American Cinematographer - August 2012 - 91

studying screenwriting, directing, producing,
design, acting, etc., because it takes a
collective effort to succeed in the process of
telling a story for the screen.”
Papamichael, Lindenlaub Share
with Breakfast Club
The ASC recently hosted Breakfast
Clubs with Phedon Papamichael, ASC
and Karl Walter Lindenlaub, ASC, BVK.
Papamichael discussed his approach to the
films The Million Dollar Hotel, Walk the
Line, 3:10 to Yuma and The Ides of March;
and Lindenlaub broke down select scenes
from Dolphin Tale, The Chronicles of Narnia:
Prince Caspian, Black Book and City by the
Sea. Both conversations were moderated by
AC associate editor Jon D. Witmer.
ASC Breakfast Club seminars are
open to the public. Tickets are $20 for
Friends of the ASC, $35 general admission
in advance and $40 at the door. For information,
visit www.theasc.com.
J.L. Fisher Hosts Annual Mixer
J.L. Fisher recently hosted its annual
open house and barbecue with the ASC,
the International Cinematographers Guild
and the Society of Camera Operators. The
event offered attendees a chance to mingle,
network and get an up-close look at the
latest products from a number of equipment
vendors. The event featured an ASC
panel discussion moderated by George
Spiro Dibie that included Stephen H.
Burum, Donald M. Morgan, M. David
Mullen, Wally Pfister, Dante Spinotti
and Amy Vincent.
Members Participate in
Cine Gear Expo
Cine Gear recently wrapped a twoday
exhibition at Paramount Studios in
Hollywood. Over the course of the event,
ASC members participated in a number of
panel discussions and other activities.
Kodak sponsored a discussion
between cinematographers and longtime
friends Phedon Papamichael, ASC and
Janusz Kaminski that was moderated by AC
contributor David Heuring. Arri hosted a
discussion between Vince Pace, ASC and
visual-effects supervisor Rob Legato about
their 3-D production experience with the
Alexa camera.
At a VIP reception on the first day of
the expo, Cine Gear presented Vilmos
Zsigmond, ASC with its Cinematography
Lifetime Achievement Award. Additionally,
ASC associate Bob Nettmann, president of
Nettmann Systems International, received
the Technical Lifetime Achievement Award.
Day two kicked off with Nancy
Schreiber, ASC screening footage from
and discussing Sony’s PMW-F3 camera.
Later, Kodak sponsored “Brilliance in
Focus,” a discussion with Rodrigo Prieto,
ASC, AMC, about the upcoming feature
Argo, directed by Ben Affleck.
The ASC presented a panel discussion
with Society members Dion Beebe,
Stephen H. Burum, Patrick Cady, James
L. Carter, George Spiro Dibie, Michael
Goi, Karl Walter Lindenlaub, Donald A.
Morgan, Daniel Pearl, Dave Perkal,
Roberto Schaefer and Haskell Wexler.
Canon presented an event hosted by
Jon Fauer, ASC that featured three short
films captured with Canon Cinema EOS
cameras: XXIT, shot by Sam Nicholson,
ASC; The Ticket, shot by Shane Hurlbut,
ASC; and Man & Beast, shot by Jeff
Cronenweth, ASC. Closing out the day,
Zsigmond and Yuri Neyman, ASC
presented “Cinematography in Video
Games and Virtual Cinematography.”
After the exhibition closed, the ASC
hosted a barbecue at the Clubhouse, offering
a casual environment in which members
could mingle with exhibitors while enjoying
great food and cold drinks.
Cine Gear weekend also included a
series of master classes, including a lighting
workshop with ASC members Jacek
Laskus, Ueli Steiger and Zsigmond that
was hosted on Mole Richardson’s stage in
Hollywood.
●
From top: Phedon Papamichael, ASC; Karl Walter
Lindenlaub, ASC in conversation with Jon D. Witmer;
Society members (left to right) Dante Spinotti,
Stephen H. Burum, Donald M. Morgan, Wally Pfister,
George Spiro Dibie, Amy Vincent and M. David
Mullen at the J.L. Fisher mixer; ASC members
(clockwise from top left) James L. Carter, Daniel Pearl,
Michael Goi, Patrick Cady, Dion Beebe, Roberto
Schaefer, Dave Perkal, Burum, Dibie, Donald A.
Morgan and Lindenlaub at Cine Gear.
www.theasc.com
August 2012
91
http://www.theasc.com http://www.theasc.com

American Cinematographer - August 2012

Table of Contents for the Digital Edition of American Cinematographer - August 2012

American Cinematographer - August 2012
Contents
Editor’s Note
Short Takes: New York Story
Production Slate: 360 • Midnight in Paris/To Rome with Love
Batman to the Max
Web-Slinging in Stereo
Memory Upgrade
Vampire Veto
Post Focus: Man, Chicks Are Just Different
New Products & Services
International Marketplace
Classified Ads
Ad Index
Clubhouse News
ASC Close-Up: David Boyd
American Cinematographer - August 2012 - American Cinematographer - August 2012
American Cinematographer - August 2012 - Cover2
American Cinematographer - August 2012 - 1
American Cinematographer - August 2012 - 2
American Cinematographer - August 2012 - Contents
American Cinematographer - August 2012 - 4
American Cinematographer - August 2012 - 5
American Cinematographer - August 2012 - 6
American Cinematographer - August 2012 - 7
American Cinematographer - August 2012 - Editor’s Note
American Cinematographer - August 2012 - 9
American Cinematographer - August 2012 - 10
American Cinematographer - August 2012 - 11
American Cinematographer - August 2012 - Short Takes: New York Story
American Cinematographer - August 2012 - 13
American Cinematographer - August 2012 - 14
American Cinematographer - August 2012 - 15
American Cinematographer - August 2012 - 16
American Cinematographer - August 2012 - 17
American Cinematographer - August 2012 - Production Slate: 360 • Midnight in Paris/To Rome with Love
American Cinematographer - August 2012 - 19
American Cinematographer - August 2012 - 20
American Cinematographer - August 2012 - 21
American Cinematographer - August 2012 - 22
American Cinematographer - August 2012 - 23
American Cinematographer - August 2012 - 24
American Cinematographer - August 2012 - 25
American Cinematographer - August 2012 - 26
American Cinematographer - August 2012 - 27
American Cinematographer - August 2012 - 28
American Cinematographer - August 2012 - 29
American Cinematographer - August 2012 - Batman to the Max
American Cinematographer - August 2012 - 31
American Cinematographer - August 2012 - 32
American Cinematographer - August 2012 - 33
American Cinematographer - August 2012 - 34
American Cinematographer - August 2012 - 35
American Cinematographer - August 2012 - 36
American Cinematographer - August 2012 - 37
American Cinematographer - August 2012 - 38
American Cinematographer - August 2012 - 39
American Cinematographer - August 2012 - 40
American Cinematographer - August 2012 - 41
American Cinematographer - August 2012 - 42
American Cinematographer - August 2012 - 43
American Cinematographer - August 2012 - 44
American Cinematographer - August 2012 - 45
American Cinematographer - August 2012 - Web-Slinging in Stereo
American Cinematographer - August 2012 - 47
American Cinematographer - August 2012 - 48
American Cinematographer - August 2012 - 49
American Cinematographer - August 2012 - 50
American Cinematographer - August 2012 - 51
American Cinematographer - August 2012 - 52
American Cinematographer - August 2012 - 53
American Cinematographer - August 2012 - 54
American Cinematographer - August 2012 - 55
American Cinematographer - August 2012 - 56
American Cinematographer - August 2012 - 57
American Cinematographer - August 2012 - Memory Upgrade
American Cinematographer - August 2012 - 59
American Cinematographer - August 2012 - 60
American Cinematographer - August 2012 - 61
American Cinematographer - August 2012 - 62
American Cinematographer - August 2012 - 63
American Cinematographer - August 2012 - 64
American Cinematographer - August 2012 - 65
American Cinematographer - August 2012 - 66
American Cinematographer - August 2012 - 67
American Cinematographer - August 2012 - Vampire Veto
American Cinematographer - August 2012 - 69
American Cinematographer - August 2012 - 70
American Cinematographer - August 2012 - 71
American Cinematographer - August 2012 - 72
American Cinematographer - August 2012 - 73
American Cinematographer - August 2012 - 74
American Cinematographer - August 2012 - 75
American Cinematographer - August 2012 - Post Focus: Man, Chicks Are Just Different
American Cinematographer - August 2012 - 77
American Cinematographer - August 2012 - 78
American Cinematographer - August 2012 - 79
American Cinematographer - August 2012 - New Products & Services
American Cinematographer - August 2012 - 81
American Cinematographer - August 2012 - 82
American Cinematographer - August 2012 - 83
American Cinematographer - August 2012 - 84
American Cinematographer - August 2012 - 85
American Cinematographer - August 2012 - International Marketplace
American Cinematographer - August 2012 - Classified Ads
American Cinematographer - August 2012 - Ad Index
American Cinematographer - August 2012 - 89
American Cinematographer - August 2012 - Clubhouse News
American Cinematographer - August 2012 - 91
American Cinematographer - August 2012 - ASC Close-Up: David Boyd
American Cinematographer - August 2012 - Cover3
American Cinematographer - August 2012 - Cover4
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