American Cinematographer - September 2015 - 59
Before joining
forces, Solo and
Kuryakin first
meet while
they're each on
another
operation -
resulting in a car
chase (top) and
a narrow
getaway by Solo
(bottom).
that had a big front collector put on it,
which put more light in but softened the
lens."
A collection of lenses that
Mathieson describes as "a mixture" -
which included Panavision E Series
Anamorphic
primes, Panavision
anamorphic zooms, Zeiss Super Speed
spherical primes and a selection of
Cooke zooms - created variations that
the cinematographer happily embraced.
"It's a problem if you match things too
perfectly," he says. "You lose the rhythm
of the shots. Mish-mashed lenses give
your photography identity - it's what
the Japanese call 'perfect imperfection.' I
think that a lot of films that are shot
digitally look the same, [because] you
can smooth things out; you can noodle
too much."
The Man From U.N.C.L.E. began
principal photography in September
2013 and wrapped in December, with a
prep period that Mathieson describes as
"ample - six or eight weeks. I think it's
important to bring a director of photography in at the beginning of prep, so I
can say, 'Don't build that - build this.'"
He adds that he would rather "come and
do some prep early on and be sent away
for five or six weeks, and then come back
when things are starting to be built and
locations are being fixed."
On the subject of locations,
Mathieson remarks, "Studios are very
dull places. Vast amounts of green go up.
If you're on location, you're provoked
and made to do things in a way you
wouldn't normally, and that brings out
something." In line with that philosophy, the production largely avoided
shooting in the studio. "We had some
factory-type stuff [with] the big, evil,
Bond-type baddies of the Sixties -
people who have accumulated a vast
quantity of wealth and a private army
and some sort of laser-bomb thing. Very
www.theasc.com
rich collectors of art, and there's an evil
Nazi cousin in there somewhere. It's
good, all that."
The National Maritime Museum,
the Old Royal Naval College, and, as
Mathieson explains, "a derelict part of
the London Docks near the City
Airport; Brixton, South London;
Regent's Park; and various old large interiors in London all played for East and
West Berlin. They did some plates in old
bits of East Germany and Poland to get
some of the texture of the streets."
In terms of scheduling, Mathieson
confirms that "we did [the movie]
September 2015
59
http://www.theasc.com
American Cinematographer - September 2015
Table of Contents for the Digital Edition of American Cinematographer - September 2015
Contents
American Cinematographer - September 2015 - Intro
American Cinematographer - September 2015 - Cover1
American Cinematographer - September 2015 - Cover2
American Cinematographer - September 2015 - 1
American Cinematographer - September 2015 - 2
American Cinematographer - September 2015 - Contents
American Cinematographer - September 2015 - 4
American Cinematographer - September 2015 - 5
American Cinematographer - September 2015 - 6
American Cinematographer - September 2015 - 7
American Cinematographer - September 2015 - 8
American Cinematographer - September 2015 - 9
American Cinematographer - September 2015 - 10
American Cinematographer - September 2015 - 11
American Cinematographer - September 2015 - 12
American Cinematographer - September 2015 - 13
American Cinematographer - September 2015 - 14
American Cinematographer - September 2015 - 15
American Cinematographer - September 2015 - 16
American Cinematographer - September 2015 - 17
American Cinematographer - September 2015 - 18
American Cinematographer - September 2015 - 19
American Cinematographer - September 2015 - 20
American Cinematographer - September 2015 - 21
American Cinematographer - September 2015 - 22
American Cinematographer - September 2015 - 23
American Cinematographer - September 2015 - 24
American Cinematographer - September 2015 - 25
American Cinematographer - September 2015 - 26
American Cinematographer - September 2015 - 27
American Cinematographer - September 2015 - 28
American Cinematographer - September 2015 - 29
American Cinematographer - September 2015 - 30
American Cinematographer - September 2015 - 31
American Cinematographer - September 2015 - 32
American Cinematographer - September 2015 - 33
American Cinematographer - September 2015 - 34
American Cinematographer - September 2015 - 35
American Cinematographer - September 2015 - 36
American Cinematographer - September 2015 - 37
American Cinematographer - September 2015 - 38
American Cinematographer - September 2015 - 39
American Cinematographer - September 2015 - 40
American Cinematographer - September 2015 - 41
American Cinematographer - September 2015 - 42
American Cinematographer - September 2015 - 43
American Cinematographer - September 2015 - 44
American Cinematographer - September 2015 - 45
American Cinematographer - September 2015 - 46
American Cinematographer - September 2015 - 47
American Cinematographer - September 2015 - 48
American Cinematographer - September 2015 - 49
American Cinematographer - September 2015 - 50
American Cinematographer - September 2015 - 51
American Cinematographer - September 2015 - 52
American Cinematographer - September 2015 - 53
American Cinematographer - September 2015 - 54
American Cinematographer - September 2015 - 55
American Cinematographer - September 2015 - 56
American Cinematographer - September 2015 - 57
American Cinematographer - September 2015 - 58
American Cinematographer - September 2015 - 59
American Cinematographer - September 2015 - 60
American Cinematographer - September 2015 - 61
American Cinematographer - September 2015 - 62
American Cinematographer - September 2015 - 63
American Cinematographer - September 2015 - 64
American Cinematographer - September 2015 - 64a
American Cinematographer - September 2015 - 64b
American Cinematographer - September 2015 - 64c
American Cinematographer - September 2015 - 64d
American Cinematographer - September 2015 - 64e
American Cinematographer - September 2015 - 64f
American Cinematographer - September 2015 - 64g
American Cinematographer - September 2015 - 64h
American Cinematographer - September 2015 - 65
American Cinematographer - September 2015 - 66
American Cinematographer - September 2015 - 67
American Cinematographer - September 2015 - 68
American Cinematographer - September 2015 - 69
American Cinematographer - September 2015 - 70
American Cinematographer - September 2015 - 71
American Cinematographer - September 2015 - 72
American Cinematographer - September 2015 - 73
American Cinematographer - September 2015 - 74
American Cinematographer - September 2015 - 75
American Cinematographer - September 2015 - 76
American Cinematographer - September 2015 - 77
American Cinematographer - September 2015 - 78
American Cinematographer - September 2015 - 79
American Cinematographer - September 2015 - 80
American Cinematographer - September 2015 - 81
American Cinematographer - September 2015 - 82
American Cinematographer - September 2015 - 83
American Cinematographer - September 2015 - 84
American Cinematographer - September 2015 - 85
American Cinematographer - September 2015 - 86
American Cinematographer - September 2015 - 87
American Cinematographer - September 2015 - 88
American Cinematographer - September 2015 - 89
American Cinematographer - September 2015 - 90
American Cinematographer - September 2015 - 91
American Cinematographer - September 2015 - 92
American Cinematographer - September 2015 - 93
American Cinematographer - September 2015 - 94
American Cinematographer - September 2015 - 95
American Cinematographer - September 2015 - 96
American Cinematographer - September 2015 - 97
American Cinematographer - September 2015 - 98
American Cinematographer - September 2015 - 99
American Cinematographer - September 2015 - 100
American Cinematographer - September 2015 - 101
American Cinematographer - September 2015 - 102
American Cinematographer - September 2015 - 103
American Cinematographer - September 2015 - 104
American Cinematographer - September 2015 - 105
American Cinematographer - September 2015 - 106
American Cinematographer - September 2015 - 107
American Cinematographer - September 2015 - 108
American Cinematographer - September 2015 - 109
American Cinematographer - September 2015 - 110
American Cinematographer - September 2015 - 111
American Cinematographer - September 2015 - 112
American Cinematographer - September 2015 - 113
American Cinematographer - September 2015 - 114
American Cinematographer - September 2015 - 115
American Cinematographer - September 2015 - 116
American Cinematographer - September 2015 - 117
American Cinematographer - September 2015 - 118
American Cinematographer - September 2015 - 119
American Cinematographer - September 2015 - 120
American Cinematographer - September 2015 - Cover3
American Cinematographer - September 2015 - Cover4
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