American Cinematographer - June 2015 - 36
Q
Max Intensity
The crew preps
and shoots an
action sequence
in which Max
catapults himself
over to Furiosa's
War Rig to
escape Immortan
Joe's gang.
scene, capturing moments of terror, and
so on," he says. "George was understanding and a B camera was added.
Then I stuck in my C camera, dubbed
the 'Paparazzo,' with the 11:1, and we
36
June 2015
often added a fourth where we could."
All 10 Alexas and more than a
dozen crash cams were used when the
scope of the action and stunt work
required a combination of the show's
American Cinematographer
main and action units. The result was a
cacophonous convoy of crew - approximately 1,500 sat down for lunch on at
least one "10-camera day" - with
dozens of picture and support vehicles
kicking up dust as they drove up to five
miles through the desert, then turned
around to reset.
Another of Miller's idiosyncratic
approaches to camerawork was the stipulation to center-frame actors in the
crosshairs of the 2.40:1 widescreen
frame. This, however, wasn't Seale's first
experience with such an idea. "Quite
early in my career I shot an episode of an
Australian television program in which
the director and I center-framed the
actors' eyes during a rapidly edited fight
scene. The audiences' eyes then didn't
have to find anything; the fight was just
presented to them - bam, bam, bam,"
says Seale, thumping the table with
enthusiasm. "So I was most intrigued
with George's idea. It was hard on the
operators at first. It's so against the grain;
whacking everything in the center and
not worrying about what's happening on
the edges of frame is counter-intuitive.
Early in principal photography, the operators would offer up a beautiful compo-
American Cinematographer - June 2015
Table of Contents for the Digital Edition of American Cinematographer - June 2015
Contents
American Cinematographer - June 2015 - Cover1
American Cinematographer - June 2015 - Cover2
American Cinematographer - June 2015 - 1
American Cinematographer - June 2015 - 2
American Cinematographer - June 2015 - Contents
American Cinematographer - June 2015 - 4
American Cinematographer - June 2015 - 5
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American Cinematographer - June 2015 - 80a
American Cinematographer - June 2015 - 80b
American Cinematographer - June 2015 - 80c
American Cinematographer - June 2015 - 80d
American Cinematographer - June 2015 - 80e
American Cinematographer - June 2015 - 80f
American Cinematographer - June 2015 - 80g
American Cinematographer - June 2015 - 80h
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