American Cinematographer - June 2015 - 88
Q
Trapped in a Groove
Cinematographer
Denis Lenoir, ASC,
AFC at work on
another
production.
In that way, it makes for a very
dark film.
Lenoir: I shot the film mostly at
800 [ISO], but with a night interior, for
example, I would turn on a table lamp
with a normal 75-watt bulb as my only
source of light, and Mia would find it
too bright. This is a new problem I am
finding with digital. Because digital is so
88
fast, directors are used to working in very
little light - less than in real life! -
which brings up another point: Because
of the dark lighting, the irises of the
actors' eyes are wider, making the pupil
seem smaller, and you lose all of the
color in the eyes - with blue eyes in
particular.
Did you take the same lighting
approach with the clubs?
Lenoir: Yes, the clubs already
had their own lights, so it was not too
difficult. One thing that was very clear
from the beginning was that Mia
wanted the clubs to be extremely dark.
She and Sven watched other films with
club scenes and they felt those settings
were all way too bright compared to
what a club actually looks like. It had to
be dark, and I was not ready for how
dark she actually wanted it; I was
reminded in almost every club that
things were too bright!
Because the clubs were dark, the
question was how we could identify
them and not make them look the
same. For that reason we decided that
every club would have its own colors
and that this theme would not change
much in the course of the scene. Three
years ago, I had spent time at Rosco
here in Hollywood and tested a bunch
of colored gels. The thing with colored
gels is that their exact color changes
http://www.ovide.com/smartassist
http://www.ovide.com/smartassist
American Cinematographer - June 2015
Table of Contents for the Digital Edition of American Cinematographer - June 2015
Contents
American Cinematographer - June 2015 - Cover1
American Cinematographer - June 2015 - Cover2
American Cinematographer - June 2015 - 1
American Cinematographer - June 2015 - 2
American Cinematographer - June 2015 - Contents
American Cinematographer - June 2015 - 4
American Cinematographer - June 2015 - 5
American Cinematographer - June 2015 - 6
American Cinematographer - June 2015 - 7
American Cinematographer - June 2015 - 8
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American Cinematographer - June 2015 - 20
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American Cinematographer - June 2015 - 50
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American Cinematographer - June 2015 - 80
American Cinematographer - June 2015 - 80a
American Cinematographer - June 2015 - 80b
American Cinematographer - June 2015 - 80c
American Cinematographer - June 2015 - 80d
American Cinematographer - June 2015 - 80e
American Cinematographer - June 2015 - 80f
American Cinematographer - June 2015 - 80g
American Cinematographer - June 2015 - 80h
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American Cinematographer - June 2015 - 82
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American Cinematographer - June 2015 - Cover4
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