American Cinematographer - June 2015 - 103

vidual color temperature, operates up to
eight Pipes simultaneously, and offers DMX
512 in and out and DC input. With a low
draw of 10 watts per foot, the system can
be powered from standard AC outlets (100240 volts, 50-60Hz) or 14-volt DC batteries.
For additional information, visit
www.bbslighting.com in the Americas or
www.brothers-sons.dk in Europe.

Filmotechnic Rolls out
Russian Arm 6
Filmotechnic USA has announced
the arrival of the Russian Camera Arm 6 -
a.k.a. Autorobot Camera Crane 6 - to its
stable of camera-car-system offerings.
Five years in the making, the Russian
Arm 6 is a gyro-stabilized camera-crane
system capable of mounting on a roof of a
camera car or other specialized vehicle. It
enables 360 degrees of camera movement
while tilting up and down. The arm was
engineered and developed to allow filmmakers to shoot from nearly any angle with
complete stability and accuracy. Remotely
operated and fully controllable, the arm is
capable of on-the-fly tracking shots for the
creation of dynamic sequences.
Key features of the Russian Arm 6
include: presets for various camera-package
payloads, individual presets for camera-arm
operators, programmable limits, a variety of
arm-length extensions, a linear vibration
isolator capable of absorbing vibration, high
torque and speed, smooth and precise

camera movement and response, and quiet
arm movements.
John Urso, Filmotechnic's manager,
describes the Russian Arm 6 as "a high end,
versatile filmmaking technology that allows
our clients unprecedented performance in
speed, image stabilization, flexibility and
control. This new technology is based on
feedback on film sets worldwide from our
customers, partners and camera technicians. The new arm fits on all our camera
cars, [including] the Ford Raptor, Porsche
Cayenne, Mercedes ML63 AMG, the
Hummer H1 and the Ferrari 360."
For additional information, visit
www.filmotechnicusa.com.

Cartoni Grows Fluid-Head Family
Responding to the need for a rugged
and reliable fluid head for today's wide variety of ENG cameras, Cartoni has introduced
the Tracker, which can support cameras
from 4.4-44 pounds.
The Tracker offers a sleek, compact
design with an array of top-end features,
including Cartoni's patented "wing" continuously adjustable counterbalance system
and "labyrinth" system for smooth, precise
pan and tilt movement. Ergonomically
designed knobs and levers make the head
easy to use. Weighing only 8.8 pounds, the
head is extremely durable thanks to its lightweight magnesium-alloy construction. The
Tracker is also backed by Cartoni's 5-year
warranty.
Cartoni has further expanded its line
of pan-and-tilt heads with its largest-capacity product to date, the Magnum, which can
carry a payload of 55-210 pounds.
Combined with reliable operation, a fluid
feel with no transition tilting and a 5-year
warranty, the Magnum is an ideal choice for
studio and outdoor broadcast cameras with
long-lens configurations or bulky accessories.
ยข
103


http://www.backstageweb.com http://www.bbslighting.com http://www.brothers-sons.dk http://www.filmotechnicusa.com http://www.backstageweb.com

American Cinematographer - June 2015

Table of Contents for the Digital Edition of American Cinematographer - June 2015

Contents
American Cinematographer - June 2015 - Cover1
American Cinematographer - June 2015 - Cover2
American Cinematographer - June 2015 - 1
American Cinematographer - June 2015 - 2
American Cinematographer - June 2015 - Contents
American Cinematographer - June 2015 - 4
American Cinematographer - June 2015 - 5
American Cinematographer - June 2015 - 6
American Cinematographer - June 2015 - 7
American Cinematographer - June 2015 - 8
American Cinematographer - June 2015 - 9
American Cinematographer - June 2015 - 10
American Cinematographer - June 2015 - 11
American Cinematographer - June 2015 - 12
American Cinematographer - June 2015 - 13
American Cinematographer - June 2015 - 14
American Cinematographer - June 2015 - 15
American Cinematographer - June 2015 - 16
American Cinematographer - June 2015 - 17
American Cinematographer - June 2015 - 18
American Cinematographer - June 2015 - 19
American Cinematographer - June 2015 - 20
American Cinematographer - June 2015 - 21
American Cinematographer - June 2015 - 22
American Cinematographer - June 2015 - 23
American Cinematographer - June 2015 - 24
American Cinematographer - June 2015 - 25
American Cinematographer - June 2015 - 26
American Cinematographer - June 2015 - 27
American Cinematographer - June 2015 - 28
American Cinematographer - June 2015 - 29
American Cinematographer - June 2015 - 30
American Cinematographer - June 2015 - 31
American Cinematographer - June 2015 - 32
American Cinematographer - June 2015 - 33
American Cinematographer - June 2015 - 34
American Cinematographer - June 2015 - 35
American Cinematographer - June 2015 - 36
American Cinematographer - June 2015 - 37
American Cinematographer - June 2015 - 38
American Cinematographer - June 2015 - 39
American Cinematographer - June 2015 - 40
American Cinematographer - June 2015 - 41
American Cinematographer - June 2015 - 42
American Cinematographer - June 2015 - 43
American Cinematographer - June 2015 - 44
American Cinematographer - June 2015 - 45
American Cinematographer - June 2015 - 46
American Cinematographer - June 2015 - 47
American Cinematographer - June 2015 - 48
American Cinematographer - June 2015 - 49
American Cinematographer - June 2015 - 50
American Cinematographer - June 2015 - 51
American Cinematographer - June 2015 - 52
American Cinematographer - June 2015 - 53
American Cinematographer - June 2015 - 54
American Cinematographer - June 2015 - 55
American Cinematographer - June 2015 - 56
American Cinematographer - June 2015 - 57
American Cinematographer - June 2015 - 58
American Cinematographer - June 2015 - 59
American Cinematographer - June 2015 - 60
American Cinematographer - June 2015 - 61
American Cinematographer - June 2015 - 62
American Cinematographer - June 2015 - 63
American Cinematographer - June 2015 - 64
American Cinematographer - June 2015 - 65
American Cinematographer - June 2015 - 66
American Cinematographer - June 2015 - 67
American Cinematographer - June 2015 - 68
American Cinematographer - June 2015 - 69
American Cinematographer - June 2015 - 70
American Cinematographer - June 2015 - 71
American Cinematographer - June 2015 - 72
American Cinematographer - June 2015 - 73
American Cinematographer - June 2015 - 74
American Cinematographer - June 2015 - 75
American Cinematographer - June 2015 - 76
American Cinematographer - June 2015 - 77
American Cinematographer - June 2015 - 78
American Cinematographer - June 2015 - 79
American Cinematographer - June 2015 - 80
American Cinematographer - June 2015 - 80a
American Cinematographer - June 2015 - 80b
American Cinematographer - June 2015 - 80c
American Cinematographer - June 2015 - 80d
American Cinematographer - June 2015 - 80e
American Cinematographer - June 2015 - 80f
American Cinematographer - June 2015 - 80g
American Cinematographer - June 2015 - 80h
American Cinematographer - June 2015 - 81
American Cinematographer - June 2015 - 82
American Cinematographer - June 2015 - 83
American Cinematographer - June 2015 - 84
American Cinematographer - June 2015 - 85
American Cinematographer - June 2015 - 86
American Cinematographer - June 2015 - 87
American Cinematographer - June 2015 - 88
American Cinematographer - June 2015 - 89
American Cinematographer - June 2015 - 90
American Cinematographer - June 2015 - 91
American Cinematographer - June 2015 - 92
American Cinematographer - June 2015 - 93
American Cinematographer - June 2015 - 94
American Cinematographer - June 2015 - 95
American Cinematographer - June 2015 - 96
American Cinematographer - June 2015 - 97
American Cinematographer - June 2015 - 98
American Cinematographer - June 2015 - 99
American Cinematographer - June 2015 - 100
American Cinematographer - June 2015 - 101
American Cinematographer - June 2015 - 102
American Cinematographer - June 2015 - 103
American Cinematographer - June 2015 - 104
American Cinematographer - June 2015 - 105
American Cinematographer - June 2015 - 106
American Cinematographer - June 2015 - 107
American Cinematographer - June 2015 - 108
American Cinematographer - June 2015 - 109
American Cinematographer - June 2015 - 110
American Cinematographer - June 2015 - 111
American Cinematographer - June 2015 - 112
American Cinematographer - June 2015 - 113
American Cinematographer - June 2015 - 114
American Cinematographer - June 2015 - 115
American Cinematographer - June 2015 - 116
American Cinematographer - June 2015 - Cover3
American Cinematographer - June 2015 - Cover4
https://www.nxtbook.com/nxtbooks/ac/ac1218_v2
https://www.nxtbook.com/nxtbooks/ac/ac1118_v2
https://www.nxtbook.com/nxtbooks/ac/ac1018_v2
https://www.nxtbook.com/nxtbooks/ac/ac0918_v2
https://www.nxtbook.com/nxtbooks/ac/ac0818_v2
https://www.nxtbook.com/nxtbooks/ac/ac0718_v2
https://www.nxtbook.com/nxtbooks/ac/ac0618_v2
https://www.nxtbook.com/nxtbooks/ac/ac0518_v2
https://www.nxtbook.com/nxtbooks/ac/ac0418_v2
https://www.nxtbook.com/nxtbooks/ac/ac0318_v2
https://www.nxtbook.com/nxtbooks/ac/ac0218_v2
https://www.nxtbook.com/nxtbooks/ac/ac0118_v2
https://www.nxtbook.com/nxtbooks/ac/ac1217_v2
https://www.nxtbook.com/nxtbooks/ac/ac1117_v2
https://www.nxtbook.com/nxtbooks/ac/ac1017_v2
https://www.nxtbook.com/nxtbooks/ac/ac0917_v2
https://www.nxtbook.com/nxtbooks/ac/ac0817_v2
https://www.nxtbook.com/nxtbooks/ac/ac0717_v2
https://www.nxtbook.com/nxtbooks/ac/ac0617_v2
https://www.nxtbook.com/nxtbooks/ac/ac0517_v2
https://www.nxtbook.com/nxtbooks/ac/ac0417_v2
https://www.nxtbook.com/nxtbooks/ac/ac0317_v2
https://www.nxtbook.com/nxtbooks/ac/ac0217_v2
https://www.nxtbook.com/nxtbooks/ac/ac0117_v2
https://www.nxtbook.com/nxtbooks/ac/ac1216_v2
https://www.nxtbook.com/nxtbooks/ac/ac1116_v2
https://www.nxtbook.com/nxtbooks/ac/ac1016_v2
https://www.nxtbook.com/nxtbooks/ac/ac0916_v2
https://www.nxtbook.com/nxtbooks/ac/ac0816_v2
https://www.nxtbook.com/nxtbooks/ac/ac0716_v2
https://www.nxtbook.com/nxtbooks/ac/ac0616_v2
https://www.nxtbook.com/nxtbooks/ac/ac0516_v2
https://www.nxtbook.com/nxtbooks/ac/ac0416_v2
https://www.nxtbook.com/nxtbooks/ac/ac0316_v2
https://www.nxtbook.com/nxtbooks/ac/ac0216_v2
https://www.nxtbook.com/nxtbooks/ac/ac0116_v2
https://www.nxtbook.com/nxtbooks/ac/ac1215_v2
https://www.nxtbook.com/nxtbooks/ac/ac1115_v2
https://www.nxtbook.com/nxtbooks/ac/ac1015_v2
https://www.nxtbook.com/nxtbooks/ac/ac0915_v2
https://www.nxtbook.com/nxtbooks/ac/ac0815_v2
https://www.nxtbook.com/nxtbooks/ac/ac0715_v2
https://www.nxtbook.com/nxtbooks/ac/ac0615_v2
https://www.nxtbook.com/nxtbooks/ac/ac0515_v2
https://www.nxtbook.com/nxtbooks/ac/ac0415_v2
https://www.nxtbook.com/nxtbooks/ac/ac0315_v2
https://www.nxtbook.com/nxtbooks/ac/ac0215_v2
https://www.nxtbook.com/nxtbooks/ac/ac0115_v2
https://www.nxtbook.com/nxtbooks/ac/ac1214
https://www.nxtbook.com/nxtbooks/ac/ac1114
https://www.nxtbook.com/nxtbooks/ac/ac1014
https://www.nxtbook.com/nxtbooks/ac/ac0914
https://www.nxtbook.com/nxtbooks/ac/ac0814
https://www.nxtbook.com/nxtbooks/ac/ac0714
https://www.nxtbook.com/nxtbooks/ac/ac0614
https://www.nxtbook.com/nxtbooks/ac/ac0514
https://www.nxtbook.com/nxtbooks/ac/ac0414
https://www.nxtbook.com/nxtbooks/ac/ac0314
https://www.nxtbook.com/nxtbooks/ac/ac0214
https://www.nxtbook.com/nxtbooks/ac/ac0114
https://www.nxtbook.com/nxtbooks/ac/ac1213
https://www.nxtbook.com/nxtbooks/ac/ac1113
https://www.nxtbook.com/nxtbooks/ac/ac1013
https://www.nxtbook.com/nxtbooks/ac/ac0913
https://www.nxtbook.com/nxtbooks/ac/ac0813
https://www.nxtbook.com/nxtbooks/ac/ac0713
https://www.nxtbook.com/nxtbooks/ac/ac0613
https://www.nxtbook.com/nxtbooks/ac/ac0513
https://www.nxtbook.com/nxtbooks/ac/ac0413
https://www.nxtbook.com/nxtbooks/ac/ac0313
https://www.nxtbook.com/nxtbooks/ac/ac0213
https://www.nxtbook.com/nxtbooks/ac/ac0113
https://www.nxtbook.com/nxtbooks/ac/ac1212
https://www.nxtbook.com/nxtbooks/ac/ac1112
https://www.nxtbook.com/nxtbooks/ac/ac1012
https://www.nxtbook.com/nxtbooks/ac/ac0912
https://www.nxtbook.com/nxtbooks/ac/ac0812
https://www.nxtbook.com/nxtbooks/ac/ac0712
https://www.nxtbook.com/nxtbooks/ac/ac0612
https://www.nxtbook.com/nxtbooks/ac/ac0512
https://www.nxtbook.com/nxtbooks/ac/ac0412
https://www.nxtbook.com/nxtbooks/ac/ac0312
https://www.nxtbook.com/nxtbooks/ac/ac0212
https://www.nxtbook.com/nxtbooks/ac/ac0112
https://www.nxtbook.com/nxtbooks/ac/ac1211
https://www.nxtbook.com/nxtbooks/ac/ac1111
https://www.nxtbook.com/nxtbooks/ac/ac1011
https://www.nxtbook.com/nxtbooks/ac/ac0911
https://www.nxtbook.com/nxtbooks/ac/ac0811
https://www.nxtbook.com/nxtbooks/ac/ac0711
https://www.nxtbook.com/nxtbooks/ac/ac0611
https://www.nxtbook.com/nxtbooks/ac/ac0511
https://www.nxtbook.com/nxtbooks/ac/ac0411
https://www.nxtbook.com/nxtbooks/ac/ac0311
https://www.nxtbook.com/nxtbooks/ac/ac0211
https://www.nxtbook.com/nxtbooks/ac/ac0111
https://www.nxtbook.com/nxtbooks/ac/ac1210
https://www.nxtbook.com/nxtbooks/ac/ac1110
https://www.nxtbook.com/nxtbooks/ac/ac1010
https://www.nxtbook.com/nxtbooks/ac/ac0910
https://www.nxtbook.com/nxtbooks/ac/ac0810
https://www.nxtbook.com/nxtbooks/ac/ac0710
https://www.nxtbook.com/nxtbooks/ac/ac0610
https://www.nxtbook.com/nxtbooks/ac/ac0510
https://www.nxtbook.com/nxtbooks/ac/ac0410
https://www.nxtbook.com/nxtbooks/ac/ac0310
https://www.nxtbook.com/nxtbooks/ac/ac0210
https://www.nxtbook.com/nxtbooks/ac/ac0110
https://www.nxtbookmedia.com