American Cinematographer - August 2015 - 20
Rolling Stone reporter David Lipsky (Jesse Eisenberg, left) spends five days interviewing author David Foster Wallace (Jason Segel) during
the final stop on his book tour in the film The End of the Tour.
I
Meeting of Minds
By Andrew Fish
Soon after struggling novelist David Lipsky lands a position at
Rolling Stone, he reluctantly accepts that a new novel by David Foster
Wallace is the game-changing masterpiece everyone is touting it to
be, and he pitches a profile of the author to his editor. Landing the
assignment, he joins Wallace for the last stop on his Infinite Jest book
tour. He travels first to Wallace's home on the outskirts of Bloomington, Ill., and with an airport closure due to heavy Midwest snowfall,
the two end up on a road trip to Chicago O'Hare, where they catch
a plane to Minneapolis, getting far more one-on-one time than
either had bargained for. The resulting mix of curiosity, envy and
intellect yields intriguing conversation, awkward rivalry, and ultimately an outpouring of personal truths.
Starring Jesse Eisenberg as Lipsky and Jason Segel as Wallace,
The End of the Tour is the real-life tale of Lipsky's five-day-long 1996
interview with the late writer, who is considered to be one of the
greatest of his generation. Director James Ponsoldt (The Spectacular
Now) tapped Swedish cinematographer Jakob Ihre, FSF to shoot.
Working predominantly handheld with a Panavision Millennium XL2,
Ihre framed for 2.35:1, as he and Ponsoldt both felt that the wider
20
August 2015
format provided "more weight and stature," Ihre explains, to a story
that is essentially an expression of a fond memory.
Taking full advantage of his Kodak film stock, Ihre didn't shy
away from occasionally blowing out a sun-soaked background or
even bathing a foreground character in a white glow of overpowering backlight. FotoKem developed the negative, and dailies were
graded by EFilm's Marc Lulkin.
Ihre's credits include the Danish production A Family, the
Norwegian Nokas, and the upcoming English-language feature
Louder Than Bombs. The cinematographer spoke to AC from
Sweden.
American Cinematographer: How did you first become
involved with this film?
Jakob Ihre: James had seen two films I'd shot - Reprise and
Oslo, August 31st. They both deal with themes of existentialism, as
does The End of the Tour. I felt very honored, as a European, to have
the chance to help reconstruct these days in the life of David Foster
Wallace.
Which lenses did you use?
Ihre: We used a Panavision Ultra Speed Z Series lens package. It's a [legacy-prime design] that has been rehoused and
American Cinematographer
The End of the Tour photos by Jakob Ihre, FSF and Michael Chrouch, courtesy of A24 Films.
Production Slate
American Cinematographer - August 2015
Table of Contents for the Digital Edition of American Cinematographer - August 2015
Contents
American Cinematographer - August 2015 - Cover1
American Cinematographer - August 2015 - Cover2
American Cinematographer - August 2015 - 1
American Cinematographer - August 2015 - 2
American Cinematographer - August 2015 - Contents
American Cinematographer - August 2015 - 4
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American Cinematographer - August 2015 - Cover3
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