American Cinematographer - August 2015 - 79
bit off-center to suggest the alienation he feels
as a result of his condition.
Elsewhere in the film, Graham plays his
guitar and sings in his living room. We knew
this sequence would end up toward the end
of the film. After detailing his ordeal, we
wanted a scene with a certain sadness but also
a certain warmth - after all, he's determined
to continue playing music even if he's "the
only one who can hear it," he says. The skin
tones are warm, the "sun" comes through the
windows (achieved with two open-face Lowel
1Ks - the biggest lights we traveled with),
but one-third of the frame is missing. It was
cut off with a very heavy ND grad to imply that
despite his resolve, things will never be the
same. For Graham - and for our other
subjects - there will always be something
that's not there.
We edited on Avid Media
Composer, cutting the film offline using the
DNxHD36 codec and then online to
DNxHD175 10-bit for mastering and grading.
Though 10-bit might have seemed like
overkill, as our source material was highly
compressed 8-bit H.264, we did several tests
and determined that with the fine gradation in
the lighting for many of our studio shots, artifacts and noise were far more prevalent at 8bit versus 10-bit. Our colorist was Lee Eaton,
who graded on DaVinci Resolve. The final
master was 2K DCP.
We approached the edit with a similar
philosophy as we applied to production:
Images are not for illustration, but an abstract
expression of deeper meanings. It becomes a
very delicate game to figure out how you
choose images that add information to the
verbal story without being "illustrative." The
rule became clear: We cannot jump straight to
poetry. First we must simply establish the
basics of the story, and only then can we
choose how to push the form and shed
unnecessary language.
Editor's note: Among a number of
accolades the film has so far received,
Shoulder the Lion was the recipient of this
year's American Cinematographer Award
for Best Cinematography at the Salem Film
Fest. At press time, the film had also just
been awarded the Fipresci International Critics
Prize at the Krakow Film Festival. For more
information about the production, visit
www.ShoulderTheLion.com.
●
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Table of Contents for the Digital Edition of American Cinematographer - August 2015
Contents
American Cinematographer - August 2015 - Cover1
American Cinematographer - August 2015 - Cover2
American Cinematographer - August 2015 - 1
American Cinematographer - August 2015 - 2
American Cinematographer - August 2015 - Contents
American Cinematographer - August 2015 - 4
American Cinematographer - August 2015 - 5
American Cinematographer - August 2015 - 6
American Cinematographer - August 2015 - 7
American Cinematographer - August 2015 - 8
American Cinematographer - August 2015 - 9
American Cinematographer - August 2015 - 10
American Cinematographer - August 2015 - 11
American Cinematographer - August 2015 - 12
American Cinematographer - August 2015 - 13
American Cinematographer - August 2015 - 14
American Cinematographer - August 2015 - 15
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American Cinematographer - August 2015 - 17
American Cinematographer - August 2015 - 18
American Cinematographer - August 2015 - 19
American Cinematographer - August 2015 - 20
American Cinematographer - August 2015 - 21
American Cinematographer - August 2015 - 22
American Cinematographer - August 2015 - 23
American Cinematographer - August 2015 - 24
American Cinematographer - August 2015 - 25
American Cinematographer - August 2015 - 26
American Cinematographer - August 2015 - 27
American Cinematographer - August 2015 - 28
American Cinematographer - August 2015 - 29
American Cinematographer - August 2015 - 30
American Cinematographer - August 2015 - 31
American Cinematographer - August 2015 - 32
American Cinematographer - August 2015 - 33
American Cinematographer - August 2015 - 34
American Cinematographer - August 2015 - 35
American Cinematographer - August 2015 - 36
American Cinematographer - August 2015 - 37
American Cinematographer - August 2015 - 38
American Cinematographer - August 2015 - 39
American Cinematographer - August 2015 - 40
American Cinematographer - August 2015 - 41
American Cinematographer - August 2015 - 42
American Cinematographer - August 2015 - 43
American Cinematographer - August 2015 - 44
American Cinematographer - August 2015 - 45
American Cinematographer - August 2015 - 46
American Cinematographer - August 2015 - 47
American Cinematographer - August 2015 - 48
American Cinematographer - August 2015 - 49
American Cinematographer - August 2015 - 50
American Cinematographer - August 2015 - 51
American Cinematographer - August 2015 - 52
American Cinematographer - August 2015 - 53
American Cinematographer - August 2015 - 54
American Cinematographer - August 2015 - 55
American Cinematographer - August 2015 - 56
American Cinematographer - August 2015 - 57
American Cinematographer - August 2015 - 58
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American Cinematographer - August 2015 - 60
American Cinematographer - August 2015 - 61
American Cinematographer - August 2015 - 62
American Cinematographer - August 2015 - 63
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American Cinematographer - August 2015 - 68
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American Cinematographer - August 2015 - 70
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American Cinematographer - August 2015 - 79
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American Cinematographer - August 2015 - Cover3
American Cinematographer - August 2015 - Cover4
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