◗ To Be Bourne Bourne fights his way through Athens and escapes on a motorbike. Vegas car chase, up to 28 camera bodies were available for use - although that many never rolled simultaneously - predominantly fitted with the same kind of lenses used by the main unit. Meglic notes, "A couple of times [during the London portion of the shoot] we did ask if we could borrow a lens or two, and they were always very nice about that!" Given the chosen style, it's perhaps no surprise that Ackroyd describes himself as "a zoom person." He singles out the "beautiful" Angenieux Optimo 24-290mm (T2.8) zoom, noting, "It's like my eye, my brain. When something takes your interest from across the street, you don't see it in the same way as when you're close to something. You can exclude things and concentrate." The extensive lens package also included Angenieux's Optimo 15-40mm (T2.6) zoom; Fujinon's 19-90mm (T2.9) Cabrio zoom; True Lens Services' 80200mm (T2.8) Morpheus, a rehoused Nikon stills zoom; and Panavision's Primo 135-420mm (T2.8) zoom. The 35mm-format prime-lens package comprised Arri/Zeiss Ultra Primes ranging from 20mm up to 180mm (all T1.9) as well as Zeiss Super Speeds from www.theasc.com August 2016 47http://www.theasc.com