American Cinematographer - June 2017 - 81

Unit photography by George Kraychyk, courtesy of Take Five and Hulu.

Offred finds herself recruited into their
cause.
Colin Watkinson was behind the
camera for all 10 episodes of the series'
first season. ASC member Reed
Morano served as an executive producer
for the series and directed the first three
episodes. Additional directors included
Mike Barker, Floria Sigismondi and
Kari Skogland.
Watkinson
and
Morano
welcomed AC to the set in Toronto, and
each spoke with the magazine for separate interviews after the production
wrapped. Those conversations have
been combined for the following Q&A.
American
Cinematographer:
What was it that attracted you to this
story?
Colin Watkinson: It had been
years since I'd read The Handmaid's Tale,
back in the Eighties before the first film
came out, and it's one of those books
that sticks with you. Reed came after me
because she was a big fan of The Fall
[AC May '08] - and I'd been following
her career since seeing Frozen River [AC
Aug. '08]. Immediately after seeing that
film, I had to go and look up who was
operating that camera.
Reed Morano, ASC: After I saw
The Fall, I tried to find Colin so I could
tell him how much I loved it, and when
it came time to find a cinematographer
for The Handmaid's Tale, he was one of
the first people who popped into my
head. Thankfully, he was available!
What were your initial creative
conversations about?
Watkinson: I started by pulling
reference pictures - including the work
of Oleg Oprisco and Vermeer that I
thought could exemplify our palette -
and Reed also had a look-book. When I
arrived in Toronto they'd started putting
[imagery] up on walls, and the pictures
I'd sent her were already up.
What can you tell us about the
palette?
Morano: The way that Margaret
writes is very atmospheric. She created
this vivid world, with a society based on
color segregation, which provided a

Offred (Elisabeth Moss, opposite), one of the fertile women known as handmaids in the
oppressive Republic of Gilead, struggles to survive as a reproductive surrogate for Commander
Waterford (Joseph Fiennes, this page, top) and his resentful wife in the series The Handmaid's
Tale. Bottom: Cinematographer Colin Watkinson frames a close-up of Moss.

www.theasc.com

June 2017

81



http://www.theasc.com

Table of Contents for the Digital Edition of American Cinematographer - June 2017

Contents
American Cinematographer - June 2017 - Intro
American Cinematographer - June 2017 - Cover1
American Cinematographer - June 2017 - Cover2
American Cinematographer - June 2017 - 1
American Cinematographer - June 2017 - 2
American Cinematographer - June 2017 - Contents
American Cinematographer - June 2017 - 4
American Cinematographer - June 2017 - 5
American Cinematographer - June 2017 - 6
American Cinematographer - June 2017 - 7
American Cinematographer - June 2017 - 8
American Cinematographer - June 2017 - 9
American Cinematographer - June 2017 - 10
American Cinematographer - June 2017 - 11
American Cinematographer - June 2017 - 12
American Cinematographer - June 2017 - 13
American Cinematographer - June 2017 - 14
American Cinematographer - June 2017 - 15
American Cinematographer - June 2017 - 16
American Cinematographer - June 2017 - 17
American Cinematographer - June 2017 - 18
American Cinematographer - June 2017 - 19
American Cinematographer - June 2017 - 20
American Cinematographer - June 2017 - 21
American Cinematographer - June 2017 - 22
American Cinematographer - June 2017 - 23
American Cinematographer - June 2017 - 24
American Cinematographer - June 2017 - 25
American Cinematographer - June 2017 - 26
American Cinematographer - June 2017 - 27
American Cinematographer - June 2017 - 28
American Cinematographer - June 2017 - 29
American Cinematographer - June 2017 - 30
American Cinematographer - June 2017 - 31
American Cinematographer - June 2017 - 32
American Cinematographer - June 2017 - 33
American Cinematographer - June 2017 - 33A
American Cinematographer - June 2017 - 33B
American Cinematographer - June 2017 - 34
American Cinematographer - June 2017 - 35
American Cinematographer - June 2017 - 36
American Cinematographer - June 2017 - 37
American Cinematographer - June 2017 - 38
American Cinematographer - June 2017 - 39
American Cinematographer - June 2017 - 40
American Cinematographer - June 2017 - 41
American Cinematographer - June 2017 - 42
American Cinematographer - June 2017 - 43
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American Cinematographer - June 2017 - 45
American Cinematographer - June 2017 - 46
American Cinematographer - June 2017 - 47
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American Cinematographer - June 2017 - 49
American Cinematographer - June 2017 - 50
American Cinematographer - June 2017 - 51
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American Cinematographer - June 2017 - 57
American Cinematographer - June 2017 - 58
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American Cinematographer - June 2017 - 60
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American Cinematographer - June 2017 - 85
American Cinematographer - June 2017 - 86
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American Cinematographer - June 2017 - 90
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American Cinematographer - June 2017 - Cover3
American Cinematographer - June 2017 - Cover4
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