American Cinematographer - August 2014 - 24
down depending on the shot.
To dig into the actors' eyes and make
them pop, I floated a couple of China balls.
I didn't add eye lights for beauty, or to
better see reactions; instead, I considered
the eye lights to be portals into the characters' dark and twisted psyches. At the
climax of the movie, one of the characters
gets sucked into a television, which acts as
a portal between the real world and his
memories. Here, the eyelight served as a
way to show this connection to the outside
world.
Extremely cold weather - with
temperatures as low as 5° Fahrenheit -
proved to be one of the most difficult
hurdles on the shoot. A fully charged
iPhone 5 will die in less than two minutes
when exposed to such frigid temperatures.
Between takes, I would tuck the camera
beneath my armpit to keep it warm. Even
so, we lost numerous takes when the
camera died in mid-shot. We rotated
between three 64GB iPhones, and even
under normal shooting conditions we
would run out of battery before we'd run
out of memory.
For the film's opening and closing
title sequences, I took two of the story's
major elements - ice and oil - and shot
them in ways that would suggest the dark
and fragmented tone of the movie. The
opening credits involved dying and freezing
water in homemade alphabet ice-cube
trays; I pulled the letters out of the freezer
Top: Jack (Dillon
Tucker) witnesses
Peter's mental
collapse. Middle
and bottom:
The crew gets
a shot of Fisch
on location in
Mammoth
Lakes, Calif.
24
August 2014
American Cinematographer
American Cinematographer - August 2014
Table of Contents for the Digital Edition of American Cinematographer - August 2014
Contents
American Cinematographer - August 2014 - Cover1
American Cinematographer - August 2014 - Cover2
American Cinematographer - August 2014 - 1
American Cinematographer - August 2014 - 2
American Cinematographer - August 2014 - Contents
American Cinematographer - August 2014 - 4
American Cinematographer - August 2014 - 5
American Cinematographer - August 2014 - 6
American Cinematographer - August 2014 - 7
American Cinematographer - August 2014 - 8
American Cinematographer - August 2014 - 9
American Cinematographer - August 2014 - 10
American Cinematographer - August 2014 - 11
American Cinematographer - August 2014 - 12
American Cinematographer - August 2014 - 13
American Cinematographer - August 2014 - 14
American Cinematographer - August 2014 - 15
American Cinematographer - August 2014 - 16
American Cinematographer - August 2014 - 17
American Cinematographer - August 2014 - 18
American Cinematographer - August 2014 - 19
American Cinematographer - August 2014 - 20
American Cinematographer - August 2014 - 21
American Cinematographer - August 2014 - 22
American Cinematographer - August 2014 - 23
American Cinematographer - August 2014 - 24
American Cinematographer - August 2014 - 25
American Cinematographer - August 2014 - 26
American Cinematographer - August 2014 - 27
American Cinematographer - August 2014 - 28
American Cinematographer - August 2014 - 29
American Cinematographer - August 2014 - 30
American Cinematographer - August 2014 - 31
American Cinematographer - August 2014 - 32
American Cinematographer - August 2014 - 33
American Cinematographer - August 2014 - 34
American Cinematographer - August 2014 - 35
American Cinematographer - August 2014 - 36
American Cinematographer - August 2014 - 37
American Cinematographer - August 2014 - 38
American Cinematographer - August 2014 - 39
American Cinematographer - August 2014 - 40
American Cinematographer - August 2014 - 41
American Cinematographer - August 2014 - 42
American Cinematographer - August 2014 - 43
American Cinematographer - August 2014 - 44
American Cinematographer - August 2014 - 45
American Cinematographer - August 2014 - 46
American Cinematographer - August 2014 - 47
American Cinematographer - August 2014 - 48
American Cinematographer - August 2014 - 49
American Cinematographer - August 2014 - 50
American Cinematographer - August 2014 - 51
American Cinematographer - August 2014 - 52
American Cinematographer - August 2014 - 53
American Cinematographer - August 2014 - 54
American Cinematographer - August 2014 - 55
American Cinematographer - August 2014 - 56
American Cinematographer - August 2014 - 57
American Cinematographer - August 2014 - 58
American Cinematographer - August 2014 - 59
American Cinematographer - August 2014 - 60
American Cinematographer - August 2014 - 61
American Cinematographer - August 2014 - 62
American Cinematographer - August 2014 - 63
American Cinematographer - August 2014 - 64
American Cinematographer - August 2014 - 65
American Cinematographer - August 2014 - 66
American Cinematographer - August 2014 - 67
American Cinematographer - August 2014 - 68
American Cinematographer - August 2014 - 69
American Cinematographer - August 2014 - 70
American Cinematographer - August 2014 - 71
American Cinematographer - August 2014 - 72
American Cinematographer - August 2014 - 73
American Cinematographer - August 2014 - 74
American Cinematographer - August 2014 - 75
American Cinematographer - August 2014 - 76
American Cinematographer - August 2014 - 77
American Cinematographer - August 2014 - 78
American Cinematographer - August 2014 - 79
American Cinematographer - August 2014 - 80
American Cinematographer - August 2014 - 81
American Cinematographer - August 2014 - 82
American Cinematographer - August 2014 - 83
American Cinematographer - August 2014 - 84
American Cinematographer - August 2014 - 85
American Cinematographer - August 2014 - 86
American Cinematographer - August 2014 - 87
American Cinematographer - August 2014 - 88
American Cinematographer - August 2014 - Cover3
American Cinematographer - August 2014 - Cover4
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