American Cinematographer - August 2016 - 38
◗
Hostile Planet
Right: Scotty
assesses the
situation
alongside
Keenser (Deep
Roy), his
long-suffering
fellow engineer.
Below: Jaylah
eyes Scotty's
progress on a
console.
new lighting scheme for the familiar
ship's interior. Referring to the sets
Abrams' team had previously used,
Windon says the Beyond crew "basically
rebuilt them so we could utilize LED
lighting. With all the movement and
shaking of the sets on the gimbals and
motion base, we removed all the fluorescent lighting and fixtures behind the
consoles that had originally been on the
bridge set. It was a conscious effort to
have more movement and blinking light
38
August 2016
on the bridge deck when the systempower failures and emergency lights
kick in. My rigging gaffer, Jarrod Tiffin,
was very clever in designing all that new
lighting, which we could wirelessly
control."
Older versions of the consoles
"were built to be on or off," Tiffin says.
"They came with [LED bulbs] for
backlight, but it was per console on [a
single] line, with no separation for
movement, and the LED elements that
American Cinematographer
did move were just on and had no
control. For this movie, we mapped out
each console and isolated all the different gauges and elements, so that each
one could now dim on its own. When
the crew got hit, you could now have
some great effects happen, instead of
the whole console just flickering."
Gaffer David Tickell adds that
shooting digitally with the Alexa
provided additional incentive to make
liberal use of LED lighting technology. "The challenge with a digital
camera is finding a balance to the
levels of light," he says. "That is where
LED can play an important role. With
the products available, you can run
from 100 percent down to almost 0
without it affecting the quality of light.
In fact, other than a few traditional
movie lights on the bridge, the
Enterprise was almost entirely lit with
built-in LEDs." The production used a
wide range of LED sources - including panels, tubes, lanterns and tape -
from multiple manufacturers.
Tiffin created a sophisticated
networking method, consisting of both
wireless and fiber-based transmission
systems for LED lighting on all sets,
American Cinematographer - August 2016
Table of Contents for the Digital Edition of American Cinematographer - August 2016
Contents
American Cinematographer - August 2016 - Intro
American Cinematographer - August 2016 - Cover1
American Cinematographer - August 2016 - Cover2
American Cinematographer - August 2016 - 1
American Cinematographer - August 2016 - 2
American Cinematographer - August 2016 - Contents
American Cinematographer - August 2016 - 4
American Cinematographer - August 2016 - 5
American Cinematographer - August 2016 - 6
American Cinematographer - August 2016 - 7
American Cinematographer - August 2016 - 8
American Cinematographer - August 2016 - 9
American Cinematographer - August 2016 - 10
American Cinematographer - August 2016 - 11
American Cinematographer - August 2016 - 12
American Cinematographer - August 2016 - 13
American Cinematographer - August 2016 - 14
American Cinematographer - August 2016 - 15
American Cinematographer - August 2016 - 16
American Cinematographer - August 2016 - 17
American Cinematographer - August 2016 - 18
American Cinematographer - August 2016 - 19
American Cinematographer - August 2016 - 20
American Cinematographer - August 2016 - 21
American Cinematographer - August 2016 - 22
American Cinematographer - August 2016 - 23
American Cinematographer - August 2016 - 24
American Cinematographer - August 2016 - 25
American Cinematographer - August 2016 - 26
American Cinematographer - August 2016 - 27
American Cinematographer - August 2016 - 28
American Cinematographer - August 2016 - 29
American Cinematographer - August 2016 - 30
American Cinematographer - August 2016 - 31
American Cinematographer - August 2016 - 32
American Cinematographer - August 2016 - 33
American Cinematographer - August 2016 - 34
American Cinematographer - August 2016 - 35
American Cinematographer - August 2016 - 36
American Cinematographer - August 2016 - 37
American Cinematographer - August 2016 - 38
American Cinematographer - August 2016 - 39
American Cinematographer - August 2016 - 40
American Cinematographer - August 2016 - 41
American Cinematographer - August 2016 - 42
American Cinematographer - August 2016 - 43
American Cinematographer - August 2016 - 44
American Cinematographer - August 2016 - 45
American Cinematographer - August 2016 - 46
American Cinematographer - August 2016 - 47
American Cinematographer - August 2016 - 48
American Cinematographer - August 2016 - 49
American Cinematographer - August 2016 - 50
American Cinematographer - August 2016 - 51
American Cinematographer - August 2016 - 52
American Cinematographer - August 2016 - 53
American Cinematographer - August 2016 - 54
American Cinematographer - August 2016 - 55
American Cinematographer - August 2016 - 56
American Cinematographer - August 2016 - 57
American Cinematographer - August 2016 - 58
American Cinematographer - August 2016 - 59
American Cinematographer - August 2016 - 60
American Cinematographer - August 2016 - 61
American Cinematographer - August 2016 - 62
American Cinematographer - August 2016 - 63
American Cinematographer - August 2016 - 64
American Cinematographer - August 2016 - 65
American Cinematographer - August 2016 - 66
American Cinematographer - August 2016 - 67
American Cinematographer - August 2016 - 68
American Cinematographer - August 2016 - 69
American Cinematographer - August 2016 - 70
American Cinematographer - August 2016 - 71
American Cinematographer - August 2016 - 72
American Cinematographer - August 2016 - 73
American Cinematographer - August 2016 - 74
American Cinematographer - August 2016 - 75
American Cinematographer - August 2016 - 76
American Cinematographer - August 2016 - 77
American Cinematographer - August 2016 - 78
American Cinematographer - August 2016 - 79
American Cinematographer - August 2016 - 80
American Cinematographer - August 2016 - 81
American Cinematographer - August 2016 - 82
American Cinematographer - August 2016 - 83
American Cinematographer - August 2016 - 84
American Cinematographer - August 2016 - 85
American Cinematographer - August 2016 - 86
American Cinematographer - August 2016 - 87
American Cinematographer - August 2016 - 88
American Cinematographer - August 2016 - Cover3
American Cinematographer - August 2016 - Cover4
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