American Cinematographer - June 2021 - 38
MOMENTS OF TRANSCENDENCE
Alar Kivilo, ASC,
CSC, ESC
Gone, 2017
One Fixed Moment
" My answer to 'why do I make pictures?' is 'because I can't
not make pictures,' " says Charlie Lieberman, ASC. Long before becoming a Society member, or chair of the ASC Photo
Gallery Committee, Lieberman started his career in stills
and " never put the still camera away. " In 2017, he began
working on new Gallery shows - which are presented at
the ASC Clubhouse in Hollywood, with photos selected by
curator Paris Chong of Leica Gallery Los Angeles.
" With the Photo Gallery, the ASC presents a different
aspect of creative expression that some of our members
practice, " Lieberman says. " Everything has to be stated in
one fixed moment for a photograph to be compelling. It's
this single moment - whether in color or black-and-white
- that has to strike the viewer as worth looking at for more
than a glance. "
Lieberman personally prints all of the images presented
in the exhibits, and invites anyone who's showing work to
be at their printing. " I don't think anyone has ever not chosen to be there, " he says. " As is true for every cinematographer, we are obsessed with the quality of our images. "
And this " obsession, " he notes, is an important part of
the ASC's legacy and the history of filmmaking. " I saw a
copy of the Society's Cinematographic Annual from 1930
- a precursor to the earliest versions of the American
Cinematographer Manual - and throughout the pages
were many landscape and portrait photographs made by
members, " Lieberman says. " The Society's connection to
still photography runs deep; many of the people who were
the first DPs got started because they knew how to shoot
stills. It's very gratifying to me that the ASC has chosen to
present this side of itself. "
- Tara Jenkins
38 / JUNE 2021
p.32-47 ASC Gallery v4.indd 38
5/9/21 5:52 PM
http://ducloslenses.com
American Cinematographer - June 2021
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American Cinematographer - June 2021 - 1
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