American Cinematographer - August 2019 - 92

A Century of Inspiration

Steven Poster, ASC: Close Encounters
of the Third Kind [featured] the largest set
ever built indoors for a movie, and Vilmos
[Zsigmond, ASC, HSC] - who was a romantic realist, in my opinion - photographed it
with such a sure hand, and in a way that no
matter what was happening on the set, no
matter how difficult the situation was, he
pushed forward and did a remarkable job of
telling that story. It had a personal quality
that, for a movie of that size and complexity, was unprecedented. It was an extraordinary feat.

The Wild Bunch (1969), shot by
Lucien Ballard, ASC
A Clockwork Orange (1971), shot by
John Alcott, BSC
Klute (1971), shot by
Gordon Willis, ASC
The Last Picture Show (1971), shot by
Robert Surtees, ASC
McCabe & Mrs. Miller (1971), shot
by Vilmos Zsigmond, ASC, HSC

92

Cabaret (1972), shot by
Geoffery Unsworth, BSC
Last Tango in Paris (1972), shot by
Vittorio Storaro, ASC, AIC
The Exorcist (1973), shot by
Owen Roizman, ASC
Chinatown (1974), shot by
John A. Alonzo, ASC
The Godfather: Part II (1974), shot by
Gordon Willis, ASC
Barry Lyndon (1975), shot by
John Alcott, BSC
One Flew Over the Cuckoo's Nest
(1975), shot by Haskell Wexler, ASC
All the President's Men (1976),
shot by Gordon Willis, ASC
Taxi Driver (1976), shot by
Michael Chapman, ASC
Close Encounters of the Third Kind
(1977), shot by Vilmos Zsigmond,
ASC, HSC
The Duellists (1977), shot by
Frank Tidy, BSC
The Deer Hunter (1978), shot by
Vilmos Zsigmond, ASC, HSC

Alien (1979), shot by
Derek Vanlint, CSC
All That Jazz (1979), shot by
Giuseppe Rotunno, ASC, AIC
Being There (1979), shot by
Caleb Deschanel, ASC
The Black Stallion (1979), shot by
Caleb Deschanel, ASC
Manhattan (1979), shot by
Gordon Willis, ASC
The Shining (1980), shot by
John Alcott, BSC
Chariots of Fire (1981), shot by
David Watkin, BSC
Das Boot (1981), shot by
Jost Vacano, ASC, BVK
Reds (1981), shot by
Vittorio Storaro, ASC, AIC
Fanny and Alexander (1982), shot by
Sven Nykvist, ASC
The Right Stuff (1983), shot by
Caleb Deschanel, ASC
Amadeus (1984), shot by
Miroslav Ondricek, ASC, ACK



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American Cinematographer - August 2019

Table of Contents for the Digital Edition of American Cinematographer - August 2019

Contents
American Cinematographer - August 2019 - Cover1a
American Cinematographer - August 2019 - Cover1b
American Cinematographer - August 2019 - Cover2a
American Cinematographer - August 2019 - Cover2b
American Cinematographer - August 2019 - ACM
American Cinematographer - August 2019 - Cover3
American Cinematographer - August 2019 - Cover4
American Cinematographer - August 2019 - 1
American Cinematographer - August 2019 - Contents
American Cinematographer - August 2019 - 3
American Cinematographer - August 2019 - 4
American Cinematographer - August 2019 - 5
American Cinematographer - August 2019 - 6
American Cinematographer - August 2019 - 7
American Cinematographer - August 2019 - 8
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American Cinematographer - August 2019 - 12
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American Cinematographer - August 2019 - Cover5
American Cinematographer - August 2019 - Cover6
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