American Cinematographer - June 2018 - 51

shadow side of her face as well as the
magenta light on her other side, which is
the opposite end of the color wheel,"
Scott says. "And sometimes we want to
introduce colors such as amber that
don't exist in the shot material. All that
makes it really colorful, vibrant and
bright."
Scott, whose involvement in the
Marvel Cinematic Universe stretches
back to the very beginning with Iron
Man (AC May '08), says Infinity War
pays reverence to the look of earlier
MCU movies. Those projects include
this year's Black Panther (shot by Rachel
Morrison, ASC; AC March '18), as
Infinity War features a major battle scene
set in Wakanda, homeland of King
T'Challa/Black Panther (Chadwick
Boseman). Scott notes, "We wanted to
make sure those sequences line up with
what everyone has recently seen, but this
movie has a distinctly different mood.
To reinforce the narrative, we start the
scene with warmer hues, then progress

to a cooler palette as we progress
through the scene."
The epic moviemaking journey is
far from over, with additional photography on the follow-up still to come.
Teasing the sequel, Opaloch offers,
"Number two definitely has its own
personality. We didn't want it to feel like
it was just a 'pause and play' on the first
movie. It's got an even more epic scope.
The reference is more along the lines of
David Lean."
While the cinematographer has
seen a steady rise in the scale of the
movies he's shot, he admits that Infinity
War "was pretty surreal. Nearly every
day I would look over at Joe or first AC
Taylor Matheson and say, 'Oh my God,'
remembering which actors would be
coming in. Things like that kept us
going. We were shooting for about a
year, and there was always something
around the corner to look forward to."
‚óŹ

TECHNICAL SPECS
1.9:1 and 2.39:1
Digital Capture
Arri Alexa 65;
Red Weapon Helium 8K S35,
Weapon Dragon 8K V V
Panavision Ultra Panatar,
Sphero 65, Primo 70;
CW Sonderoptic Leica Summilux-C;
Angenieux Optimo

51


http://leefilters.com

Table of Contents for the Digital Edition of American Cinematographer - June 2018

Contents
American Cinematographer - June 2018 - Intro
American Cinematographer - June 2018 - Cover1
American Cinematographer - June 2018 - Cover2
American Cinematographer - June 2018 - 1
American Cinematographer - June 2018 - 2
American Cinematographer - June 2018 - Contents
American Cinematographer - June 2018 - 4
American Cinematographer - June 2018 - 5
American Cinematographer - June 2018 - 6
American Cinematographer - June 2018 - 7
American Cinematographer - June 2018 - 8
American Cinematographer - June 2018 - 9
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American Cinematographer - June 2018 - 11
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American Cinematographer - June 2018 - 21
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American Cinematographer - June 2018 - 28
American Cinematographer - June 2018 - 29
American Cinematographer - June 2018 - 30
American Cinematographer - June 2018 - 31
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American Cinematographer - June 2018 - 36
American Cinematographer - June 2018 - 37
American Cinematographer - June 2018 - 38
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American Cinematographer - June 2018 - 50
American Cinematographer - June 2018 - 51
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American Cinematographer - June 2018 - Cover3
American Cinematographer - June 2018 - Cover4
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