American Cinematographer - August 2008 - 36

Dark Matters Left: Mulder digs for clues in the frozen earth. Right: Roe checks a shot on location. A different snowbound location was used for the villain’s compound, a cluster of trailers that sits on a property dotted with tanker trucks and logging trucks. “We had to be able to look everywhere at that location, and it was bordered on one side by pure wilderness,” recalls Roe. To create ambient light for night scenes, the crew positioned four Condors in a rough semicircle around the accessible side of the property, placing a 24-light Dino and a 20K on three of them and a 24light Dino and a Nine-light MaxiBrute on the fourth. The practicals motivating this light comprised “about 16 RFLs [reflector floods], mainly 300-watt, around the trailers, and six or so China hats with 500watt RFLs around the compound perimeter,” says Tickell. Compound interiors were built onstage in a Vancouver warehouse, and one prominent set, a surgical bay, was lit entirely by practicals: medical lamps at the operat- Samy’s DV & Edit WE ACCEPT MASTERCARD, VISA, AMERICAN EXPRESS & DISCOVER. SCHOOL, UNIVERSITY & CORPORATE P.O.’S WELCOME BEFORE YOU BUY YOUR DIGITAL CINEMA EQUIPMENT, TALK TO US! A Division of Samy’s Camera WE’VE MOVED - NEW ADDRESS! 12636 Beatrice St. Los Angeles, CA 90066 www.samysdv.com (310) 450-4365 FAX (310) 450-3079 PMW-EX3 XDCAMEX SEMI SHOULDER CAMCORDER • 1⁄2-inch interchangeable lens system •1/2” imagers with 1920x1080 pixels • Genlock in • Time Code in/out • 8-pin remote control for studio operation New! Three 2/3”CCD P2 HD Camcorder • Utilizes interchangeable lenses • Can shoot everything from 1080i to 720p variable frame rates •Features four XLR inputs, a chromaticaberration compensation function, and eight gamma modes AG-HPX500 AJ-HDX900 • Adds on support for 1080i and 720p • Three 2/3" 1 million pixels Progressive CCD imagers • 24P/30P/60i recording capability • Captures film-like 24-frame images using CineGamma Affordable Professional Hi-Definition Camera PMW-EX1 Flash Memory Capabilities 1/2” HD Camera • Record to ExpressCard high-speed flash media • Switchable between 1080/60i and 720/60P • Capable of recording 1080/50i/30P/25P/24P and 720/50P • MPEG-2 compression technology with three, 1/2” imagers Interchangeable Lens Professional HDV Camera New! Sony HVR-Z7U AJ-SDX900 Also Available PRODUCTION PACKAGE PROMOTIONS! Please call for our • Switch between 1080p, 1080i in the HDV format, DVCAM™, and DV recording • Down-convert material from HD to SD New! Sony Interchangeable Lens Pro Shoulder Mount HDV Camera • Native progressive recording • Increased sensitivity for low-light • Hybrid solid-state recording • 3 ClearVid CMOS Sensor system Sony HVR-S270U Digital Camcorder Sony XDCAM HD PDW-F355 PDW-700 2/3” XDCAM HD Camcorder • Three 2/3-inch progressive CCD sensors, each with full 1920 x 1080 resolution • HD recording at a data rate of up to 50 Mb/s using the MPEG-2 4:2:2P@HL compression technology,“MPEG HD422” Longer record times are available by supporting the new dual-layer 50GB Professional Disc. XDCAM HD PDW-F335 ALSO AVAILABLE PDW-F355 & PDW-F330 ALSO AVAILABLE • Ultra-reliable solid-state camcorder records in 17 HD and SD formats • Excels at low-light shooting • New AVC-Intra codec option • The P2 card provides superior reliability in harsh environments and when exposed to shock, vibration and temperature change 2/3” P2 HD Camcorder AJ-HPX2000 AG-HVX200 1/3" 3-CCD 16:9 HD/DVCPRO/DV • Cinema P2 Camera with CineSwitch™ • Technology, CineGamma™ Software and IEEE 1394 Interface AJ-SD93 Also Available 36 SONY IS A REGISTERED TRADEMARK NOT RESPONSIBLE FOR TYPOGRAPHICAL ERRORS. PRICES SUBJECT TO CHANGE WITHOUT NOTICE.
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American Cinematographer - August 2008

Table of Contents for the Digital Edition of American Cinematographer - August 2008

American Cinematographer - August 2008
Contents
Editor's Note
Letters
Short Takes: Death Cab for Cutie’s “I Will Possess Your Heart”
Production Slate: Pineapple Express
Production Slate: Frozen River
Dark Matters
Fathers of the Bride
The Emperor Strikes Back
An Eye-Popping Adventure
Post Focus: Dalsa’s 4K Workflow
Filmmakers’ Forum: Billy Dickson, ASC
New Products & Services
International Marketplace
Classified Ads
Ad Index
In Memoriam: Clifford H. Poland Jr., ASC
Clubhouse News
ASC Close-Up: John S. Bartley
American Cinematographer - August 2008 - American Cinematographer - August 2008
American Cinematographer - August 2008 - Cover2
American Cinematographer - August 2008 - 1
American Cinematographer - August 2008 - 2
American Cinematographer - August 2008 - Contents
American Cinematographer - August 2008 - 4
American Cinematographer - August 2008 - 5
American Cinematographer - August 2008 - 6
American Cinematographer - August 2008 - 7
American Cinematographer - August 2008 - Editor's Note
American Cinematographer - August 2008 - 9
American Cinematographer - August 2008 - Letters
American Cinematographer - August 2008 - 11
American Cinematographer - August 2008 - Short Takes: Death Cab for Cutie’s “I Will Possess Your Heart”
American Cinematographer - August 2008 - 13
American Cinematographer - August 2008 - 14
American Cinematographer - August 2008 - 15
American Cinematographer - August 2008 - Production Slate: Frozen River
American Cinematographer - August 2008 - 17
American Cinematographer - August 2008 - 18
American Cinematographer - August 2008 - 19
American Cinematographer - August 2008 - 20
American Cinematographer - August 2008 - 21
American Cinematographer - August 2008 - 22
American Cinematographer - August 2008 - 23
American Cinematographer - August 2008 - 24
American Cinematographer - August 2008 - 25
American Cinematographer - August 2008 - Dark Matters
American Cinematographer - August 2008 - 27
American Cinematographer - August 2008 - 28
American Cinematographer - August 2008 - 29
American Cinematographer - August 2008 - 30
American Cinematographer - August 2008 - 31
American Cinematographer - August 2008 - 32
American Cinematographer - August 2008 - 33
American Cinematographer - August 2008 - 34
American Cinematographer - August 2008 - 35
American Cinematographer - August 2008 - 36
American Cinematographer - August 2008 - 37
American Cinematographer - August 2008 - Fathers of the Bride
American Cinematographer - August 2008 - 39
American Cinematographer - August 2008 - 40
American Cinematographer - August 2008 - 41
American Cinematographer - August 2008 - 42
American Cinematographer - August 2008 - 43
American Cinematographer - August 2008 - 44
American Cinematographer - August 2008 - 45
American Cinematographer - August 2008 - 46
American Cinematographer - August 2008 - 47
American Cinematographer - August 2008 - The Emperor Strikes Back
American Cinematographer - August 2008 - 49
American Cinematographer - August 2008 - 50
American Cinematographer - August 2008 - 51
American Cinematographer - August 2008 - 52
American Cinematographer - August 2008 - 53
American Cinematographer - August 2008 - 54
American Cinematographer - August 2008 - 55
American Cinematographer - August 2008 - 56
American Cinematographer - August 2008 - 57
American Cinematographer - August 2008 - An Eye-Popping Adventure
American Cinematographer - August 2008 - 59
American Cinematographer - August 2008 - 60
American Cinematographer - August 2008 - 61
American Cinematographer - August 2008 - 62
American Cinematographer - August 2008 - 63
American Cinematographer - August 2008 - 64
American Cinematographer - August 2008 - 65
American Cinematographer - August 2008 - 66
American Cinematographer - August 2008 - 67
American Cinematographer - August 2008 - 68
American Cinematographer - August 2008 - 69
American Cinematographer - August 2008 - Post Focus: Dalsa’s 4K Workflow
American Cinematographer - August 2008 - 71
American Cinematographer - August 2008 - 72
American Cinematographer - August 2008 - 73
American Cinematographer - August 2008 - Filmmakers’ Forum: Billy Dickson, ASC
American Cinematographer - August 2008 - 75
American Cinematographer - August 2008 - New Products & Services
American Cinematographer - August 2008 - 77
American Cinematographer - August 2008 - 78
American Cinematographer - August 2008 - 79
American Cinematographer - August 2008 - International Marketplace
American Cinematographer - August 2008 - Classified Ads
American Cinematographer - August 2008 - Ad Index
American Cinematographer - August 2008 - 83
American Cinematographer - August 2008 - In Memoriam: Clifford H. Poland Jr., ASC
American Cinematographer - August 2008 - 85
American Cinematographer - August 2008 - Clubhouse News
American Cinematographer - August 2008 - 87
American Cinematographer - August 2008 - ASC Close-Up: John S. Bartley
American Cinematographer - August 2008 - Cover3
American Cinematographer - August 2008 - Cover4
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