SHADOWS FROM THE PAST Varese (below) shot the bus sequence on a soundstage, using a vintage bus in front of LED video walls. chief lighting technician Eugene Bernal was key in the planning. Varese, French and console programmer Katz developed a tracking logarithm for the interactive lights to match the passing lights from the street plates. The bus interior had Astera Titan LED tubes rigged inside period light boxes. Arri SkyPanel S60-C units were rigged outside on each side of the bus, along with Color Force 72s for chases and ambience, and SolaFrame 3000 moving lights. Improvisation and Day-for-Night Before he began shooting the rest of the episode, Medencevic says, " I talked to Checco and Xavier about what I was intending to do, because there were some new locations and characters, and we discussed how far I should go in terms of using the language they had established, and 54 / JULY 2021