American Cinematographer - July 2014 - 50

◗

Time Benders

Top: Hank McCoy
(Nicholas Hoult)
shows why he
goes by the
moniker "Beast."
Bottom: Multiple
3-D camera rigs
capture the action
for a scene with
Storm (Halle
Berry, on crane)
and Blink
(Bingbing Fan).

Monica. To realize the goal, the cinematographer turned to near-set services
provider EC3, a co-venture between
Company 3 and EFilm, and one of the
company's traveling, high-end grading
suites, which EC3 set up adjacent to the
set in a converted Star Waggons trailer.
Dubbed the EC3 Wagon, the trailer
50

July 2014

featured a Christie Solaria One+ digital
cinema projector, a full machine room,
and a workstation where Delude
utilized Blackmagic Design's DaVinci
Resolve software to grade footage
coming from set. The EC3 setup
permitted Delude to make adjustments
to the imagery far deeper than is typical
American Cinematographer

for dailies footage, working with multiple windows and even doing extensive
tracking and luma keying on some of
them.
Each day, Sigel joined Delude
and stereographer John Harper in the
EC3 Wagon to view dailies in Rec 709
color space. Together, they implemented detailed color and 3-D convergence tweaks before the dailies material
ever left the vicinity of the set. "Tom
likes to push the image as far as he can,
knowing he might tone it down in the
DI," Delude says. "About three quarters
of the film takes place in the early
1970s, and the other quarter is in the
future, so we had two looks. The future
was kind of cold, desaturated and clean.
For the 1970s, Tom was really into a
'Kodachrome look.' He brought in a lot
of samples of photography of that era,
and we tried to make the Alexa footage
look like that - we chromakeyed shadows and pulled color out, and chromakeyed highlights and added a little
softness. Then, I would push the greens
more toward yellow-green, and the blue
we wanted was kind of 'Pan Am blue.'



American Cinematographer - July 2014

Table of Contents for the Digital Edition of American Cinematographer - July 2014

Contents
American Cinematographer - July 2014 - Cover1
American Cinematographer - July 2014 - Cover2
American Cinematographer - July 2014 - 1
American Cinematographer - July 2014 - 2
American Cinematographer - July 2014 - Contents
American Cinematographer - July 2014 - 4
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