American Cinematographer - June 2014 - S4

Danny Moder didn't set
out to be a cinematographer,
but filmmaking is in his
DNA. His grandfather, Dick
Moder, was a director and
his father, Mike Moder,
spent nearly four decades on
the production frontlines of
films like Jeremiah Johnson,
Beverly Hills Cop, and
Crimson Tide. And it was on
that 1995 Tony Scott action
flick that Moder got his first
taste of life on the set, after
nagging his father "enough
that he let me try it out for
a summer job, working as a
production assistant." From
there, he was hooked.
In the nearly two decades
since he began his career,
Moder has amassed nearly
40 credits, most recently
as the cinematographer on
Ryan Murphy's The Normal
Heart, which stars Mark
Ruffalo, Matt Bomer, Taylor
Kitsch, Jim Parsons, and
Julia Roberts, who also
happens to be Moder's wife
of a dozen years.
The fi lm is based on
Larry Kramer's Tony
Award-winning play about
the early days of the AIDS
crisis in New York City.
Murphy, best known as the
creator of Nip/Tuck, Glee
and American Horror Story,
approached Moder about
shooting the project shortly
after he had acquired the
rights, saying "he wanted my
'gritty handheld style,'" says
Moder. "I said sure, but didn't
believe we'd get this far."
Moder's skepticism
was warranted. Not long
after Kramer's largely
autobiographical play made
its debut at The Public
Theater in New York City
on April 21, 1985, there was
interest in adapting it to the
big screen. John Schlesinger,
Kenneth Branagh and Ralph
Fiennes were all interested
or attached at some point,
but Barbra Streisand was the
project's biggest champion.
Yet even with all of this star
power backing, no film ever
materialized, which made
getting it right the primary
goal of everyone involved in
the project. "The impact was
felt with every crew member
I hired," says Moder.
Equally important was
getting the look right. It
was immediately clear that
film was the only choice.
"There really is something
tangible about film - the
chemical process, the way
the colors combine," says
Moder. "A film set in the
early '80s really calls for it,

American Cinematographer - June 2014

Table of Contents for the Digital Edition of American Cinematographer - June 2014

Contents
1
American Cinematographer - June 2014 - 1
American Cinematographer - June 2014 - Cover2
American Cinematographer - June 2014 - 1
American Cinematographer - June 2014 - 2
American Cinematographer - June 2014 - Contents
American Cinematographer - June 2014 - 4
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American Cinematographer - June 2014 - S1
American Cinematographer - June 2014 - S2
American Cinematographer - June 2014 - S3
American Cinematographer - June 2014 - S4
American Cinematographer - June 2014 - S5
American Cinematographer - June 2014 - S6
American Cinematographer - June 2014 - S7
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American Cinematographer - June 2014 - S9
American Cinematographer - June 2014 - S10
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American Cinematographer - June 2014 - Cover3
American Cinematographer - June 2014 - Cover4
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