/ac/ac0515_v2
https://www.nxtbook.com/nxtbooks/ac/ac0415_v2
https://www.nxtbook.com/nxtbooks/ac/ac0315_v2
https://www.nxtbook.com/nxtbooks/ac/ac0215_v2
https://www.nxtbook.com/nxtbooks/ac/ac0115_v2
https://www.nxtbook.com/nxtbooks/ac/ac1214
https://www.nxtbook.com/nxtbooks/ac/ac1114
https://www.nxtbook.com/nxtbooks/ac/ac1014
https://www.nxtbook.com/nxtbooks/ac/ac0914
https://www.nxtbook.com/nxtbooks/ac/ac0814
https://www.nxtbook.com/nxtbooks/ac/ac0714
https://www.nxtbook.com/nxtbooks/ac/ac0614
https://www.nxtbook.com/nxtbooks/ac/ac0514
https://www.nxtbook.com/nxtbooks/ac/ac0414
https://www.nxtbook.com/nxtbooks/ac/ac0314
https://www.nxtbook.com/nxtbooks/ac/ac0214
https://www.nxtbook.com/nxtbooks/ac/ac0114
https://www.nxtbook.com/nxtbooks/ac/ac1213
https://www.nxtbook.com/nxtbooks/ac/ac1113
https://www.nxtbook.com/nxtbooks/ac/ac1013
https://www.nxtbook.com/nxtbooks/ac/ac0913
https://www.nxtbook.com/nxtbooks/ac/ac0813
https://www.nxtbook.com/nxtbooks/ac/ac0713
https://www.nxtbook.com/nxtbooks/ac/ac0613
https://www.nxtbook.com/nxtbooks/ac/ac0513
https://www.nxtbook.com/nxtbooks/ac/ac0413
https://www.nxtbook.com/nxtbooks/ac/ac0313
https://www.nxtbook.com/nxtbooks/ac/ac0213
https://www.nxtbook.com/nxtbooks/ac/ac0113
https://www.nxtbook.com/nxtbooks/ac/ac1212
https://www.nxtbook.com/nxtbooks/ac/ac1112
https://www.nxtbook.com/nxtbooks/ac/ac1012
https://www.nxtbook.com/nxtbooks/ac/ac0912
https://www.nxtbook.com/nxtbooks/ac/ac0812
https://www.nxtbook.com/nxtbooks/ac/ac0712
https://www.nxtbook.com/nxtbooks/ac/ac0612
https://www.nxtbook.com/nxtbooks/ac/ac0512
https://www.nxtbook.com/nxtbooks/ac/ac0412
https://www.nxtbook.com/nxtbooks/ac/ac0312
https://www.nxtbook.com/nxtbooks/ac/ac0212
https://www.nxtbook.com/nxtbooks/ac/ac0112
https://www.nxtbook.com/nxtbooks/ac/ac1211
https://www.nxtbook.com/nxtbooks/ac/ac1111
https://www.nxtbook.com/nxtbooks/ac/ac1011
https://www.nxtbook.com/nxtbooks/ac/ac0911
https://www.nxtbook.com/nxtbooks/ac/ac0811
https://www.nxtbook.com/nxtbooks/ac/ac0711
https://www.nxtbook.com/nxtbooks/ac/ac0611
https://www.nxtbook.com/nxtbooks/ac/ac0511
https://www.nxtbook.com/nxtbooks/ac/ac0411
https://www.nxtbook.com/nxtbooks/ac/ac0311
https://www.nxtbook.com/nxtbooks/ac/ac0211
https://www.nxtbook.com/nxtbooks/ac/ac0111
https://www.nxtbook.com/nxtbooks/ac/ac1210
https://www.nxtbook.com/nxtbooks/ac/ac1110
https://www.nxtbook.com/nxtbooks/ac/ac1010
https://www.nxtbook.com/nxtbooks/ac/ac0910
https://www.nxtbook.com/nxtbooks/ac/ac0810
https://www.nxtbook.com/nxtbooks/ac/ac0710
https://www.nxtbook.com/nxtbooks/ac/ac0610
https://www.nxtbook.com/nxtbooks/ac/ac0510
https://www.nxtbook.com/nxtbooks/ac/ac0410
https://www.nxtbook.com/nxtbooks/ac/ac0310
https://www.nxtbook.com/nxtbooks/ac/ac0210
https://www.nxtbook.com/nxtbooks/ac/ac0110
https://www.nxtbookmedia.com