American Cinematographer - August 2014 - 64
◗
Bad Blood
Dr. Ephraim Goodweather (Corey Stoll, right) and the Center for Disease Control's Canary Team
investigate the quarantined airplane.
Like Beristain, Baszak was
tasked with imbuing day exteriors and
bright interiors with tension and
atmosphere. In episode seven, Roger
64
Luss (Aaron Douglas) hurriedly enters
his house after fending off a number of
vampires, only to discover that his wife,
Joan (Leslie Hope) - one of the
airplane passengers from the pilot -
has also become one. The night interior
was shot on location in a predominantly
white, modern, multi-level house with
large windows, "not your typical scary
house where vampires dwell," Baszak
notes. "I relied on graphic compositions
with wide-angle lenses, negative space,
silhouettes and reflections of the characters in mirrors and glass to create a sense
of entrapment and panic." He lit
Douglas with a 5K tungsten Fresnel
backlight, gelled with Industrial Vapor
and shining through a transparent door,
and a Kino Celeb LED, similarly gelled
and positioned through a window to
light the actor's face. Hope, meanwhile,
begins the scene in shadow before
entering the colored light.
The next morning, a nanny
brings the couple's children to the
house, thinking it safe, and hides them
in the wine cellar. Given vampires' aversion to the sun, Baszak closed the blinds
most of the way for the day interior, only
http://www.theasc.com
American Cinematographer - August 2014
Table of Contents for the Digital Edition of American Cinematographer - August 2014
Contents
American Cinematographer - August 2014 - Cover1
American Cinematographer - August 2014 - Cover2
American Cinematographer - August 2014 - 1
American Cinematographer - August 2014 - 2
American Cinematographer - August 2014 - Contents
American Cinematographer - August 2014 - 4
American Cinematographer - August 2014 - 5
American Cinematographer - August 2014 - 6
American Cinematographer - August 2014 - 7
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American Cinematographer - August 2014 - 9
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American Cinematographer - August 2014 - 37
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American Cinematographer - August 2014 - 40
American Cinematographer - August 2014 - 41
American Cinematographer - August 2014 - 42
American Cinematographer - August 2014 - 43
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American Cinematographer - August 2014 - 45
American Cinematographer - August 2014 - 46
American Cinematographer - August 2014 - 47
American Cinematographer - August 2014 - 48
American Cinematographer - August 2014 - 49
American Cinematographer - August 2014 - 50
American Cinematographer - August 2014 - 51
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American Cinematographer - August 2014 - 53
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American Cinematographer - August 2014 - 55
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American Cinematographer - August 2014 - 58
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American Cinematographer - August 2014 - 60
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American Cinematographer - August 2014 - 63
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American Cinematographer - August 2014 - 65
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