American Cinematographer - July 2019 - 54

Learning From the Best

ASC members Stephen H. Burum (pp) and Richard Crudo (p) lend their expertise during
ASC Master Class sessions.

guide of tables, charts and formulas
- curated by Stephen H. Burum, ASC
specifically for student use - is also
offered.) The 11th edition, edited by
M. David Mullen, ASC and associate
member Rob Hummel,  is currently
being assembled.

"Those who are interested in the
future of the motion-picture art must
regard with favor every legitimate attempt
to promote the interchange of technical
information among motion-picture technicians, both professional and amateur."
- George Eastman,
in a letter to the ASC,
dated March 27, 1930
54

July 2019

To promote a greater understanding
of the cinematographer's craft while
inspiring the next generation of
motion-picture professionals, the
ASC's
Education
&
Outreach
Committee presents an ongoing slate
of free seminars for emerging filmmakers and established crewmembers
alike. These events - titled "Dialogue
With ASC Cinematographers" - are
arranged and moderated by Education
& Outreach Committee chair George
Spiro Dibie, ASC, an award-winning
cinematographer, veteran educator,
and the former president of the
International Cinematographers Guild.
For Dibie, creating these unique
opportunities for aspiring filmmakers
to interact with members of the
ASC 100th Anniversary

professional motion-picture industry
is among the ASC's most vital roles.
"The experience and knowledge we
have gained over many years of hard
work on the set is what we're offering
them," Dibie explains. "You can't
learn that from any book or by studying films, whether it is regarding the
creative process or working relationships.
"We're there to honestly answer
their questions, with no agenda or
bias," he continues. "We just give
them the truth - the reality of what it
is to build a career, assemble a crew,
collaborate on the set and, most
importantly, to understand that
everything cinematographers do is
about understanding and telling the
story visually. Everything we do -
lighting, compositions, camera angles
- has to be about the story."
"The ASC educational panels
are a lot of fun," says Cynthia
Pusheck, ASC, who participates
whenever her schedule allows. She
adds that a particular highlight of the
sessions is "how forthcoming the ASC
DPs are - sharing both personal and
professional stories that really give
the students an insight about what it's
like to be a working cinematographer."
Students from schools far and
wide have visited the ASC Clubhouse
to learn from this in-person interaction. "I learned what part you can
play and what you can do to make the
production smoother," film student
Kairavi Desai shared after attending
one of the seminars at the Clubhouse
with her classmates from Queensland
University of Technology in Brisbane,
Australia. "Building relationships
with the whole crew - having that
kind of family culture - makes
things so much better on set. You're
making a film together."
Kimisha Renee Davis, a cinematography major at ArtCenter
College of Design, said her biggest
takeaway was the panelists' advice to
"keep going. Keep shooting. Every
time I come here, I feel so happy to be



American Cinematographer - July 2019

Table of Contents for the Digital Edition of American Cinematographer - July 2019

Contents
American Cinematographer - July 2019 - Cover1
American Cinematographer - July 2019 - Cover2
American Cinematographer - July 2019 - 1
American Cinematographer - July 2019 - Contents
American Cinematographer - July 2019 - 3
American Cinematographer - July 2019 - 4
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American Cinematographer - July 2019 - Cover3
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