American Cinematographer - July 2016 - 35

comes from the digital postproduction
world so he is a total expert on it. Talking
with him prior to the shoot was like
having a master class - with invaluable
tips on how the color capture works on
the Alexa sensor and how to handle the
extreme colors I was planning to use on
set."
The Neon Demon was shot in and
around Los Angeles, primarily on practical locations. One of the biggest setups,
in terms of both lighting and staging,
was for a nightclub sequence shot inside
the Orpheum Theatre in downtown
L.A. on the second night of principal
photography. Jesse is invited to the party
by makeup artist Ruby ( Jena Malone),
and they arrive to find hundreds of revelers mingling amid a hip but ominous
ambience. "Jesse is entering this new
world that is totally alien to a girl from a
small town," remarks Braier. "It's like
Dorothy landing in Oz."
Stephanie Martin, the operator on
the single-camera shoot, describes
bringing the two women into the building: "An elevator door opens on the first
floor, and we dolly back as Jesse and
Ruby step out and walk down the corridor. [The camera dollies parallel to the

Later in the evening, Jesse is transfixed by a bondage-suspension show that slowly unfolds amid
hypnotic red light. Throughout production, DIT Ernesto Joven created screen grabs off the
monitor as references for Braier.

girls as they climb the stairs to the uppergallery level and] down a 30-foot stretch,
as they maneuver through and around
the crowds to reach two friends of
Ruby's, Sarah and Gigi [played by
Abbey Lee and Bella Heathcote, respectively]."
Six LED panels provided
magenta output and backlit Fanning and
www.theasc.com

Malone as they walked in profile. These
panels were the result of Tapia's
approaching Sean Goossen and Al
DeMayo at LiteGear and asking them
to create what the gaffer describes as a
"custom Frankenstein" light. "At the
time, [LiteGear] had just started building their Hybrid LiteMats," Tapia says,
"but they weren't really building
July 2016

35



http://www.theasc.com

American Cinematographer - July 2016

Table of Contents for the Digital Edition of American Cinematographer - July 2016

Contents
American Cinematographer - July 2016 - Intro
American Cinematographer - July 2016 - Cover1
American Cinematographer - July 2016 - Cover2
American Cinematographer - July 2016 - 1
American Cinematographer - July 2016 - 2
American Cinematographer - July 2016 - 3
American Cinematographer - July 2016 - 4
American Cinematographer - July 2016 - Contents
American Cinematographer - July 2016 - 6
American Cinematographer - July 2016 - 7
American Cinematographer - July 2016 - 8
American Cinematographer - July 2016 - 9
American Cinematographer - July 2016 - 10
American Cinematographer - July 2016 - 11
American Cinematographer - July 2016 - 12
American Cinematographer - July 2016 - 13
American Cinematographer - July 2016 - 14
American Cinematographer - July 2016 - 15
American Cinematographer - July 2016 - 16
American Cinematographer - July 2016 - 17
American Cinematographer - July 2016 - 18
American Cinematographer - July 2016 - 19
American Cinematographer - July 2016 - 20
American Cinematographer - July 2016 - 21
American Cinematographer - July 2016 - 22
American Cinematographer - July 2016 - 23
American Cinematographer - July 2016 - 24
American Cinematographer - July 2016 - 25
American Cinematographer - July 2016 - 26
American Cinematographer - July 2016 - 27
American Cinematographer - July 2016 - 28
American Cinematographer - July 2016 - 29
American Cinematographer - July 2016 - 30
American Cinematographer - July 2016 - 31
American Cinematographer - July 2016 - 32
American Cinematographer - July 2016 - 33
American Cinematographer - July 2016 - 34
American Cinematographer - July 2016 - 35
American Cinematographer - July 2016 - 36
American Cinematographer - July 2016 - 37
American Cinematographer - July 2016 - 38
American Cinematographer - July 2016 - 39
American Cinematographer - July 2016 - 40
American Cinematographer - July 2016 - 41
American Cinematographer - July 2016 - 42
American Cinematographer - July 2016 - 43
American Cinematographer - July 2016 - 44
American Cinematographer - July 2016 - 45
American Cinematographer - July 2016 - 46
American Cinematographer - July 2016 - 47
American Cinematographer - July 2016 - 48
American Cinematographer - July 2016 - 49
American Cinematographer - July 2016 - 50
American Cinematographer - July 2016 - 51
American Cinematographer - July 2016 - 52
American Cinematographer - July 2016 - 53
American Cinematographer - July 2016 - 54
American Cinematographer - July 2016 - 55
American Cinematographer - July 2016 - 56
American Cinematographer - July 2016 - 57
American Cinematographer - July 2016 - 58
American Cinematographer - July 2016 - 59
American Cinematographer - July 2016 - 60
American Cinematographer - July 2016 - 61
American Cinematographer - July 2016 - 62
American Cinematographer - July 2016 - 63
American Cinematographer - July 2016 - 64
American Cinematographer - July 2016 - 65
American Cinematographer - July 2016 - 66
American Cinematographer - July 2016 - 67
American Cinematographer - July 2016 - 68
American Cinematographer - July 2016 - 69
American Cinematographer - July 2016 - 70
American Cinematographer - July 2016 - 71
American Cinematographer - July 2016 - 72
American Cinematographer - July 2016 - 73
American Cinematographer - July 2016 - 74
American Cinematographer - July 2016 - 75
American Cinematographer - July 2016 - 76
American Cinematographer - July 2016 - 77
American Cinematographer - July 2016 - 78
American Cinematographer - July 2016 - 79
American Cinematographer - July 2016 - 80
American Cinematographer - July 2016 - 81
American Cinematographer - July 2016 - 82
American Cinematographer - July 2016 - 83
American Cinematographer - July 2016 - 84
American Cinematographer - July 2016 - 85
American Cinematographer - July 2016 - 86
American Cinematographer - July 2016 - 87
American Cinematographer - July 2016 - 88
American Cinematographer - July 2016 - Cover3
American Cinematographer - July 2016 - Cover4
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