American Cinematographer - August 2015 - 68
◗
Personal Battles
Top: Gardner steps
into the ring with
Gyllenhaal. Middle:
Fiore and crew
prepare another
angle for the
Caesars Palace
fight scene.
Bottom: Fiore tests
a backpack rig
with the SI-2K Mini
camera, which was
used to capture
point-of-view
shots in the ring.
standing on 2'x2' wooden camera platforms at the same level as the fighters.
"Those cameras concentrate on the
corners, but also follow the fight and
zoom in according to the action," says
Fiore. When it came to choosing the
zoom lens for this specialized work,
Fiore conferred with the two battletested authorities themselves. "They
were very familiar with the Alexa and
briefed us on what lenses would be best
for us," says Fiore. "They were the
experts and they consulted with us on
every detail to make it accurate."
Palladino reports that their Alexas were
outfitted with Fujinon Cabrio 19-90mm
(T2.9) lenses with manual zoom
controls.
"We [pulled] all our own focus on
all three movies we've done," Palladino
says, though he is quick to point out that
he has "major respect for focus pullers -
they amaze me. Rick and I are used to
running our own focus for boxing, and
once you're accustomed to it, it becomes
second nature. There are times when we
miss our focus, but we're getting pretty
good at it."
"Todd and Rick cover everything,
close and wide, in the fight," says Fiore.
"And as the fighters go into their corners,
each [operator] takes a fighter. It doesn't
matter if you see the other camera
68
August 2015
American Cinematographer
Table of Contents for the Digital Edition of American Cinematographer - August 2015
Contents
American Cinematographer - August 2015 - Cover1
American Cinematographer - August 2015 - Cover2
American Cinematographer - August 2015 - 1
American Cinematographer - August 2015 - 2
American Cinematographer - August 2015 - Contents
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