American Cinematographer - September 2010 - 52

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War Horses

The Expendables make their headquarters in a neon- and fluorescent-lit tattoo parlor run by Tool (Mickey Rourke).

both 4-perf and 3-perf Super 35mm, the filmmakers carried seven Arri cameras — an Arricam Studio, two Arricam Lites, an Arri 535B, two Arri 435ESs and an Arri 235 — and an array of Zeiss Ultra Prime and Angenieux Optimo zoom lenses. Kimball’s regular gaffer, Dan
52 September 2010

Delgado, was unavailable at the beginning of the shoot, but he joined the team once the production moved to New Orleans. Gaffer Michael Ambrose handled the Brazil portion of the shoot with help from Brazilian gaffer Walerio Rosa, and Ambrose has high praise for Rosa and his crew. Kimball notes that
American Cinematographer

his team’s close collaboration with special-effects supervisor Andy Weder and stunt coordinator Chad Stahelski enabled the production to safely capture intimate action imagery. “There was lots of pyro on this project,” says Kimball. “We had both Vern and [Steadicam operator] Jody Miller doing Steadicam work, and we also did lots of handheld. The boys had to wear fire suits and visors whenever there was danger, and their work was remarkable. We were fortunate to have a team that seasoned.” Among the film’s extravagant action pieces are a pyrotechnic sequence involving almost every member of the cast; a gruesome fistfight in a cramped, ancient tunnel; a wild car chase combined with a shootout; and an explosive aerial assault on a pier by a dive-bombing seaplane. “I don’t think many action scenes are shown from the character’s point of view,” muses Stallone. “They are more from the director’s point of view. On Rambo, I thought the most economical and original way to shoot [the action] would be



American Cinematographer - September 2010

Table of Contents for the Digital Edition of American Cinematographer - September 2010

American Cinematographer - September 2010
Contents
Editor’s Note
President’s Desk
Short Takes: Alexa “World Cup” demo
Production Slate: Eat Pray Love • The Milk of Sorrow
Mob Money (Boardwalk Empire)
War Horses (The Expendables)
A Beatle’s Upbringing (Nowhere Boy)
Romans on the Run (Centurion)
Where Cinematography Lives (ASC Clubhouse Renovation)
Post Focus: Lottery Ticket
Filmmakers’ Forum: David McFarland on Black Tulip
New Products & Services
International Marketplace
Classified Ads/Ad Index
ASC Membership Roster
Clubhouse News
ASC Close-Up: Dejan Georgevich
American Cinematographer - September 2010 - American Cinematographer - September 2010
American Cinematographer - September 2010 - Cover2
American Cinematographer - September 2010 - 1
American Cinematographer - September 2010 - 2
American Cinematographer - September 2010 - Contents
American Cinematographer - September 2010 - 4
American Cinematographer - September 2010 - 5
American Cinematographer - September 2010 - 6
American Cinematographer - September 2010 - 7
American Cinematographer - September 2010 - Editor’s Note
American Cinematographer - September 2010 - 9
American Cinematographer - September 2010 - President’s Desk
American Cinematographer - September 2010 - 11
American Cinematographer - September 2010 - Short Takes: Alexa “World Cup” demo
American Cinematographer - September 2010 - 13
American Cinematographer - September 2010 - 14
American Cinematographer - September 2010 - 15
American Cinematographer - September 2010 - 16
American Cinematographer - September 2010 - 17
American Cinematographer - September 2010 - Production Slate: Eat Pray Love • The Milk of Sorrow
American Cinematographer - September 2010 - 19
American Cinematographer - September 2010 - 20
American Cinematographer - September 2010 - 21
American Cinematographer - September 2010 - 22
American Cinematographer - September 2010 - 23
American Cinematographer - September 2010 - 24
American Cinematographer - September 2010 - 25
American Cinematographer - September 2010 - 26
American Cinematographer - September 2010 - 27
American Cinematographer - September 2010 - 28
American Cinematographer - September 2010 - 29
American Cinematographer - September 2010 - 30
American Cinematographer - September 2010 - 31
American Cinematographer - September 2010 - 32
American Cinematographer - September 2010 - 33
American Cinematographer - September 2010 - Mob Money (Boardwalk Empire)
American Cinematographer - September 2010 - 35
American Cinematographer - September 2010 - 36
American Cinematographer - September 2010 - 37
American Cinematographer - September 2010 - 38
American Cinematographer - September 2010 - 39
American Cinematographer - September 2010 - 40
American Cinematographer - September 2010 - 41
American Cinematographer - September 2010 - 42
American Cinematographer - September 2010 - 43
American Cinematographer - September 2010 - 44
American Cinematographer - September 2010 - 45
American Cinematographer - September 2010 - 46
American Cinematographer - September 2010 - 47
American Cinematographer - September 2010 - 48
American Cinematographer - September 2010 - 49
American Cinematographer - September 2010 - War Horses (The Expendables)
American Cinematographer - September 2010 - 51
American Cinematographer - September 2010 - 52
American Cinematographer - September 2010 - 53
American Cinematographer - September 2010 - 54
American Cinematographer - September 2010 - 55
American Cinematographer - September 2010 - 56
American Cinematographer - September 2010 - 57
American Cinematographer - September 2010 - 58
American Cinematographer - September 2010 - 59
American Cinematographer - September 2010 - 60
American Cinematographer - September 2010 - 61
American Cinematographer - September 2010 - 62
American Cinematographer - September 2010 - 63
American Cinematographer - September 2010 - A Beatle’s Upbringing (Nowhere Boy)
American Cinematographer - September 2010 - 65
American Cinematographer - September 2010 - 66
American Cinematographer - September 2010 - 67
American Cinematographer - September 2010 - 68
American Cinematographer - September 2010 - 69
American Cinematographer - September 2010 - 70
American Cinematographer - September 2010 - 71
American Cinematographer - September 2010 - 72
American Cinematographer - September 2010 - 73
American Cinematographer - September 2010 - Romans on the Run (Centurion)
American Cinematographer - September 2010 - 75
American Cinematographer - September 2010 - 76
American Cinematographer - September 2010 - 77
American Cinematographer - September 2010 - 78
American Cinematographer - September 2010 - 79
American Cinematographer - September 2010 - 80
American Cinematographer - September 2010 - 81
American Cinematographer - September 2010 - Where Cinematography Lives (ASC Clubhouse Renovation)
American Cinematographer - September 2010 - 83
American Cinematographer - September 2010 - 84
American Cinematographer - September 2010 - 85
American Cinematographer - September 2010 - Post Focus: Lottery Ticket
American Cinematographer - September 2010 - 87
American Cinematographer - September 2010 - 88
American Cinematographer - September 2010 - 89
American Cinematographer - September 2010 - Filmmakers’ Forum: David McFarland on Black Tulip
American Cinematographer - September 2010 - 91
American Cinematographer - September 2010 - 92
American Cinematographer - September 2010 - 93
American Cinematographer - September 2010 - New Products & Services
American Cinematographer - September 2010 - 95
American Cinematographer - September 2010 - 96
American Cinematographer - September 2010 - 97
American Cinematographer - September 2010 - 98
American Cinematographer - September 2010 - 99
American Cinematographer - September 2010 - 100
American Cinematographer - September 2010 - 101
American Cinematographer - September 2010 - 102
American Cinematographer - September 2010 - 103
American Cinematographer - September 2010 - International Marketplace
American Cinematographer - September 2010 - Classified Ads/Ad Index
American Cinematographer - September 2010 - 106
American Cinematographer - September 2010 - 107
American Cinematographer - September 2010 - ASC Membership Roster
American Cinematographer - September 2010 - 109
American Cinematographer - September 2010 - Clubhouse News
American Cinematographer - September 2010 - 111
American Cinematographer - September 2010 - ASC Close-Up: Dejan Georgevich
American Cinematographer - September 2010 - Cover3
American Cinematographer - September 2010 - Cover4
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