American Cinematographer - August 2015 - 51

and the visual-effects teams enjoyed it a
lot," observes Morrison. "These are
usually more global-level destruction
movies, where you're tasked to blow up
buildings and crack the Earth open. This
sequence is really different and revels in
the minutiae. We were able to take
something as ho-hum as a train set and
turn it into this epic macro battle."
Throughout
postproduction,
editor Dan Lebental, ACE worked to
strike the right balance between AntMan's comedy and drama. "I cut the first
Iron Man with [director] Jon Favreau,
which kind of built the 'MCU mold' as a
mixture of comedy and high character
stakes," says Lebental. "There's now a
tonal gamut running from Captain
America: The Winter Soldier, a sober political thriller, to the much higher comedy
quotient of Guardians of the Galaxy. The
trick is that a Marvel movie shouldn't
take itself too seriously, but it also
shouldn't laugh at itself."
Lebental and co-editor Colby
Parker Jr. supervised a large editorial
team in a room full of Avid workstations
networked on ISIS shared storage with
DNx36 files in proxy resolutions. "Our
work had to be accelerated [due to the
director change]; we basically lost 10-12
weeks of postproduction time," says
Lebental. "But the footage really looked
amazing, combining Russell's great

Top: Ant-Man
makes his way
through an ant
colony. Middle:
Director Peyton
Reed (center)
discusses a scene
with Rudd on a
bluescreen set.
Bottom: Rudd
prepares for more
bluescreen action.

www.theasc.com

August 2015

51



http://www.theasc.com

American Cinematographer - August 2015

Table of Contents for the Digital Edition of American Cinematographer - August 2015

Contents
American Cinematographer - August 2015 - Cover1
American Cinematographer - August 2015 - Cover2
American Cinematographer - August 2015 - 1
American Cinematographer - August 2015 - 2
American Cinematographer - August 2015 - Contents
American Cinematographer - August 2015 - 4
American Cinematographer - August 2015 - 5
American Cinematographer - August 2015 - 6
American Cinematographer - August 2015 - 7
American Cinematographer - August 2015 - 8
American Cinematographer - August 2015 - 9
American Cinematographer - August 2015 - 10
American Cinematographer - August 2015 - 11
American Cinematographer - August 2015 - 12
American Cinematographer - August 2015 - 13
American Cinematographer - August 2015 - 14
American Cinematographer - August 2015 - 15
American Cinematographer - August 2015 - 16
American Cinematographer - August 2015 - 17
American Cinematographer - August 2015 - 18
American Cinematographer - August 2015 - 19
American Cinematographer - August 2015 - 20
American Cinematographer - August 2015 - 21
American Cinematographer - August 2015 - 22
American Cinematographer - August 2015 - 23
American Cinematographer - August 2015 - 24
American Cinematographer - August 2015 - 25
American Cinematographer - August 2015 - 26
American Cinematographer - August 2015 - 27
American Cinematographer - August 2015 - 28
American Cinematographer - August 2015 - 29
American Cinematographer - August 2015 - 30
American Cinematographer - August 2015 - 31
American Cinematographer - August 2015 - 32
American Cinematographer - August 2015 - 33
American Cinematographer - August 2015 - 34
American Cinematographer - August 2015 - 35
American Cinematographer - August 2015 - 36
American Cinematographer - August 2015 - 37
American Cinematographer - August 2015 - 38
American Cinematographer - August 2015 - 39
American Cinematographer - August 2015 - 40
American Cinematographer - August 2015 - 41
American Cinematographer - August 2015 - 42
American Cinematographer - August 2015 - 43
American Cinematographer - August 2015 - 44
American Cinematographer - August 2015 - 45
American Cinematographer - August 2015 - 46
American Cinematographer - August 2015 - 47
American Cinematographer - August 2015 - 48
American Cinematographer - August 2015 - 49
American Cinematographer - August 2015 - 50
American Cinematographer - August 2015 - 51
American Cinematographer - August 2015 - 52
American Cinematographer - August 2015 - 53
American Cinematographer - August 2015 - 54
American Cinematographer - August 2015 - 55
American Cinematographer - August 2015 - 56
American Cinematographer - August 2015 - 57
American Cinematographer - August 2015 - 58
American Cinematographer - August 2015 - 59
American Cinematographer - August 2015 - 60
American Cinematographer - August 2015 - 61
American Cinematographer - August 2015 - 62
American Cinematographer - August 2015 - 63
American Cinematographer - August 2015 - 64
American Cinematographer - August 2015 - 65
American Cinematographer - August 2015 - 66
American Cinematographer - August 2015 - 67
American Cinematographer - August 2015 - 68
American Cinematographer - August 2015 - 69
American Cinematographer - August 2015 - 70
American Cinematographer - August 2015 - 71
American Cinematographer - August 2015 - 72
American Cinematographer - August 2015 - 73
American Cinematographer - August 2015 - 74
American Cinematographer - August 2015 - 75
American Cinematographer - August 2015 - 76
American Cinematographer - August 2015 - 77
American Cinematographer - August 2015 - 78
American Cinematographer - August 2015 - 79
American Cinematographer - August 2015 - 80
American Cinematographer - August 2015 - 81
American Cinematographer - August 2015 - 82
American Cinematographer - August 2015 - 83
American Cinematographer - August 2015 - 84
American Cinematographer - August 2015 - 85
American Cinematographer - August 2015 - 86
American Cinematographer - August 2015 - 87
American Cinematographer - August 2015 - 88
American Cinematographer - August 2015 - Cover3
American Cinematographer - August 2015 - Cover4
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