American Cinematographer - July 2014 - 13
Letters
Mr. Richard Crudo,
I am Sarah Jones' father. Thank you for writing from the ASC's President's Desk, "On the death of Sarah Jones"
[AC May '14]. It is heartfelt and well said.
As I read this I am reminded of why Sarah was so excited about entering your world of making films. I recall our
routine talks of hearing of her new experiences of the day. We talked about lighting color temperatures, how certain
actors required certain filters due to the "negative effects" of HD (but I guess that's supposed to be a secret) and so forth.
She would tell me about all kinds of fascinating details of what it took to get a good shot. Even the night before she
died we talked of such things. I so miss those talks.
Following her death I heard stories of how, on the first days of working in the world of cinematography, Sarah
was like an excited child in a candy store, doing what she so loved to do. And I heard stories of how, four years later,
her unabridged enthusiasm remained intact. She loved the art of cinematography - even as a 2nd AC with all the markers, measuring tapes, heavy equipment, etc. This young lady had captured the romance of filmmaking, something I think
those who were blessed to work alongside her will attest to. Perhaps Sarah possessed some of the spirit of your Mr.
Fraker. It's a shame that a few moments of apparent negligence robbed your industry of this young talent.
The last thing I want to do as Sarah's father is tear apart the industry that she fell in love with. Yes, the industry
apparently needs safer film sets, which, as you so elegantly pointed out, needs to start with a rediscovery of its spirituality. If we truly properly regard one another, should the safety issues not take care of themselves? If the people in charge
of Midnight Rider had properly regarded the lives they controlled on Feb. 20, would they have placed them on that railroad trestle without proper safety measures?
Safety should not be an afterthought that gets in the way of a good shot; rather, safety should be a culture, woven
into the fabric of the industry. It should be part of the planning process from day one of the project. If this is done, I
don't believe that it will be a hindrance to "getting that shot," but rather part of re-instilling spirituality into the film
industry.
I do hope and pray that Sarah's death, in some small way, leads to a cure for the spiritual sickness you so artfully
describe. Yes, it does matter to Sarah's family that the ultimate price she paid improves and strengthens the industry that
she so loved. May the "good old days" be in front of us.
Never Forget, Never Again,
Safety for Sarah,
Richard Jones
www.theasc.com
July 2014
13
http://www.theasc.com
American Cinematographer - July 2014
Table of Contents for the Digital Edition of American Cinematographer - July 2014
Contents
American Cinematographer - July 2014 - Cover1
American Cinematographer - July 2014 - Cover2
American Cinematographer - July 2014 - 1
American Cinematographer - July 2014 - 2
American Cinematographer - July 2014 - Contents
American Cinematographer - July 2014 - 4
American Cinematographer - July 2014 - 5
American Cinematographer - July 2014 - 6
American Cinematographer - July 2014 - 7
American Cinematographer - July 2014 - 8
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American Cinematographer - July 2014 - Cover3
American Cinematographer - July 2014 - Cover4
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