American Cinematographer - July 2011 - 76

New Products & Services
JVC Unveils 3-D Camcorder JVC Professional Products Co. has introduced the GY-HMZ1U ProHD 3-D camcorder. With an integrated 3-D twin-lens design powered by JVC’s proprietary large-scale integration chip for highspeed processing of HD video, the GY-HMZ1U can simultaneously record each left and right image in full 1920x1080 resolution. The camcorder features dual 3.32 megapixel CMOS sensors (one for each lens) and delivers 34 Mbps AVCHD recording in 3-D or 24 Mbps in 2-D. Video can be recorded with time code at 60i to provide smooth motion or 24p for a film-like effect. The GY-HMZ1U canalso capture 3-D time lapse and 3-D stills. “With the new GY-HMZ1U, video-production professionals get true 3-D with full HD resolution,” says Craig Yanagi, national marketing and brand manager. “3-D production can be extremely complex, but this camcorder makes 3-D more accessible to independent filmmakers, commercial and corporate production houses, and even educational markets.” For additional information, visit http://pro.jvc.com. Ikan Introduces VX7e, Acquires Cinemáge Ikan has introduced the VX7e, a 7"HD-SDI monitor with Peaking and False Color. The VX7e is equipped with Monochrome and Color Peaking features, which highlight sharp lines and stark contrasts for optimal focus control. The False Color feature utilizes a full spectrum of assigned color indicators, ensuring flawless exposure. The VX7ealso provides every connection professionals need, including HD-SDI, HDMI, composite and component inputs. Other features include a screen resolution of 1024x600, Moveable Pixel to Pixel, Blue Gun and Digital to Analog Conversion. Controlling the monitor is intuitive thanks to front-and-center controls. In addition to the included AC adapter, the VX7e comes with Ikan’s BP2 adapter plate, and users can specify whether they want the Sony L, Sony BP-U, Canon 900, Canon LP-E6+ or Panasonic D54 battery plate. Ikan also offers the PBK-17 professional battery-mount system, allowing the VX7e to be used with Anton/Bauer or Sony Vmount power options.
76 July 2011

• SUBMISSION INFORMATION • Please e-mail New Products/Services releases to: newproducts@ascmag.com and include full contact information and product images. Photos must be TIFF or JPEG files of at least 300dpi.

In other news, Ikan has acquired the Cinemáge product line from Cine-tal Systems, Inc. “This is a great opportunity for us to expand our product offering,” says Kan Yeung, CEO of Ikan Corp. “The Cinemáge product line has a reputation for unmatched color accuracy and quality.” Ross Grasse, head of international sales for Cinemáge’s product line, adds, “We will invest in and expand this line while continuing to procure and manufacture all Cinemáge-related materials in the domestic U.S., providing Cinemáge customers with the samequality and innovation to which they are accustomed.” For additional information, visit www.ikancorp.com. Fujifilm Manages Color with CCBox Fujifilm Corp. has unveiled CCBox, its Image Interchange Framework-based on-site color-management tool. CCBox is one component of an evolving color-management system that applies the Academy’s IIF workflow. The hardware tool incorporates a new algorithm based on the IIF to achieve a high level of flexibility and precision. With this system, cameras can be calibrated easily on site, while the calibration of monitors is fully automated. The pixel-by-pixel analyzing function dramatically simplifies the analysis of shooting conditions. CCBox also features a new color-grading interface, and the adjustments made by the system can be handed over to a post facility to ensure an effective workflow. For additional information, visit www.fujifilmusa.com. Hurlbut Visuals Opens Rental Division Shane Hurlbut, ASC has unveiled Hurlbut Visuals DSLR Cinema Rentals, designed to equip filmmakers with a productionready DSLR-camera system. The camera packages have been put together by Hurlbut and his team based on their collective experience working with DSLR systems in extreme conditions on two features, 25 shorts and more than 100 commercials. Thanks to the cameras’ small profile, a 15camera package can fit in a 1-ton truck with room to spare. Each rental package includes everything you need to turn the DSLR into a professional motion-picture-capture device. PL and PV mounts are available, as are Leica, Zeiss, Canon and Nikon lenses, all

American Cinematographer


http://www.ikancorp.com http://pro.jvc.com http://www.fujifilmusa.com

American Cinematographer - July 2011

Table of Contents for the Digital Edition of American Cinematographer - July 2011

American Cinematographer - July 2011
Contents
Editor’s Note
President’s Desk
Letters
Production Slate: Larry Crowne • Mortal Kombat
Monster Out of the Box
Ring of Power
Shot Down in Flames
A Cultural Cataclysm
Ascending Cinematography’s Summit
Post Focus: Prime Focus New York
Filmmakers’ Forum: Jim Matlosz
New Products & Services
International Marketplace
Classified Ads
Ad Index
In Memoriam: Gerald Perry Finnerman, ASC
Clubhouse News
ASC Close-Up: Bruno Delbonnel
American Cinematographer - July 2011 - American Cinematographer - July 2011
American Cinematographer - July 2011 - Cover2
American Cinematographer - July 2011 - 1
American Cinematographer - July 2011 - 2
American Cinematographer - July 2011 - Contents
American Cinematographer - July 2011 - 4
American Cinematographer - July 2011 - 5
American Cinematographer - July 2011 - 6
American Cinematographer - July 2011 - 7
American Cinematographer - July 2011 - Editor’s Note
American Cinematographer - July 2011 - 9
American Cinematographer - July 2011 - President’s Desk
American Cinematographer - July 2011 - 11
American Cinematographer - July 2011 - Letters
American Cinematographer - July 2011 - 13
American Cinematographer - July 2011 - Production Slate: Larry Crowne • Mortal Kombat
American Cinematographer - July 2011 - 15
American Cinematographer - July 2011 - 16
American Cinematographer - July 2011 - 17
American Cinematographer - July 2011 - 18
American Cinematographer - July 2011 - 19
American Cinematographer - July 2011 - 20
American Cinematographer - July 2011 - 21
American Cinematographer - July 2011 - 22
American Cinematographer - July 2011 - 23
American Cinematographer - July 2011 - Monster Out of the Box
American Cinematographer - July 2011 - 25
American Cinematographer - July 2011 - 26
American Cinematographer - July 2011 - 27
American Cinematographer - July 2011 - 28
American Cinematographer - July 2011 - 29
American Cinematographer - July 2011 - 30
American Cinematographer - July 2011 - 31
American Cinematographer - July 2011 - 32
American Cinematographer - July 2011 - 33
American Cinematographer - July 2011 - 34
American Cinematographer - July 2011 - 35
American Cinematographer - July 2011 - Ring of Power
American Cinematographer - July 2011 - 37
American Cinematographer - July 2011 - 38
American Cinematographer - July 2011 - 39
American Cinematographer - July 2011 - 40
American Cinematographer - July 2011 - 41
American Cinematographer - July 2011 - 42
American Cinematographer - July 2011 - 43
American Cinematographer - July 2011 - 44
American Cinematographer - July 2011 - 45
American Cinematographer - July 2011 - Shot Down in Flames
American Cinematographer - July 2011 - 47
American Cinematographer - July 2011 - 48
American Cinematographer - July 2011 - 49
American Cinematographer - July 2011 - 50
American Cinematographer - July 2011 - 51
American Cinematographer - July 2011 - 52
American Cinematographer - July 2011 - 53
American Cinematographer - July 2011 - A Cultural Cataclysm
American Cinematographer - July 2011 - 55
American Cinematographer - July 2011 - 56
American Cinematographer - July 2011 - 57
American Cinematographer - July 2011 - 58
American Cinematographer - July 2011 - 59
American Cinematographer - July 2011 - 60
American Cinematographer - July 2011 - 61
American Cinematographer - July 2011 - Ascending Cinematography’s Summit
American Cinematographer - July 2011 - 63
American Cinematographer - July 2011 - 64
American Cinematographer - July 2011 - 65
American Cinematographer - July 2011 - 66
American Cinematographer - July 2011 - 67
American Cinematographer - July 2011 - 68
American Cinematographer - July 2011 - 69
American Cinematographer - July 2011 - Post Focus: Prime Focus New York
American Cinematographer - July 2011 - 71
American Cinematographer - July 2011 - Filmmakers’ Forum: Jim Matlosz
American Cinematographer - July 2011 - 73
American Cinematographer - July 2011 - 74
American Cinematographer - July 2011 - 75
American Cinematographer - July 2011 - New Products & Services
American Cinematographer - July 2011 - 77
American Cinematographer - July 2011 - 78
American Cinematographer - July 2011 - 79
American Cinematographer - July 2011 - International Marketplace
American Cinematographer - July 2011 - Classified Ads
American Cinematographer - July 2011 - Ad Index
American Cinematographer - July 2011 - 83
American Cinematographer - July 2011 - In Memoriam: Gerald Perry Finnerman, ASC
American Cinematographer - July 2011 - 85
American Cinematographer - July 2011 - Clubhouse News
American Cinematographer - July 2011 - 87
American Cinematographer - July 2011 - ASC Close-Up: Bruno Delbonnel
American Cinematographer - July 2011 - Cover3
American Cinematographer - July 2011 - Cover4
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