American Cinematographer - August 2014 - 73

guide in creating the final version for
exhibition. Nolo re-scanned the original Super 16mm negative at 3K resolution with an Arriscan film scanner.
"We've been using the Arriscan since
we opened our company and it's proven
to give consistently high-quality
results," says Boris Seagraves, a technical partner at Nolo. "Super 16mm
scanned on our machine has always
impressed, giving great resolution and
dynamic range.
"Ben wanted an Ektachrome
look, so we first shot charts with
Ektachrome reversal stock and also
with 7219, and then created the LUT
via those samples," Seagraves continues.
"We then graded with the reversal
LUT using FilmLight Baselight's
color-correction system." Using digital
printer lights kept the results truer to
how a print would look if timed traditionally in a lab, and kept the color relationship between shadows, midtones
and highlights truer to a photochemical
process.
"The timeframe, when condensed together, was about three
weeks," Seagraves adds. "A feature typically takes approximately one to two
weeks to scan and another two to five
days to clean up any dirt, dust or debris
that made its way onto the film incamera, either during processing or
from handling afterwards. The color
grade went quickly for a feature."
Colorist Mike Matusek worked
directly with Swanberg and Richardson
to achieve their desired finish over a
three-day session, and another few days
were spent on minor visual-effects fixes.
"Mike's a really wonderful colorist," says
Richardson. "He built on and refined
what we'd originally photographed.
Nolo also refined the LUT we were
using so it really drew out all those
beautiful reversal-stock characteristics.
Beyond that, we just did simple but
bold color-timing corrections without a
lot of contrast changes or localized
work."
"During production, Ben was
making contrast and color decisions
that were finally realized in post," says

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American Cinematographer - August 2014

Table of Contents for the Digital Edition of American Cinematographer - August 2014

Contents
American Cinematographer - August 2014 - Cover1
American Cinematographer - August 2014 - Cover2
American Cinematographer - August 2014 - 1
American Cinematographer - August 2014 - 2
American Cinematographer - August 2014 - Contents
American Cinematographer - August 2014 - 4
American Cinematographer - August 2014 - 5
American Cinematographer - August 2014 - 6
American Cinematographer - August 2014 - 7
American Cinematographer - August 2014 - 8
American Cinematographer - August 2014 - 9
American Cinematographer - August 2014 - 10
American Cinematographer - August 2014 - 11
American Cinematographer - August 2014 - 12
American Cinematographer - August 2014 - 13
American Cinematographer - August 2014 - 14
American Cinematographer - August 2014 - 15
American Cinematographer - August 2014 - 16
American Cinematographer - August 2014 - 17
American Cinematographer - August 2014 - 18
American Cinematographer - August 2014 - 19
American Cinematographer - August 2014 - 20
American Cinematographer - August 2014 - 21
American Cinematographer - August 2014 - 22
American Cinematographer - August 2014 - 23
American Cinematographer - August 2014 - 24
American Cinematographer - August 2014 - 25
American Cinematographer - August 2014 - 26
American Cinematographer - August 2014 - 27
American Cinematographer - August 2014 - 28
American Cinematographer - August 2014 - 29
American Cinematographer - August 2014 - 30
American Cinematographer - August 2014 - 31
American Cinematographer - August 2014 - 32
American Cinematographer - August 2014 - 33
American Cinematographer - August 2014 - 34
American Cinematographer - August 2014 - 35
American Cinematographer - August 2014 - 36
American Cinematographer - August 2014 - 37
American Cinematographer - August 2014 - 38
American Cinematographer - August 2014 - 39
American Cinematographer - August 2014 - 40
American Cinematographer - August 2014 - 41
American Cinematographer - August 2014 - 42
American Cinematographer - August 2014 - 43
American Cinematographer - August 2014 - 44
American Cinematographer - August 2014 - 45
American Cinematographer - August 2014 - 46
American Cinematographer - August 2014 - 47
American Cinematographer - August 2014 - 48
American Cinematographer - August 2014 - 49
American Cinematographer - August 2014 - 50
American Cinematographer - August 2014 - 51
American Cinematographer - August 2014 - 52
American Cinematographer - August 2014 - 53
American Cinematographer - August 2014 - 54
American Cinematographer - August 2014 - 55
American Cinematographer - August 2014 - 56
American Cinematographer - August 2014 - 57
American Cinematographer - August 2014 - 58
American Cinematographer - August 2014 - 59
American Cinematographer - August 2014 - 60
American Cinematographer - August 2014 - 61
American Cinematographer - August 2014 - 62
American Cinematographer - August 2014 - 63
American Cinematographer - August 2014 - 64
American Cinematographer - August 2014 - 65
American Cinematographer - August 2014 - 66
American Cinematographer - August 2014 - 67
American Cinematographer - August 2014 - 68
American Cinematographer - August 2014 - 69
American Cinematographer - August 2014 - 70
American Cinematographer - August 2014 - 71
American Cinematographer - August 2014 - 72
American Cinematographer - August 2014 - 73
American Cinematographer - August 2014 - 74
American Cinematographer - August 2014 - 75
American Cinematographer - August 2014 - 76
American Cinematographer - August 2014 - 77
American Cinematographer - August 2014 - 78
American Cinematographer - August 2014 - 79
American Cinematographer - August 2014 - 80
American Cinematographer - August 2014 - 81
American Cinematographer - August 2014 - 82
American Cinematographer - August 2014 - 83
American Cinematographer - August 2014 - 84
American Cinematographer - August 2014 - 85
American Cinematographer - August 2014 - 86
American Cinematographer - August 2014 - 87
American Cinematographer - August 2014 - 88
American Cinematographer - August 2014 - Cover3
American Cinematographer - August 2014 - Cover4
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