American Cinematographer - July 2013 - 60

◗

An Indie Twist on Shakespeare
Top: Worried
how his affection
for Hero will be
received, Claudio
(Fran Kranz)
stands in the
pool following a
night of revelry.
Middle and
bottom: As the
image distorts
through
foreground wine
glasses, Don
John (Sean
Maher) surfaces
to cloud
Claudio’s mind
with doubt.

around fairly well. If we had to go direct
with the light, we’d often use 129 [diffusion]; it’s heavy, but when you blast light
through it, it glows like nobody’s business.”
Polarizing filters were often
required outside, but in general, “Joss
isn’t really a diffusion guy,” notes
60

July 2013

Hunter. Day exteriors were usually lit
with sunlight off bounce cards or 8'x8'
UltraBounce. “The thing with filters,
especially if you’re using two handheld
cameras and are moving around a lot, is
that you end up introducing a lot of
problems, like flares that bounce
around, almost like a ghosting image.”
American Cinematographer

And, in fact, two Epic-Ms were
run most of the time, with Matt
Valentine operating the B camera.
“Matt is a great handheld operator and
a cinematographer in his own right,”
notes Hunter.
Footage was captured in 5K at
4:1 compression to SSD cards. (The
aspect ratio was 1.85:1.) “I work with a
waveform and a vectorscope monitor
and can tell just from looking at them if
the exposure is good,” says Hunter.
A Canon EOS 7D DSLR was
used to grab some reaction shots, and
Hunter was confident that by using a
long lens for these shots, in this case a
Canon L-Series 180mm, he could get
the Canon and Epic footage to match
reasonably well. “Even though Epic is
5K and the DSLR is 1080p HD, I’ve
learned that using longer lenses will
make a low-res video image look
sharper and more film-like,” he
observes.
“Additionally, Technicolor has
designed a scene file for the Canon, the
CineStyle Profile, that gives you more
latitude for color correction,” he continues. “The camera has little latitude in
the lower end of the curve, but the
CineStyle Profile extends the dynamic
range to give you more to work with in
post. That, combined with our
awesome colorist, [ASC associate]
David Cole, did the trick.”



American Cinematographer - July 2013

Table of Contents for the Digital Edition of American Cinematographer - July 2013

American Cinematographer - July 2013
Contents
Editor’s Note
President’s Desk
Short Takes: Dreamland
Production Slate: Laurence Anyways • Post Tenebras Lux
Prime Target
Wild Planet
An Indie Twist on Shakespeare
Tournament of Death
New Products & Services
International Marketplace
Classified Ads
Ad Index
Clubhouse News
ASC Close-Up: Don Burgess
American Cinematographer - July 2013 - American Cinematographer - July 2013
American Cinematographer - July 2013 - Cover2
American Cinematographer - July 2013 - 1
American Cinematographer - July 2013 - 2
American Cinematographer - July 2013 - Contents
American Cinematographer - July 2013 - 4
American Cinematographer - July 2013 - 5
American Cinematographer - July 2013 - 6
American Cinematographer - July 2013 - 7
American Cinematographer - July 2013 - 8
American Cinematographer - July 2013 - 9
American Cinematographer - July 2013 - Editor’s Note
American Cinematographer - July 2013 - 11
American Cinematographer - July 2013 - President’s Desk
American Cinematographer - July 2013 - 13
American Cinematographer - July 2013 - Short Takes: Dreamland
American Cinematographer - July 2013 - 15
American Cinematographer - July 2013 - 16
American Cinematographer - July 2013 - 17
American Cinematographer - July 2013 - 18
American Cinematographer - July 2013 - 19
American Cinematographer - July 2013 - Production Slate: Laurence Anyways • Post Tenebras Lux
American Cinematographer - July 2013 - 21
American Cinematographer - July 2013 - 22
American Cinematographer - July 2013 - 23
American Cinematographer - July 2013 - 24
American Cinematographer - July 2013 - 25
American Cinematographer - July 2013 - 26
American Cinematographer - July 2013 - 27
American Cinematographer - July 2013 - 28
American Cinematographer - July 2013 - 29
American Cinematographer - July 2013 - 30
American Cinematographer - July 2013 - 31
American Cinematographer - July 2013 - Prime Target
American Cinematographer - July 2013 - 33
American Cinematographer - July 2013 - 34
American Cinematographer - July 2013 - 35
American Cinematographer - July 2013 - 36
American Cinematographer - July 2013 - 37
American Cinematographer - July 2013 - 38
American Cinematographer - July 2013 - 39
American Cinematographer - July 2013 - 40
American Cinematographer - July 2013 - 41
American Cinematographer - July 2013 - 42
American Cinematographer - July 2013 - 43
American Cinematographer - July 2013 - Wild Planet
American Cinematographer - July 2013 - 45
American Cinematographer - July 2013 - 46
American Cinematographer - July 2013 - 47
American Cinematographer - July 2013 - 48
American Cinematographer - July 2013 - 49
American Cinematographer - July 2013 - 50
American Cinematographer - July 2013 - 51
American Cinematographer - July 2013 - 52
American Cinematographer - July 2013 - 53
American Cinematographer - July 2013 - 54
American Cinematographer - July 2013 - 55
American Cinematographer - July 2013 - An Indie Twist on Shakespeare
American Cinematographer - July 2013 - 57
American Cinematographer - July 2013 - 58
American Cinematographer - July 2013 - 59
American Cinematographer - July 2013 - 60
American Cinematographer - July 2013 - 61
American Cinematographer - July 2013 - 62
American Cinematographer - July 2013 - 63
American Cinematographer - July 2013 - Tournament of Death
American Cinematographer - July 2013 - 65
American Cinematographer - July 2013 - 66
American Cinematographer - July 2013 - 67
American Cinematographer - July 2013 - 68
American Cinematographer - July 2013 - 69
American Cinematographer - July 2013 - 70
American Cinematographer - July 2013 - 71
American Cinematographer - July 2013 - 72
American Cinematographer - July 2013 - 73
American Cinematographer - July 2013 - 74
American Cinematographer - July 2013 - 75
American Cinematographer - July 2013 - New Products & Services
American Cinematographer - July 2013 - 77
American Cinematographer - July 2013 - 78
American Cinematographer - July 2013 - 79
American Cinematographer - July 2013 - 80
American Cinematographer - July 2013 - 81
American Cinematographer - July 2013 - International Marketplace
American Cinematographer - July 2013 - Classified Ads
American Cinematographer - July 2013 - Ad Index
American Cinematographer - July 2013 - 85
American Cinematographer - July 2013 - Clubhouse News
American Cinematographer - July 2013 - 87
American Cinematographer - July 2013 - ASC Close-Up: Don Burgess
American Cinematographer - July 2013 - Cover3
American Cinematographer - July 2013 - Cover4
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