American Cinematographer - September 2011 - 67
stabilized [the shot] in post.” Goldblatt notes that an increasingly important part of his process is “getting the colorslocked down before we even start shooting. During prep, I took photographs of the sets, used Photoshop to color correct them and [shots from] the hair and makeup tests, and then sent the files to [EFilm dailies colorist] Benny Estrada, who used them as a reference when timing the dailies. If we start creating a look in prep, we can hit the ground running once shooting begins.” Joachim Zell, EFilm’s vice president of imaging science and remote services, notes that EFilm’s Colorstream Photo system for DSLR cameras was designed expressly for Goldblatt. Another proprietary EFilm process, CinemaScan Dailies, allowed the transfer of color-correction metadata from the dailies through to the DI. “The material was logged and tracked against the key frames of the film negative,”
explains Goldblatt, “so that when the negative was cut and the film locked, the dailies color corrections were already in place and were used as a starting value for the final grade. All the work we’d done during the shoot was available for [DI colorist] Steve Scott, so he had a damn good idea of the look we intended.” Goldblatt notes that Scott is another longtime collaborator he was able to tap on The Help. “We have a close relationship, and he pretty much knows what I want before I do, which is very helpful.” When it comes to filmmaking, he observes, “I don’t like to gamble with people or luck. Making films is so fraught with problems, you might as well control the things you can.” ●
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American Cinematographer - September 2011
Table of Contents for the Digital Edition of American Cinematographer - September 2011
American Cinematographer - September 2011
Contents
Editor’s Note
President’s Desk
Short Takes: “Sleep Forever”
Production Slate: Circumstance • Brighton Rock
A Mighty Pen
Immersive Dance
Airing Dirty Laundry
Tips on Location Scouting
Post Focus: Cinelicious
Filmmakers’ Forum: 24-Frame Video Playback
New Products & Services
International Marketplace
Classified Ads
Ad Index
ASC Membership Roster
Clubhouse News
ASC Close-Up: Dante Spinotti, ASC, AIC
American Cinematographer - September 2011 - American Cinematographer - September 2011
American Cinematographer - September 2011 - Cover2
American Cinematographer - September 2011 - 1
American Cinematographer - September 2011 - 2
American Cinematographer - September 2011 - Contents
American Cinematographer - September 2011 - 4
American Cinematographer - September 2011 - 5
American Cinematographer - September 2011 - 6
American Cinematographer - September 2011 - 7
American Cinematographer - September 2011 - Editor’s Note
American Cinematographer - September 2011 - 9
American Cinematographer - September 2011 - President’s Desk
American Cinematographer - September 2011 - 11
American Cinematographer - September 2011 - Short Takes: “Sleep Forever”
American Cinematographer - September 2011 - 13
American Cinematographer - September 2011 - 14
American Cinematographer - September 2011 - 15
American Cinematographer - September 2011 - Production Slate: Circumstance • Brighton Rock
American Cinematographer - September 2011 - 17
American Cinematographer - September 2011 - 18
American Cinematographer - September 2011 - 19
American Cinematographer - September 2011 - 20
American Cinematographer - September 2011 - 21
American Cinematographer - September 2011 - 22
American Cinematographer - September 2011 - 23
American Cinematographer - September 2011 - 24
American Cinematographer - September 2011 - 25
American Cinematographer - September 2011 - 26
American Cinematographer - September 2011 - 27
American Cinematographer - September 2011 - A Mighty Pen
American Cinematographer - September 2011 - 29
American Cinematographer - September 2011 - 30
American Cinematographer - September 2011 - 31
American Cinematographer - September 2011 - 32
American Cinematographer - September 2011 - 33
American Cinematographer - September 2011 - 34
American Cinematographer - September 2011 - 35
American Cinematographer - September 2011 - 36
American Cinematographer - September 2011 - 37
American Cinematographer - September 2011 - 38
American Cinematographer - September 2011 - 39
American Cinematographer - September 2011 - 40
American Cinematographer - September 2011 - 41
American Cinematographer - September 2011 - 42
American Cinematographer - September 2011 - 43
American Cinematographer - September 2011 - Immersive Dance
American Cinematographer - September 2011 - 45
American Cinematographer - September 2011 - 46
American Cinematographer - September 2011 - 47
American Cinematographer - September 2011 - 48
American Cinematographer - September 2011 - 49
American Cinematographer - September 2011 - 50
American Cinematographer - September 2011 - 51
American Cinematographer - September 2011 - 52
American Cinematographer - September 2011 - 53
American Cinematographer - September 2011 - 54
American Cinematographer - September 2011 - 55
American Cinematographer - September 2011 - Airing Dirty Laundry
American Cinematographer - September 2011 - 57
American Cinematographer - September 2011 - 58
American Cinematographer - September 2011 - 59
American Cinematographer - September 2011 - 60
American Cinematographer - September 2011 - 61
American Cinematographer - September 2011 - 62
American Cinematographer - September 2011 - 63
American Cinematographer - September 2011 - 64
American Cinematographer - September 2011 - 65
American Cinematographer - September 2011 - 66
American Cinematographer - September 2011 - 67
American Cinematographer - September 2011 - Tips on Location Scouting
American Cinematographer - September 2011 - 69
American Cinematographer - September 2011 - 70
American Cinematographer - September 2011 - 71
American Cinematographer - September 2011 - 72
American Cinematographer - September 2011 - 73
American Cinematographer - September 2011 - 74
American Cinematographer - September 2011 - 75
American Cinematographer - September 2011 - 76
American Cinematographer - September 2011 - 77
American Cinematographer - September 2011 - Post Focus: Cinelicious
American Cinematographer - September 2011 - 79
American Cinematographer - September 2011 - 80
American Cinematographer - September 2011 - 81
American Cinematographer - September 2011 - 82
American Cinematographer - September 2011 - 83
American Cinematographer - September 2011 - Filmmakers’ Forum: 24-Frame Video Playback
American Cinematographer - September 2011 - 85
American Cinematographer - September 2011 - 86
American Cinematographer - September 2011 - 87
American Cinematographer - September 2011 - New Products & Services
American Cinematographer - September 2011 - 89
American Cinematographer - September 2011 - 90
American Cinematographer - September 2011 - 91
American Cinematographer - September 2011 - 92
American Cinematographer - September 2011 - 93
American Cinematographer - September 2011 - 94
American Cinematographer - September 2011 - 95
American Cinematographer - September 2011 - International Marketplace
American Cinematographer - September 2011 - Classified Ads
American Cinematographer - September 2011 - Ad Index
American Cinematographer - September 2011 - 99
American Cinematographer - September 2011 - ASC Membership Roster
American Cinematographer - September 2011 - 101
American Cinematographer - September 2011 - Clubhouse News
American Cinematographer - September 2011 - 103
American Cinematographer - September 2011 - ASC Close-Up: Dante Spinotti, ASC, AIC
American Cinematographer - September 2011 - Cover3
American Cinematographer - September 2011 - Cover4
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