American Cinematographer - June 2016 - 99
Ball - on a boom pole.
Dryburgh also employed a fair
amount of "ground bounce" - laying
white sheets on the floor and bouncing Par cans off of them to raise his
ambient light level. "We did use a lot
of what my British gaffers call 'coop
lights,' which are a wireframe ground
row with a lot of light bulbs," says
Dryburgh. "You can wrap your gels
around them and hook it up to a
flicker box. We were hiding those
behind the furniture or in the fireplaces, jamming them in wherever we
could. Pretty much everything was
candlelight, ground bounce and small
units carefully hidden. But you still
feel that you're keying off the candles.
The balance was the most challenging."
Another challenging lighting
scenario was Time's castle. With a
swirling ocean below, Dryburgh
bottom-lit with an array of Vari-Lites
for moving light effects. And for
Time's clock room, the art department
created gobos of gears, spindles and
springs through which light could be
projected. Time also has a glowing orb
called a Chromosphere that is about
the size of a baseball and, when
thrown, turns into a time machine.
"When Alice steals it from Time and
is holding it in her hand, we needed it
to glow, so gaffer Harry Wiggins
worked with the art department to
create a 3D-printed sphere that was
full of LED lights," says Dryburgh. "It
had an interior battery, so you could
literally pick it up, throw it, and it still
glowed. As long as we kept the ambient light level down, it became the
dominant source in the space. That's
kind of amazing that you could create
so much light energy in such a small,
self-contained unit."
Above the set for Witzend, the
crew positioned more than 250 space
lights, with "very large 20-foot-wide
strips of soft blue diffusion extending
over the entire stage, below the space
lights," Dryburgh explains. Also
employed were Dinos and MaxiBrutes that provided a strong side key
http://www.aadyntech.com
http://www.fluotec.net
Table of Contents for the Digital Edition of American Cinematographer - June 2016
Contents
American Cinematographer - June 2016 - Intro
American Cinematographer - June 2016 - Cover1
American Cinematographer - June 2016 - Cover2
American Cinematographer - June 2016 - 1
American Cinematographer - June 2016 - 2
American Cinematographer - June 2016 - Contents
American Cinematographer - June 2016 - 4
American Cinematographer - June 2016 - 5
American Cinematographer - June 2016 - 6
American Cinematographer - June 2016 - 7
American Cinematographer - June 2016 - 8
American Cinematographer - June 2016 - 9
American Cinematographer - June 2016 - 10
American Cinematographer - June 2016 - 11
American Cinematographer - June 2016 - 12
American Cinematographer - June 2016 - 13
American Cinematographer - June 2016 - 14
American Cinematographer - June 2016 - 15
American Cinematographer - June 2016 - 16
American Cinematographer - June 2016 - 17
American Cinematographer - June 2016 - 18
American Cinematographer - June 2016 - 19
American Cinematographer - June 2016 - 20
American Cinematographer - June 2016 - 21
American Cinematographer - June 2016 - 22
American Cinematographer - June 2016 - 23
American Cinematographer - June 2016 - 24
American Cinematographer - June 2016 - 25
American Cinematographer - June 2016 - 26
American Cinematographer - June 2016 - 27
American Cinematographer - June 2016 - 28
American Cinematographer - June 2016 - 29
American Cinematographer - June 2016 - 30
American Cinematographer - June 2016 - 31
American Cinematographer - June 2016 - 32
American Cinematographer - June 2016 - 33
American Cinematographer - June 2016 - 34
American Cinematographer - June 2016 - 35
American Cinematographer - June 2016 - 36
American Cinematographer - June 2016 - 37
American Cinematographer - June 2016 - 38
American Cinematographer - June 2016 - 39
American Cinematographer - June 2016 - 40
American Cinematographer - June 2016 - 41
American Cinematographer - June 2016 - 42
American Cinematographer - June 2016 - 43
American Cinematographer - June 2016 - 44
American Cinematographer - June 2016 - 45
American Cinematographer - June 2016 - 46
American Cinematographer - June 2016 - 47
American Cinematographer - June 2016 - 48
American Cinematographer - June 2016 - 49
American Cinematographer - June 2016 - 50
American Cinematographer - June 2016 - 51
American Cinematographer - June 2016 - 52
American Cinematographer - June 2016 - 53
American Cinematographer - June 2016 - 54
American Cinematographer - June 2016 - 55
American Cinematographer - June 2016 - 56
American Cinematographer - June 2016 - 57
American Cinematographer - June 2016 - 58
American Cinematographer - June 2016 - 59
American Cinematographer - June 2016 - 60
American Cinematographer - June 2016 - 61
American Cinematographer - June 2016 - 62
American Cinematographer - June 2016 - 63
American Cinematographer - June 2016 - 64
American Cinematographer - June 2016 - 65
American Cinematographer - June 2016 - 66
American Cinematographer - June 2016 - 67
American Cinematographer - June 2016 - 68
American Cinematographer - June 2016 - 69
American Cinematographer - June 2016 - 70
American Cinematographer - June 2016 - 71
American Cinematographer - June 2016 - 72
American Cinematographer - June 2016 - 73
American Cinematographer - June 2016 - 74
American Cinematographer - June 2016 - 75
American Cinematographer - June 2016 - 76
American Cinematographer - June 2016 - 77
American Cinematographer - June 2016 - 78
American Cinematographer - June 2016 - 79
American Cinematographer - June 2016 - 80
American Cinematographer - June 2016 - 81
American Cinematographer - June 2016 - 82
American Cinematographer - June 2016 - 83
American Cinematographer - June 2016 - 84
American Cinematographer - June 2016 - 85
American Cinematographer - June 2016 - 86
American Cinematographer - June 2016 - 87
American Cinematographer - June 2016 - 88
American Cinematographer - June 2016 - 89
American Cinematographer - June 2016 - 90
American Cinematographer - June 2016 - 91
American Cinematographer - June 2016 - 92
American Cinematographer - June 2016 - 93
American Cinematographer - June 2016 - 94
American Cinematographer - June 2016 - 95
American Cinematographer - June 2016 - 96
American Cinematographer - June 2016 - 97
American Cinematographer - June 2016 - 98
American Cinematographer - June 2016 - 99
American Cinematographer - June 2016 - 100
American Cinematographer - June 2016 - 101
American Cinematographer - June 2016 - 102
American Cinematographer - June 2016 - 103
American Cinematographer - June 2016 - 104
American Cinematographer - June 2016 - 105
American Cinematographer - June 2016 - 106
American Cinematographer - June 2016 - 107
American Cinematographer - June 2016 - 108
American Cinematographer - June 2016 - 109
American Cinematographer - June 2016 - 110
American Cinematographer - June 2016 - 111
American Cinematographer - June 2016 - 112
American Cinematographer - June 2016 - 113
American Cinematographer - June 2016 - 114
American Cinematographer - June 2016 - 115
American Cinematographer - June 2016 - 116
American Cinematographer - June 2016 - 117
American Cinematographer - June 2016 - 118
American Cinematographer - June 2016 - 119
American Cinematographer - June 2016 - 120
American Cinematographer - June 2016 - Cover3
American Cinematographer - June 2016 - Cover4
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