American Cinematographer - July 2015 - 48
◗
Making Monsters
Top: Grady and
Dearing find the
damaged
Gyrosphere, but
the boys are
missing. Middle:
The crew shoots
a control-room
scene with
Howard. Bottom:
Grady monitors
the security team
from the control
room.
matographer recalls, "I called up
FotoKem and said, 'We're sending you
everything.' Originally, they were only
going to do the 65mm. Our experience
with them was fantastic. I have known
[ASC associate] Mark van Horne [at
FotoKem] since my days doing lowbudget movies in the late Eighties."
At the end of each day of principal photography, exposed film was
shipped to FotoKem in Burbank for
development and scanning. Dailies
were then distributed via the Pix
System, which, Schwartzman observes,
"can work beautifully with high bandwidth and fast Internet speed. At home,
I have a 300-megabyte-per-second
dedicated fiber connection, and I can
click on a Pix file and watch it instantly.
On the island, though, we'd have to wait
20 minutes to [stream each] clip. So Pix
came out and set up encrypted hard
drives that would download the previous day's dailies all day long, and we'd
then watch that at the end of the day -
so on Wednesday, we'd be watching
dailies from Monday.
"I don't really have a problem
with that, because I trust my eye," the
cinematographer continues. "I have a
light meter, but I don't really look at it
48
July 2015
American Cinematographer
American Cinematographer - July 2015
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American Cinematographer - July 2015 - Cover2
American Cinematographer - July 2015 - 1
American Cinematographer - July 2015 - 2
American Cinematographer - July 2015 - Contents
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