American Cinematographer - August 2018 - 59

Images courtesy of Quantic Dream.

The video game
Detroit: Become
Human follows
three android characters - Markus
(played via motion
capture and performance capture by
Jesse Williams,
opposite), Connor
(Bryan Dechart, this
page, left) and Kara
(Valorie Curry,
below) - with each
character's storyline
having its own
distinct look.
Bottom:
Cinematographer
Aymeric
Montouchet on one
of Quantic Dream's
motion-capture
stages.

more "cinematic." So we steered away
from heavy distortion and grain, while
creating an overall film-noir approach.
For Connor's methodical and
logical approach, we wanted a midrange blue to dominate, giving the
image a clean, contrasty look with rich
blacks. I instructed the team to use
white or blue-colored lights, and lean
toward the cooler side of tungsten,
much like when we use photofloods. I
chose to give him a tight grain, similar
to Kodak Vision2 200T 5217. We
wanted to extend the mechanical idea to
the camerawork, with clean, usually
static cameras that move only when
necessary, and only in straight lines, as if
on tracks or a slider, in the David
Fincher style. I also wanted a fairly deep
depth of field to see things sharply.
Markus must become not just a
leader but a symbol, like an Olympic
flame. Orange and white became his
motif. The grain for his storyline would
be thicker than Connor's but still not
excessive; I like the grain in Tony Scott's
films, which I used as a reference. We
wanted wider lenses, which revealed the
world that he conquers and the architecture that surrounds him. The camera
moves needed to be fluid and
Steadicam-like. His depth of field
would fall between the other two charwww.ascmag.com

August 2018

59



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Table of Contents for the Digital Edition of American Cinematographer - August 2018

Contents
American Cinematographer - August 2018 - Cover1
American Cinematographer - August 2018 - Cover2
American Cinematographer - August 2018 - 1
American Cinematographer - August 2018 - 2
American Cinematographer - August 2018 - Contents
American Cinematographer - August 2018 - 4
American Cinematographer - August 2018 - 5
American Cinematographer - August 2018 - 6
American Cinematographer - August 2018 - 7
American Cinematographer - August 2018 - 8
American Cinematographer - August 2018 - 9
American Cinematographer - August 2018 - 10
American Cinematographer - August 2018 - 11
American Cinematographer - August 2018 - 12
American Cinematographer - August 2018 - 13
American Cinematographer - August 2018 - 14
American Cinematographer - August 2018 - 15
American Cinematographer - August 2018 - 16
American Cinematographer - August 2018 - 17
American Cinematographer - August 2018 - 18
American Cinematographer - August 2018 - 19
American Cinematographer - August 2018 - 20
American Cinematographer - August 2018 - 21
American Cinematographer - August 2018 - 22
American Cinematographer - August 2018 - 23
American Cinematographer - August 2018 - 24
American Cinematographer - August 2018 - 24a
American Cinematographer - August 2018 - 24b
American Cinematographer - August 2018 - 25
American Cinematographer - August 2018 - 26
American Cinematographer - August 2018 - 27
American Cinematographer - August 2018 - 28
American Cinematographer - August 2018 - 29
American Cinematographer - August 2018 - 30
American Cinematographer - August 2018 - 31
American Cinematographer - August 2018 - 32
American Cinematographer - August 2018 - 33
American Cinematographer - August 2018 - 34
American Cinematographer - August 2018 - 35
American Cinematographer - August 2018 - 36
American Cinematographer - August 2018 - 37
American Cinematographer - August 2018 - 38
American Cinematographer - August 2018 - 39
American Cinematographer - August 2018 - 40
American Cinematographer - August 2018 - 41
American Cinematographer - August 2018 - 42
American Cinematographer - August 2018 - 43
American Cinematographer - August 2018 - 44
American Cinematographer - August 2018 - 45
American Cinematographer - August 2018 - 46
American Cinematographer - August 2018 - 47
American Cinematographer - August 2018 - 48
American Cinematographer - August 2018 - 49
American Cinematographer - August 2018 - 50
American Cinematographer - August 2018 - 51
American Cinematographer - August 2018 - 52
American Cinematographer - August 2018 - 53
American Cinematographer - August 2018 - 54
American Cinematographer - August 2018 - 55
American Cinematographer - August 2018 - 56
American Cinematographer - August 2018 - 57
American Cinematographer - August 2018 - 58
American Cinematographer - August 2018 - 59
American Cinematographer - August 2018 - 60
American Cinematographer - August 2018 - 61
American Cinematographer - August 2018 - 62
American Cinematographer - August 2018 - 63
American Cinematographer - August 2018 - 64
American Cinematographer - August 2018 - 65
American Cinematographer - August 2018 - 66
American Cinematographer - August 2018 - 67
American Cinematographer - August 2018 - 68
American Cinematographer - August 2018 - 69
American Cinematographer - August 2018 - 70
American Cinematographer - August 2018 - 71
American Cinematographer - August 2018 - 72
American Cinematographer - August 2018 - 73
American Cinematographer - August 2018 - 74
American Cinematographer - August 2018 - 75
American Cinematographer - August 2018 - 76
American Cinematographer - August 2018 - 77
American Cinematographer - August 2018 - 78
American Cinematographer - August 2018 - 79
American Cinematographer - August 2018 - 80
American Cinematographer - August 2018 - Cover3
American Cinematographer - August 2018 - Cover4
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